Scholars working at the intersection of literary aesthetics and emotional experience are encouraged to submit to this Cultural Studies Caucus panel for ASECS 2016 in Pittsburgh, March 31 - April 3.
THE "POETESS" IRL: The World, Work, and Performances of Nineteenth-Century Women Poets
What was the nineteenth-century woman poet like in real life? This panel seeks to unsettle current definitions by attending to her performing/reforming body and the work she did in the material world.
From sympathetic contagion to animal magnetism, nervous physiology to cell theory and germ theory, nineteenth-century medical theory and practice imagined human embodiment in open relation to the environmental, economic, religious, and political forces that shape historical experience. Often represented in both cultural and physiological terms, disease functioned as both sign and symptom of the irrevocable togetherness of mind and body, something to be combatted morally and technologically by prudence and enlightened reason.
The melancholic poet, the neurasthenic female reader, the man of artistic temperament: these heavily typed figures, each coded in the medical and psychological discourse of its own time, together bespeak a longstanding cultural connection between anxiety and literature. Sianne Ngai, in Ugly Feelings, even tentatively identifies anxiety as "the distinctive 'feeling-tone' of intellectual inquiry itself" – a signifying trope of bookish existence. But what might this connection between literature and anxiety mean after the advent of psychopharmacology, of neurodiversity awareness, of classroom trigger warnings?
If literature is, as Pound said, "news that stays news," then perhaps poetry is always a matter of current events, but recently, books like Claudia Rankine's Citizen or Brian Turner's Here, Bullet, to name just two, have taken on contemporary public moments, current events in common parlance, and in the process sparked a different kind of conversation.
CALL FOR PAPERS: UPDATE
Words Unofficial: Gossip, Circulation, Mediation
University of Chicago English Graduate Conference
November 19-20, 2015
Keynote Speaker: Prof. Susan Phillips, Northwestern University
Associate Professor of English and Alumnae of Northwestern Teaching Professor
-Prof. Natasha Barnes, University of Illinois at Chicago
Associate Professor of African American Studies and English
-Prof. Peter Coviello, University of Illinois at Chicago
Professor of English
-Prof. Patrick Jagoda, University of Chicago
Assistant Professor of English
-Prof. Lynn Spigel, Northwestern University
Frances Willard Professor of Screen Cultures
One of the SMFS sponsored series, this session on 'The Gender-Free Being' invites papers to consider portrayals of characters in medieval history, literature and art of any period or language that explore the extent to which an individual's identity is distinct from their socially gendered, or sexual being.
UPDATED DUE DATE: SUBMISSIONS NOW DUE BY SEPTEMBER 6, 2015
Food and Sustainability: Eco-Critical Responses to Contemporary Crises in Food, Water and the Environment
Call for Papers:
Putting the Humanities on the Frontlines of Ecological Discourse…
mirrorview journal: An International Journal of Fresh Poetry, Fiction and Literary Criticism
About Mirrorview Journal
The journal is an international contemporary journal of fresh poetry, articles and fiction. It strives to publish the best. It will be published quarterly with ISSN/ISBN number. For further details visit us at http://mirrorviewjournal.blogspot.in or mirrorviewjournal.blogspot.in
This panel session will feature the manner in which fairy tales reflect and influence values and ideals of their respective society and culture. In The Uses of Enchantment: The Meaning and Importance of Fairy Tales, Bruno Bettelheim emphasizes on how the fairy tale that an individual has read or listened to during childhood impacts him/her both consciously and subconsciously throughout life.