CFP for ACLA 2025: Toxic Exposure: Chemicals in Contemporary Global Fiction
Toxic Exposure: Chemicals in Contemporary Global Fiction
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Toxic Exposure: Chemicals in Contemporary Global Fiction
Weeks after the death of Nobel Prize-winning author Alice Munro this year, her daughter Andrea Skinner disclosed the longstanding sexual abuse she'd suffered as a child at the hands of her stepfather, Munro’s husband, Gerald Fremlin—abuse about which Munro had known and stayed silent. The disclosure is but the latest revelation to throw into question the legacy of a revered cultural icon. Neil Gaiman, Louis CK, Jean Vanier, and Avital Ronell are only a few public figures to be reassessed in recent years in the wake of accounts of sexual abuse.
What is an Internet-based conference without addressing the Internet’s favorite topic: cats!? This panel seeks papers interested in exploring eighteenth-century cats in their many facets and figurations. Cats abound during this period: from big cats in the natural histories, moralizing cats in fables and children’s stories, mysterious and symbolic cats in the art of Fragonard or Chardin, to real-life cats in the lives of Samuel Johnson or Horace Walpole.
2024-2025 Illinois Medieval Association Symposium
November 8, 2024
Online and completely free
Submission Deadline: October 15
The Illinois Medieval Association is now accepting proposals for our annual Halloween session: Medieval Monstrosities. This session is part of our annual Symposium, which runs online throughout the year. Topics are open to any work being done on the monstrous, supernatural, strange, and/or bizarre. The session will be free and online, and papers presented at the session are eligible for submission to Essays in Medieval Studies, IMA's annual proceedings volume.
For the 2025 Annual ACLA Conference (May 29th-June 1st 2025, held virtually)
This panel asks presenters to consider the logics of fracture, at the level of idenity, artisitic production, and national scales as it realtes to East and Southeast Asian art and literature.
Please submit an abstract and bio on the ACLA Portal link by October 14, 2024 https://www.acla.org/node/add/paper?destination=/interdisciplinary-study-homemaking-mapping-places-routines-memories-and-locales-we-call-home&seminar=47603 We welcome papers that reflect on the diverse, layered, and fluid representations of homemaking for a seminar focused on three key thematic units: Homemaking: Spaces, Architecture, and Urban Geographies; Mapping the Everyday: Visual Arts, Objects, and Media; Gendered Spatial Configurations.
NB! Abstracts have to be submitted through the ACLA webpage. Go to https://www.acla.org/aesthetic-experience-reading-practices-and-literary... and click the link at the top pf the CfP
In 1931, Antonin Artaud envisioned a radically innovative form of theatre after witnessing a performance by a Balinese troupe at the Colonial Exposition in Paris. While this event is widely acknowledged among arts and humanities scholars, its specific details – such as the precise content of the performance and the identities of the performers – are overlooked, thus exemplifying the ambivalent nature of the circulation of performing arts from colonized and/ or marginalized regions. Throughout history, how have conflicting global power structures and unequal socio-political conditions shaped the flow, interpretation, and reception of works, artists, aesthetics and practices from the so-called peripheries in Europe and the United States?
CFP 35th LSU Mardi Gras Conference - Spectral Landscapes: Hauntology in Place and Space
Lousiana State University | February 26-28, 2025 | Hybrid Format
It was haunted; but real hauntings have nothing to do with ghosts finally; they have to do with the menace of memory.—Anne Rice
The sun is the past, the earth is the present, the moon is the future.—Nikola Tesla
In an ideal situation, learning leads to knowledge and knowledge raises awareness. Set within the context of the past, this simple statement leads us to consider a range of different questions. How did medieval and early modern people learn and what did they learn? How did they teach and what did they teach? Who was taught and who was not? Who decided what was to be taught? Such questions, among others, help us understand the process of how learning and knowledge was acquired in the premodern world. But it also helps us better appreciate what we know about the premodern world and what people were trying to achieve when they set out to gain knowledge about their world and the society they lived in.
Conference Dates: 29 May - 01 June 2025
47th Comparative Drama Conference
July 9-11, 2025
London, England
Dear Colleagues,
We are pleased to announce that the Comparative Drama Conference 2025 will be hosted by the London Academy of Music and Dramatic Art (LAMDA) and will be held in Europe for the first time in its near 50-year history.
“Odd Temporalities”
ACLA 2025, to be held virtually from May 29 to June 1, 2025
Call for Papers:
This panel addresses the emerging diasporic consciousness that accompanied the movement of people and changes in ecologies in the eighteenth century. Extending last year’s two-part roundtable “Eighteenth Century in Motion” to the question of Diaspora, participants are invited to consider questions including but not limited to:
While the ‘diasporic eighteenth century’ offers proliferating instances of movement, what are some ways to simultaneously consider communities and people subjected to increased physical, discursive, and representational confinement?
What are some circumatlantic relations that the diasporic eighteenth century allows us to consider?
For our fourth iteration of the HPN Symposium, we find ourselves interrogating, engaging with, and pushing the boundaries of the concept of “best practices” and how it relates to humanities podcasting. Our initial inquiry was born out of a discussion about the need to counteract worker invisibility and exploitation on university campus podcast teams. But this raised a larger, thornier debate: Are there other agreed-upon principles of podcast-making and audio creation? If so, have they emanated from particular forebears and models, or sprung up out of habitual creation like unwritten, but widely understood, common laws? Are there contexts peculiar to podcasting that deserve their own careful ethical treatment or understanding?
