The MediaCommons Front Page Collective welcomes responses to the survey question: How can fanfiction studies enrich student learning in the classroom and within their own reading and writing practices?
The Texas Center for Working-Class Studies, housed at Collin College in Plano, Texas, is pleased to hold its inaugural conference, featuring keynote speaker and noted historian Dr. Heather Thompson of Temple University, who will present "What Mass Incarceration Means to the American Working Class." The conference, which will take place in the Living Legends Conference Center at the Spring Creek Campus of Collin College on April 10, 2015, and will also feature scholarly panels and roundtables by faculty from a variety of disciplines. For the conference program and registration, please go to http://iws.collin.edu/lkirby/
From the early decades of the twentieth century the concept of 'revolution' has provided modernism with a powerful historical imaginary of rupture and change, encompassing phenomena ranging from overtly political manifestos through to radical challenges to established aesthetic forms and prevailing critical frameworks. Taking our cue from this year's MSA theme, this session seeks to rethink modernism's broader relationship to categories and modes of the historical. We invite papers that both broaden and complicate current understandings of the interrelation between conceptions of history and modernist artistic practice.
This special session takes the 2015 PAMLA conference theme of "Literature and Time" as an occasion for reconsidering a topic that has interested Faulkner critics for as long as there has been Faulkner criticism. We invite papers that explore the continuing relevance (endurance?) of time as a conceptual framework (formal, historical, psychological, philosophical, ecological, etc.) for understanding any aspect of Faulkner's work, life, or reception, as well as Faulkner's relevance for new critical models for thinking about time.
Please send questions to firstname.lastname@example.org and submit 250-word abstracts via the online system at pamla.org by May 15, 2015. (Please note extended deadline.)
CFP: Cinematic Journeys of Identity
In keeping with this year's focus of "Journeys, Detours, Breakdowns," we seek to explore film as a visual technology that works to formulate, map, image, and indeed, imagine identity. While cinematic journeys can come to us explicitly in the form of a traveling filmmaker or a narrative that itself is about traveling, there is also the journey of the audience, taking flight and following the itinerary charted by the film. In this regard, this area is interested in what Tom Conley calls the "cartographic impulse."
Mid-Atlantic Popular & American Culture Association (MAPACA)
26th Annual Conference
November 5-7, 2015
Philadelphia, PA - Sonesta Philadelphia
Call for papers:
Proposals are welcome on all aspects of popular and American culture for inclusion in the 2015 Mid-Atlantic Popular & American Culture Association conference in Philadelphia, PA. Single papers, panels, roundtables, and alternative formats are welcome.
Proposals should take the form of 300-word abstracts, and may only be submitted to one appropriate area. The deadline for submission is Tuesday, June 30, 2015.
This call seeks papers on modernism's involvement with and response to rural revolutions in the 20th century for a panel or panel series at the 2015 MSA Meeting in Boston. We're looking for papers investigating modernist cultures and literatures alongside the transformation of rural landscapes and cultures, in imagination and on the land, in the long 20th century. We particularly seek papers that consider the rise of industrial agriculture and its discontents or the role of the rural and its representations in movements towards social and ecological revolution. We welcome papers that consider and investigate the rural alongside multiple and contested modernities.
MLA Panel on visual culture after "Abu Ghraib" -- films, graphic novels, photography, political cartoons etc. that invoke/respond to the Abu Ghraib torture photographs.
Email 250-300 word abstract by Monday, March 31, 2015.
In a world where the data traces or 'life patterns' of human beings are thought to yield new forms of knowledge and novel ways of knowing future threats, the algorithm appears to afford a renewed capacity to secure. As Edward Snowden's 2013 disclosure of the analysis of bulk data by the NSA and GCHQ revealed, the sifting, sorting and triage of vast streams of digital data has become possible because of algorithmic techniques such as knowledge discovery and the querying of distributed databases. As online data streams become read by text analytics that promise to discover incipient sentiment and human affects, algorithms exhibit a capacity for action beyond the threshold of human perceptibility.
Othello's Island 2016
The 4th Annual Multidisciplinary Conference of Medieval and Renaissance Studies held at the Severis Foundation, Nicosia, Cyprus, March 2016
Professor James Fitzmaurice, Emeritus Professor of English (Northern Arizona University) and Director of Distance Learning in English (University of Sheffield)
Professor Lisa Hopkins, Professor of English Literature (Sheffield Hallam University)
Dr Sarah James, Senior Lecturer, University of Kent, School of English
Dr Michael Paraskos, Cornaro Institute, Cyprus
Benedict Read FSA, Research Fellow, University of Leeds School of Fine Art
About the Conference:
Deadline for Submission of Abstract: June 1st, 2015
Title: The Guardians of Mediocrity: How Universities Use Tenure to Protect the Status Quo
WSQ, Call for Papers: Special Issue
Amin Ghaziani, Associate Professor of Sociology, University of British Columbia
Matt Brim, Associate Professor of Queer Studies, College of Staten Island, CUNY
Queer Studies is experiencing a methodological renaissance. In both the humanities and the social sciences, scholars have begun to identify research protocols and practices that have been largely overshadowed by advances in queer theory. The fall 2013 "Queer Method" conference organized by Heather Love at the University of Pennsylvania indexed this shift toward methods by reframing the question "what is queer theory?" to "how is the work of queer theory done?"
Despite the ubiquity of the peripatetic figure in the modernist text, the early twentieth century is marked by persistent tensions on the traveller: as technological innovations granted the individual greater mobility, the state moved to restrict motion. By the 1880s, transatlantic steamship crossing, once a weeks-long affair, could be completed in a mere five days, yet the introduction of mandatory passports in the West about 1914 meant the global traveler faced increasing juridical restrictions on their movement. These forces share a common thread: they are structured and made possible by paperwork.
For all its many urban topographies, the literary landscape of modernism contains a startling array of greens, from public and national parks to vacant lots, suburban gardens, and botanic displays. In drawing from recent interactions between environmental criticism and modernist studies, we propose that thinking with and through planned greens leads to a more complex understanding of modernismâs tangled engagements with arts, social protest, material culture, bodies, and the nature-culture divide. What new haptic, scopic or visual modes of experience were enabled when modernism entered the green? How were gendered and sexualized bodies redistributed? How was imperial ideology grafted together with colonial aspirations?
Here is the link to our electronic journal page: http://thesefragilelilacs.wix.com/poetryjournal
The deadine for submissions for our inaugural volume is May 31, 2015.
Send submissions to email@example.com .
Please do *not* include any attachments; instead, paste the poems you would like to be submitted directly into your email. You may submit up to five poems per submission cycle.
Include a short (2 to 3 sentence) biography with your submission.