Terry Pratchett is one of the UK's most brilliant fantasy writers and was an inveterate humourist with a knack of creating unforgettable characters. Writing with verve, poignancy and daring, Pratchett is known for his signature style as much as for the bold criticism deftly embedded in his comedic writing. In honour of Sir Terry, gender forum will publish a special issue dedicated to him and his works.
The long-running debate on Post-humanism is now entering a new phase: after the analysis of technological imaginaries and 'frontier cases' that informed the field during the '90s, scholars' attention is now progressively focusing on more common technological artefacts, social practices and socio-technological assemblages that seem to redefine the boundaries of what was traditionally conceived as "human".
This panel welcomes papers on the various social, intellectual, or textual networks among authors and consumers of early modern literature and science. This panel seeks to understand what new networks of influence or collaboration we can discover by pairing disparate genres/fields of inquiry in the early modern period. Essentially, this panel asks: how can disparate or shared methods of signification within literary and scientific genres challenge our understanding of the early modern production of knowledge?
Abstracts are being welcomed for a proposed collection examining the toy as hero. Toys, a celebrated part of childhood and often key figures in children's imaginative play, have a fantastic history of heroism in print and on film. Open to examinations of literature, comics, and film, the collection seeks to be a repository of original essays that analyze the roles toys play as protectors of the child(ren) they love, as heroes of their own stories, or as champions for the greater good.
Possible pieces for consideration:
Margaret Atwood Studies, the journal of The Margaret Atwood Society, invites submissions on a rolling basis from both members and nonmembers. Essays submitted must be the original work of the author(s) and neither published nor under consideration for publication elsewhere. Essays should be focused primarily on the work of Margaret Atwood, between 2,500 and 7000 words, double-spaced, and documented following the conventions outlined in the latest MLA Handbook. To facilitate blind review, submissions should include a cover sheet with contact information and include no references to authorship in the essay. Submit via email as an attachment to Dr. Karma Waltonen at email@example.com.
# International Conference Series in Games and Literary Theory
Third Annual Conference
Hosted by Loyola University New Orleans, Department of English & School of Mass Communication
New Orleans, Louisiana USA
November 20-22, 2015
**Please note, we are EXTENDING the proposal due date to April 17th.**
Our panel explores the various temporalities at play within the binary realms of childhood and adulthood with the aim of rethinking its teleology of 'growing up' from temporal perspectives.
Interested panelists should submit a brief bio (50-100 words) and an abstract (250-300 words) to firstname.lastname@example.org by April 20, 2015.
Call for Proposals – "Horrible Mothers" (Francophone North America)
A three-day conference organized by Jeanne Gaakeer and Frans-Willem Korsten
To be held September 24-26, 2015
Erasmus School of Law & Erasmus School of History, Culture and Communication – Leiden University Centre for the Arts in Society
Deadline application: a proposal of max. 300 words should be sent to email@example.com before May 15th, 2015.
Southern Humanities Council Conference
The Brown Hotel, Louisville, KY
January 28-January 31, 2016
"Public Bodies, Private Spaces: Private Bodies, Public Spaces"
The MediaCommons Front Page Collective welcomes responses to the survey question: How can fanfiction studies enrich student learning in the classroom and within their own reading and writing practices?
The Texas Center for Working-Class Studies, housed at Collin College in Plano, Texas, is pleased to hold its inaugural conference, featuring keynote speaker and noted historian Dr. Heather Thompson of Temple University, who will present "What Mass Incarceration Means to the American Working Class." The conference, which will take place in the Living Legends Conference Center at the Spring Creek Campus of Collin College on April 10, 2015, and will also feature scholarly panels and roundtables by faculty from a variety of disciplines. For the conference program and registration, please go to http://iws.collin.edu/lkirby/
From the early decades of the twentieth century the concept of 'revolution' has provided modernism with a powerful historical imaginary of rupture and change, encompassing phenomena ranging from overtly political manifestos through to radical challenges to established aesthetic forms and prevailing critical frameworks. Taking our cue from this year's MSA theme, this session seeks to rethink modernism's broader relationship to categories and modes of the historical. We invite papers that both broaden and complicate current understandings of the interrelation between conceptions of history and modernist artistic practice.
This special session takes the 2015 PAMLA conference theme of "Literature and Time" as an occasion for reconsidering a topic that has interested Faulkner critics for as long as there has been Faulkner criticism. We invite papers that explore the continuing relevance (endurance?) of time as a conceptual framework (formal, historical, psychological, philosophical, ecological, etc.) for understanding any aspect of Faulkner's work, life, or reception, as well as Faulkner's relevance for new critical models for thinking about time.
Please send questions to firstname.lastname@example.org and submit 250-word abstracts via the online system at pamla.org by May 15, 2015. (Please note extended deadline.)
CFP: Cinematic Journeys of Identity
In keeping with this year's focus of "Journeys, Detours, Breakdowns," we seek to explore film as a visual technology that works to formulate, map, image, and indeed, imagine identity. While cinematic journeys can come to us explicitly in the form of a traveling filmmaker or a narrative that itself is about traveling, there is also the journey of the audience, taking flight and following the itinerary charted by the film. In this regard, this area is interested in what Tom Conley calls the "cartographic impulse."