poetry

In April 2026, I attended Shauna M. Morgan, Angel Dye, and Madison (Mocha) Hunter's College Language Association panel discussion: “Scripting Soul Work: The Infusive Praxis of Poet-Scholars.” In their talk, each panelist discussed—in prose like fashion—her relationship with her creative and scholarly self, and, in the spirit of Barbara Christian's 1987 “The Race for Theory,” they argued the significance of creative writing to Black and brown folk scholarship and being, which they supported with a reading of their selected poetic works.

Call for Submissions: Invisibility & The Raft of Hope: A 75th-Anniversary Reflection on Ralph Ellison’s Invisible Man

Deadline: June 15, 2026

Contact: qal0815@utulsa.edu

PAMLA Seattle (2026) - November 12-15, all in-person conference 

2027 is the centenary year of the birth of US American poet and Pulitzer Prize-winner, Galway Kinnell (1927-2014). This session seeks to celebrate his life and legacy while pointing to future thematic and prosodic engagement in Kinnellian studies. Papers offering approaches to any aspect of Kinnell’s work are invited and most welcome.

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Embodied Aesthetics:

The Body and Embodiment in the Arts and Arts-Based Research

(A Transdisciplinary Conference June 20-21, 2026)

When/Where:

June 20: at the Association of Jungian Analysts’ Centre in London and Online

June 21: Online only

Fees (for both attendees and presenters):
£180 (In person participation)
£100 (Online participation)

Ekphrasis, the verbal representation of visual representation, is one of art’s oldest preoccupations. Over the past decade, we have seen a rise in British and Irish innovative ekphrastic poetry and visual art that responds to poetry. Concurrently, there has been a new wave of interest in the efficacy and function of ekphrasis, that focuses on its role as a type of creative practice and a way of thinking through aesthetic judgement. Despite all this activity, no formal consideration of the field of ekphrasis itself has emerged. Ekphrasis underwent a paradigmatic shift in which it was no longer defined by its ‘paragonal’ energy.

Session Abstract: The genre of African American poetry has a long legacy of both preserving tradition and evolving to suit current times and places. This session invites discussion of the defining features that have been maintained over time as well as patterns of bold experimentation. Rather than seeing tradition and innovation as opposing aesthetic directions, this session hopes to examine ways they have co-existed in this genre and been mutually fruitful. 

“Poets are the unacknowledged legislators of the world,” claims Percy Bysshe Shelley at the end of his well-known essay A Defence of Poetry, based on the idea that poetry is connatural with the origin of the human. Poetry is one of the most prestigious genres in the literary tradition, if not the most. Whether we go back to its public and ritual function in shamanic chants or in Homeric epic, or we think of its circulation in multimedia formats on digital consumption platforms on the internet, poetry has existed both as an artistic mode of verbal language and as a literary genre that encapsulates the virtues of literature.

The Charles Olson Society will sponsor panels at the Re-Viewing Black Mountain College Conference, to take place in Asheville, North Carolina, October 2-4. 2026 marks the Centenary of poet Robert Creeley’s birth, and the Charles Olson Society will welcome abstracts pertaining to any aspect of Creeley’s life and work. Creeley was a central poet in the development of Black Mountain Poetry, and along with his life-long friend and companion in verse, Charles Olson, Creeley greatly influenced the development of American poetics after World War II. As he said, “I write to realize the world as one has come to live in it, thus to give testament. I write to move in words, a human delight. I write when no other act is possible.”

Futuring Poetic Inquiry: A Return and Renewal10th International Symposium for Poetic Inquiry (ISPI) 
Vancouver, British Columbia, Canada 
October 8-12, 2026  Proposal Submissions Due May 11, 2026To submit a proposal: Please visit the ISPI website for more information and to submit a proposal: ISPI website  

Call for Papers

dialog, No. 46, Autumn 2025

dialog, a Peer-reviewed, Bi-annual International Journal of the Department of English and Cultural Studies, Panjab University, Chandigarh, India is open to submissions for its next issue, No. 46, Autumn 2025 (ISSN: 0975 - 4881) (final stages of publication). dialog provides a forum for interdisciplinary research on diverse aspects of culture, society and literature. For its 46th issue, Department of English and Cultural Studies, Panjab University specifically invites:

The 

CFP: WHAT MIRACLE: NEW REVELATIONS ON THE PROSE POEM

**The deadline for this CFP has now been extended to Wednesday, April 1.** 

October 15 and 16, 2026, in Rome, Italy

Internationale Tagung
Istituto Storico Austriaco a Roma

Austrian Negatives
In the Darkroom of the Habsburg Empire
Maria Giovanna Campobasso, Flavia Di Battista, Matteo Zupancic
7-8 October 2026
Deadline: 10th May, 2026

Californian Williams Seeking papers that elaborate Williams’s relationship to California and West Coast culture, broadly defined or focused on various Los Angeles poetry scenes, Williams’s reading tours, engagement with Hollywood, or relations to western modernism. One-page abstract to Mark C. Long mlong@keene.edu no later than Friday, March 20, 2026