category: modernist studies

Race, Perception, and Modernist Spectacle (MSA 14, October 18-21, 2012)

full name / name of organization: 
Joshua Lam / University at Buffalo (SUNY)
contact email: 
jdlam@buffalo.edu

“Race, Perception, and Modernist Spectacle”

[UPDATE] Children in Text, Person and Theory, CFP - March 20, 2012

full name / name of organization: 
Vasuki Shanmuganathan, University of Toronto
contact email: 
v.shanmuganathan@utoronto.ca

Children in Text, Person and Theory
Thursday, 19 April 2012, University of Toronto

Princeton Comparative Poetics Colloquium: Poiesis and Techne

full name / name of organization: 
Kathryn Stergiopoulos
contact email: 
poiesistechne@gmail.com

CALL FOR PAPERS

“Poiesis and Techne”
Seventh Annual Graduate Student Comparative Poetics Colloquium
Department of Comparative Literature, Princeton University
Saturday, May 5, 2012

Voice and Modernist Spectacle (Proposed panel for MSA 14, Las Vegas, Oct. 18–21, 2012)

full name / name of organization: 
Sara Bryant
contact email: 
slb4ca@virginia.edu

CFP: Proposed panel on Voice and Modernist Spectacle
MSA 14, Las Vegas (Oct. 18–21, 2012)

[UPDATE] Modernist Lives, Precarious Lives (MSA 14, October 18th-21st, Las Vegas)

full name / name of organization: 
Walt Hunter/ University of Virginia
contact email: 
weh5b@virginia.edu

Although much recent criticism in modernist studies has focused on the everyday and the ordinary, this panel proposes instead to look at the precarious.

Modernist Lives, Precarious Lives

full name / name of organization: 
Walt Hunter/ University of Virginia
contact email: 
weh5b@virginia.edu

Although much recent criticism in modernist studies has focused on the everyday and the ordinary, this panel proposes instead to look at the precarious.

Contemporary Spectacles of the Modern (MSA 14 - October 18-21, 2012)

full name / name of organization: 
Chris Coffman / University of Alaska Fairbanks
contact email: 
cecoffman@alaska.edu

What happens when modernist cultural products return in or persist into the present?

[UPDATE] - Reconfiguring Authorship’

full name / name of organization: 
Research on Authorship as Performance (RAP) project, English Studies, Ghent University
contact email: 
soren.hammerschmidt@ugent.be

Thursday, November 15-Sunday, November 18, 2012
Ghent University, Belgium

[UPDATE] Ford Madox Ford's Parade's End: Modernism and the First World War, 27-29 September 2012

full name / name of organization: 
Institute of English Studies, University of London
contact email: 
fordmadoxford@hotmail.co.uk

CALL FOR PAPERS: Ford Madox Ford’s Parade’s End

Institute of English Studies, University of London
27–29 September 2012

‘There are not many English novels which deserve to be called great: Parade’s End is one of them.’ W. H. Auden

Harlem Spectacle (MSA 14)

full name / name of organization: 
Matthew Hannah / University of Oregon
contact email: 
mhannah@uoregon.edu

In the chapter “Spectacles in Color” in his autobiography The Big Sea, Langston Hughes describes the famous Hamilton Club Lodge Ball as the “Strangest and gaudiest of all Harlem spectacles.” F

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