Fallujah Magazine solicits unpublished work that explores and/or defines and/or meditates upon the condition of art and of the artist.
Our manifesto declares: “Fallujah is a space for remembering, for protesting with art from any corner of the world.”
Revisiting C. H. Sisson: Modernist, Classicist, Translator
London, 28-29 April 2017
SAMLA 2016 Special Session:
Poetry of Escape and Resistance: Utopian and Dystopian Poetic Forms:
CFP for NeMLA 2017 Annual Convention in Baltimore, MD. http://www.buffalo.edu/nemla/convention.html
Students in creative writing workshops often lack reading experience and knowledge, but demonstrate awareness and analysis of film and television. Graphic literature can be used to transition from the terminology and rhetorical understanding they possess to the writing and feedback skills the workshop demands. This roundtable seeks to present and discuss both recommended texts and strategies to engage students and encourage their creative writing. Theoretical and practical approaches to this method are welcome.
For a long time now, Canadian poets (most notably bpNichol, but there are many others) have been credited with making significant initiatory experiments in the fields we now call electronic literature and digital poetics, but there has been relatively little work done examining what precisely constitutes a Canadian digital poetics, what kinds of writing constitute the genre, and what new reading practices are invited by these new projects in digital poetics. This panel looks at the emerging field of Canadian digital poetics and asks two primary questions: what is the role of a national literature in the increasingly boundary-less world of electronic literature? and, how do Canadian digital poetics change the way that we read and engage with these texts?
To mark the centenary of the first edition of Gerard Manley Hopkins’s Poems (1918), there will be a special issue of Victorian Poetry in summer 2018. The guest editors of the issue are asking for completed essays that focus on a specific poem, or a pair of poems. (Submissions should not focus on “The Wreck of the Deutschland.”) Contributions should account for the shifting critical receptions of the texts since their publication and suggest new directions for Hopkins scholarship. Contributors might consider issues such as the politicization of Hopkins, Hopkins’s changing audience, appropriations of Hopkins, or Hopkins inside and outside of the academy.
CALL FOR SUBMISSIONS ‘CONTEMPORARY POETRY-AN ANTHOLOGY OF PRESENT DAY BEST POEMS (VOLUME-3)
1 Authors may submit up to five (5) poems.
2. ANTHOLOGY seeks honest, thoughtful, well-written poetry.
3. Poems must be submitted in the body of email.
4. While submitting your poems write subject line of email as “POETRY ANTHOLOGY (VOLUME-3) SUBMISSION”
5. Send your submission to firstname.lastname@example.org
6 No royalty will be paid to the contributors.
7. The anthology will be available in both e-book and paperback for public purchase on Amazon.com.
Looking for paper proposals on any topic relating to Romanticim. Papers relating in particular to the conference theme of “Archives, Libraries, Properties” are especially welcome.
To submit a paper proposal for this session, or one of the many other approved PAMLA sessions, please go to: http://www.pamla.org/2016/topic-areas
Proposals are due by Friday, June 10.
The PAMLA conference 2016 will be held over the 11-13 November 2016 weekend at the Westin Pasadena, CA.
Indiana College English Association 2016 ConferenceLiterature: Empowerment through EmpathyFriday, October 28, 2016Indiana Wesleyan UniversityMarion, Indiana
You never really understand a person until you consider things from his point of view—until you climb into his skin and walk around in it. --Harper Lee, To Kill a Mockingbird