The Staging Beckett team is pleased to announce the project's third and final conference, Staging Beckett and Contemporary Theatre and Performance Cultures. Building on the conversation begun at the first two events which addressed national and international performance histories and productions at the cultural 'margins' respectively, this conference aims to address how we can locate productions of Beckett's theatre or the staging of any Beckett text within the wider landscape of contemporary theatre and performance in different cultural contexts. What are the legacies of productions of Beckett's theatre or stage adaptations of other texts for contemporary theatre and performance practitioners? How can we best document and record those legacies?
The Minetta Review is a literary and arts publication managed by undergraduate students at New York University. If you are a poet, proser, prose-poet, painter, sculptor, photographer, digital illustrator—otherwise an experimenter of combining word and visual art—the Minetta Review staff encourages you to submit your work to email@example.com. The deadline for the Fall 2014 issue is November, 15th 2014. Check out the publication's WordPress for previous issues and submission guidelines: http://minettareview.wordpress.com/submit.
Nickel and Dimed Literary Analysis
English 1111 03
Research Writing in the Disciplines
October 14, 2014
In the text Nickel and Dimed by Barbara Ehrenreich, the author sheds light on various socio economic factors that affects the society as a whole. Before and after reading the text, it has opened my mind and eyes to the greed of capitalism and the misconceptions I have about welfare and participants of such programs connected to it.
In the text Nickel and Dimed the author demonstrates that minimum wage workers are tasked and expected to deliver maximum productivity at the expense of their health, physical, mental and psychological wellbeing.
Although courses centered on J.R.R. Tolkien have become increasingly common offerings in undergraduate studies (whether as dedicated or special topics courses), there remains a dearth in formal graduate-level studies of Tolkien and his work. While dissertations have certainly been written focusing on Tolkien, these independently conceived projects rise in the absence of formal graduate coursework on Tolkien, and rely heavily on the work of independent scholars and of scholars specializing in broader areas of literary study (e.g. medievalists, folklorists, etc.).
De Montfort University, Leicester, UK
Saturday 28 February 2015
Keynote Speaker: Professor Scott McCracken, Keele University, UK
Gillian Dooley and Nick Turner, the editors of 'Writers in Conversation', an international open-access online literary journal, are seeking interviews with writers of all kinds.
Interviews provide an opportunity for engagement between writers and critics/literary scholars and help ground literary criticism and theory in the reality of creative practice. They are of interest not only to literary and creative writing scholars, but also to many other readers. 'Writers in Conversation' contributes to the resources available to researchers internationally and to the development of a creative and engaged critical community.
Research Papers/Manuscripts/Articles/Findings of Sponsored Research Projects/Conference Proceedings are Invited for consideration of Publication In the Up-coming Issue of Socrates!!
Deadline - November 30, 2014
Please Note : Papers submitted to the journal for publication would not be rejected. We have Author Self-Archiving Policy which facilitates revision and re-submission of the paper till publication. This journal permits and encourages authors to post items submitted to the journal on personal websites or institutional repositories both prior to and after publication, while providing bibliographic details that credit, if applicable, its publication in this journal.
The Centre for Sex, Gender and Sexualities at Durham University is hosting an interdisciplinary conference to mark the 50th anniversary of the coining of the term "sexism", and to ask how far we have come since this often controversial and inflammatory term became a way to refer to gender inequality. According to Fred Shapiro, 1965 is the year to which the term "sexism" – applied in its modern, intensively discriminatory sense - can be dated and we will be questioning where the term originated, what its impact has been, and just what "sexism" means today, and will mean in the future.
The Transatlantic Walt Whitman Association Is Pleased to Announce
An Open Call for Papers: Whitman and War Poetry
Ludwig-Maximilian-University, Munich, Germany (August 1, 2015)
When Wyndham Lewis described Katherine Mansfield as 'the famous New Zealand Mag.-story writer' in September 1922, it was not meant as a compliment. Yet this disparaging remark gives a hint as to what makes her such a fascinating figure today. In the context of the recent scholarly extension of modernism's borders in terms of geography, gender, class, and time, as well as such diverse new interests as the roles of literary networks, periodicals, and popular and material cultures, Mansfield is more important than ever.
Call for Papers: Film Theory and Aesthetics
2015 Southwest Popular/American Culture Association (36th Annual)
Many Faces, Many Voices: Intersecting Borders in Popular and American Culture
February 11-14, 2015 Hyatt Regency Downtown/ Albuquerque, NM
DEADLINE: NOVEMBER 1, 2014
ATHE 2015: Religion and Theatre CFP
CALL FOR PAPERS:
Religion and Theatre Focus Group
Association for Theatre in Higher Education (ATHE) Conference
30 July to 02 August 2015, Fairmont Queen Elizabeth Hotel, Montréal, Québec, Canada
"Je Me Souviens / I Remember"
The Religion and Theatre Focus Group invites panels that address any issues arising from the conference theme and location. In addition to the traditional format of paper panels, we also welcome proposals in the form of roundtables, collaborations, staged readings, talkbacks, and more.
Call for Papers: Medieval Association of the Pacific (MAP) 2015
Session: The Treachery of (Monstrous) Images: This is Not a Monster
Organizers: Asa Mittman, California State University Chico, and Thea Cervone, University of Southern California
Presider: Thea Cervone
This essay collection will focus upon the intersection of personal narrative and conceptions of self constructed through the lens of queer theory. In order for us to wriggle free of the shackles forged by the modern construct of the individual imbued with an infallible facility for self-sovereignty and an impervious, fixed identity, we must first acknowledge the fluidity, illogicality, and unpredictability which characterize most of our lived experiences.
From the monomastic Amazon women of medieval and early modern culture to Dolly Parton's hope that people "look underneath the breasts at the heart," from the Madonna Lactans of Catholic iconography to representations of the cancerous breast, this panel examines breasts in all their shapes and sizes. The breast, so often considered to be indexical of femininity, provides a physical space through which more abstract values can be explained. Indeed, the breast confirms for us what sexual difference should look like, and how it should operate. This panel discusses the ways in which the breast both conforms to and disrupts expectations for gendered identity (or other socially constructed markers), and proposals that cover any historical period are welcome.