Call for Papers
Expanding Our View of Sherwood: Exploring the Matter of the Greenwood in Comics (A Roundtable) (virtual)
Sponsored by Medieval Comics Project and International Association for Robin Hood Studies (IARHS)
Organized by Michael A. Torregrossa and Carl B. Sell
60th International Congress on Medieval Studies
Western Michigan University (Kalamazoo, Michigan)
Hybrid event: Thursday, 8 May, through Saturday, 10 May, 2025
Please Submit Proposals by 15 September 2024
Session Information
More than The Green Knight: Exploring the Ongoing Tradition of Adapting and Appropriating Sir Gawain and the Green Knight (hybrid)
Call for Papers Sponsored by Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture; International Arthurian Society, North American Branch (IAS/NAB); International Pearl-Poet Society
Organized by Michael A. Torregrossa, Joseph M. Sullivan, and Amber Dunai
60th International Congress on Medieval Studies
Western Michigan University (Kalamazoo, Michigan)
Hybrid event: Thursday, 8 May, through Saturday, 10 May, 2025
6 December 2024, Online
Keynote Speaker: Jacob Jewusiak (Newcastle University, UK)
Submissions are invited for a scholarly conference on domestic cats in literature to be hosted online 13-15 March 2025 by the Troy University Department of English.
Papers may address any aspect of the subject, including—but not limited to—the following:
CALL FOR PAPERS
The 12th International Conference Synergies in Communication (SiC 2024)
31 October- 1 November 2024
(hybrid format)
Call for Papers
Natality: Interdisciplinary Approaches to Birth as Existential Experience
Virtual Symposium of the Society for the Study of Pregnancy and Birth (SSPRB)
April 4-5, 2025
The Society for the Study of Pregnancy and Birth (SSPRB) is pleased to announce its first symposium, Natality: Interdisciplinary Approaches to Birth as Existential Experience, held in collaboration with Dr. Lois Lee of the University of Kent.
This symposium is a virtual event that will take place online across two half day sessions on April 3rd and April 4th, 2025 (to facilitate participation across time zones).
Teacher Development Symposium
Date: Saturday 18th January 2025
Time: 1pm - 6pm
Place: Online
Call for Presentation Proposals
The East Asian Network for the Academic Study of Esotericism (EANASE) will hold its second international conference on November 30 (Sat.) and December 1 (Sunday). The conference will be online, but we offer the possibility of a small on-site section for those who are able to come to Tohoku University (Sendai, Japan).
This conference aims to explore how the region once referred to as the “Far East” has influenced and shaped various esoteric and spiritual visions of history, and conversely, how fantastical views of the past were developed within and impacted different areas of East Asia.
The UNESCO Chair on Cyberspace and Culture and the University of Tehran are organizing the 2024 Media and Information Literacy Seminar with the main theme of “The New Digital Frontiers of Information” and the subject of “Recognizing and Distinguishing between National and Global Data Demarcations” on Monday, 28 October 2024.
The Seventh Media and Information Literacy (MIL) Seminar commemorates the 13th Global Media and Information Literacy Week 2024 (24 – 31 Oct), highlighting the 14th Media and Information Literacy and Intercultural Dialogue Conference and the Youth Agenda Forum.
Deadline: September 13, 2024
Conference Date: October 5, 2024
Format: Online (via Zoom, PST)
Abstract: 200 words + short biographical statement + timezone
Submit to: eap215conference@gmail.com
The Politics of Weird and the Weirdness of Politics
Online Conference
November 2, 2024
The vibe shift among the Democratic base since President Biden announced he would not seek reelection has been remarkable: apathy and anxiety have morphed into enthusiasm and a newfound pugnacious spirit. Stumping for Vice-President Kamala Harris, Minnesota governor Tim Walz, Harris’ vice-presidential pick, launched the verbal missile which has revitalized the campaign’s messaging and sought to define Republicans in succinct, yet devastating terms: they’re weird.
Call for Proposals for Online Symposium: Crude Representations: BP and the Cultural Imagination of Oil
Online Symposium Friday 24th January 2025
Keynote Speaker: Mona Damluji, Assistant Professor of Film & Media Studies at the University of California, Santa Barbara
Oil is a cultural as well as material product. It is now pervasive in every aspect of modern life: transport, energy, communications and media, pharmaceuticals, farming, food ingredients and packaging, homes. As many scholars in the energy and environmental humanities have demonstrated, to understand our current dependence on oil and enact decarbonisation we need to contend with its cultural dimensions.
PopCRN (the Popular Culture Network) will be holding a free virtual symposium exploring the city that is London. Held online on Thursday 5th and Friday 6th of December 2024.
London is one of the great cities of the world and has witnessed many events, both fictional and real. This conference aims to explore the multiple ways London has been depicted in popular culture, from a multi-disciplinary perspective.
PopCRN (the Popular Culture Network) will be holding a free virtual conference exploring all things Bridgerton to be held online on Thursday 30th January 2025.
From a popular book series to the Netflix phenomenon, Bridgerton has captured the public imagination, courted scandal and dazzled readers and audiences with a glittering reimagining of regency London.
We welcome papers from researchers across the academic spectrum and encourage papers from postgraduate researchers and early career researchers. We welcome individual papers, panels and round table submissions. Papers from this conference will have the opportunity to be in our sister journal The International Journal of Popular Culture Studies.
Dark Entries: Rethinking the Horror in Folk Horror
Deadline: Friday, September 13, 2024
Symposium Date: Friday, October 11, 2024
Format: Online (via Zoom, EST)
Abstract: 150 words + short biographical statement + time zone
Submit to: brooke.cameron@queensu.ca and noahrgallego@gmail.com
Organizers: Brooke Cameron, Ph.D. (Queens’ University at Kingston, Ontario, CA) and Noah Gallego, M.A. (California Polytechnic State University, Pomona, USA)