category: modernist studies

New Journal: The Bulletin of International Association for Robin Hood Studies

full name / name of organization: 
International Association for Robin Hood Studies
contact email: 
akaufman@aum.edu; valerie.johnson@lmc.gatech.edu

The International Association for Robin Hood Studies (IARHS) is pleased to announce the creation of a new, peer-reviewed, open-access journal, The Bulletin of the International Association for Robin H

"Remeasuring Lyrical Pain" -- Seminar CFP -- ACLA Annual Meeting, Cambridge, MA, March 17–20, 2016

full name / name of organization: 
Jessica Tabak / Brown University
contact email: 
jessica_tabak@brown.edu

In recent scholarship, lyric emerges as a privileged form for expressing, simulating, and circulating pain: its formal flexibility, non-narrative structure, and somatic elements allow lyric to evoke a

Call for essay proposals: edited collection on Modernist Studies

full name / name of organization: 
Noelia Malla
contact email: 
noeliamalla@gmail.com

Ezra Pound’s proclamation to ‘Make it new’ traced the quintessential phrase of the modernist period in Literature and the Arts.

UCLA Comparative Literature Graduate Student Conference

full name / name of organization: 
UCLA
contact email: 
ucla.complit.conf@gmail.com

The uneasy boundary between madness and love asserts itself throughout recorded history.

Willa Cather as Modernist, 9/30/15; 3/17-3/20/16

full name / name of organization: 
Northeast Modern Language Assoc (NeMLA)
contact email: 
abenn@esu.edu

This panel for the NeMLA 2016 Annual Convention, to be held in Hartford, Connecticut, from March 17 to March 20, 2016, will feature papers that explore Willa Cather as a Modernist writer.

[Update] Image Matter: Art and Materiality (AAH New Voices conference); Manchester, 6 Nov 2015

full name / name of organization: 
Association of Art Historians
contact email: 
t.reifenstein@mmu.ac.uk

Image Matter: Art and Materiality
AAH Students New Voices Conference
MIRIAD, Manchester Metropolitan University
6 November 2015

'Facts and Fictions' - First Workshop of 'The Art of Identification' Network, University of Birmingham, Tuesday 13 October 2015

full name / name of organization: 
The Art of Identification
contact email: 
theartofidentification@gmail.com

The Art of Identification network, funded by a networking grant from the Arts and Humanities Research Council (AHRC) intends to bring together a range of academics and practitioners in order to explor

[UPDATE] "Daddy, What did you Do in the Culture Wars?": Academia and Public Life - NeMLA 2016

full name / name of organization: 
Northeastern Modern Language Association - Hartford CT, March 17-20, 1016
contact email: 
ens310@lehigh.edu, wal209@lehigh.edu

It’s been almost thirty years since Allan Bloom made his clarion call to classicism within the American academy with the publication of The Closing of the American Mind.

The Novel and Digital Humanities: Seeking Teaching Tools (July 25)

full name / name of organization: 
Studies in the Novel Affiliate Website
contact email: 
khuie1@gsu.edu

The editorial team at Studies in the Novel is seeking content for its online archive of indexed teaching tools on the journal’s affiliate website.

[UPDATE] [SCMS 2016 CFP] Spaces of Spectatorship: Architectures of the Projected Image

full name / name of organization: 
Swagato Chakravorty / Yale University
contact email: 
swagato.chakravorty@yale.edu

The dispositif of the moving and projected image, defying its ossification under the weight of seventies-era apparatus theory, has returned to prominence. Screen architectures and moving-image installations have characterized a large-scale reconfiguration and reimagination of the dispositifs of cinema in the decades leading from the late twentieth into the early twenty-first century. The architecture of the moving and projected image has been at the center of this renewed focus on the dispositif. Scholarly accounts too often try to retroject works from this period into a genealogy rooted in the discourse of American Minimalist art (and related phenomenological concerns), or else recycle an older rhetoric of immersive spectatorship and theories of the spectacle.

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