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[UPDATE] CFP: What Devils Say, Kalamazoo 2016

updated: 
Tuesday, September 1, 2015 - 11:16am
Texas Medieval Association (TEMA): International Congress on Medieval Studies in Kalamazoo, Michigan: May 12-15, 2016

Devils are everywhere in medieval literature, disturbing, challenging, and violating conventional spatio-temporal constraints as they move freely between worlds in order to torment the holy, spread disease, and tempt good Christians by making sin seem sweet. They appear as enchanters, tempters, playful tricksters, masked tormentors, terrifying beasts, mankind's lawyerly accusers, and on occasion, as sympathetic figures who happened to be on the losing side of a cosmic war. Although much has been written about how devils are staged, their appearance, and their interaction with those they torment, very little has been written about what devils actually say. How do devils represent themselves and their spaces of punishment?

CONTEMPORARY POETRY: THINKING AND FEELING MAY 20th-22nd 2016

updated: 
Tuesday, September 1, 2015 - 4:20am
Plymouth University, UK

This conference is dedicated to exploring the interplay and divide between thinking and feeling in poetry. In what ways might poetry embody a process of thinking? What's the role of emotion in recent poetry? Can thinking be divided from feeling? Does a poetry of the head preclude a poetry of affect, and vice versa? Are these the terms of competing antagonisms or productive dialogues? What's the relationship between the intellect and affect?

Bakhtin for Tomorrow! - April 9-10, 2016 @ SUNY Buffalo

updated: 
Tuesday, September 1, 2015 - 12:37am
University of British Columbia

Bakhtin For Tomorrow!

We seek additional presenters for a panel aimed at contributing to conference discussion about intersections between formally innovative poetry and recent findings in empirical linguistics speech research. Please send an expression of interest and 100-word bio by September 8 so that we can constitute a 4-5-member panel. Conference abstracts (250 words) for 10-12 minute papers would be due 15 September (extended deadline).

Wordsworth Among The Naturalists – Panel for NeMLA in Hartford, CT, March 17-20, 2016

updated: 
Monday, August 31, 2015 - 6:23pm
NeMLA

British Romanticism and American Literary Naturalism might seem an unlikely pairing. Romanticism's investment in a sublime yet beneficent natural world and the power of the individuated self contrasts starkly with Naturalism's interest in deterministic doom and urban degeneration of. Yet the relationship between the two movements is more complex than this binary allows. This panel seeks papers that consider the ways British Romanticism as practiced by poets, essayists, prose stylists and other writers of the early 19th century was repurposed in the works of late 19th and early 20th American literary naturalism.

Call for Papers by Graduate Students and Post-Graduates

updated: 
Monday, August 31, 2015 - 5:56pm
Text in Context: A Graduate Student Journal published at Southern Connecticut State University

Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.

ACLA 2016 "Performance, Poetics, and Publics"

updated: 
Monday, August 31, 2015 - 5:03pm
American Comparative Literature Association, March 17-20, 2016

This seminar seeks papers that interrogate, trouble, and (re)articulate the interrelations of performance, poetics, and community within a critical hemispheric lens. Papers that examine how publics enacted through poetry and/in performance can potentially reaffirm, realign, and reorganize themselves out from the obfuscations of contemporary living are particularly welcome.

Method and the Middle English Text (UVA, April 8-9 2016)

updated: 
Monday, August 31, 2015 - 5:01pm
The Graduate Medieval Colloquium at the University of Virginia

The Graduate Medieval Colloquium at the University of Virginia, along with organizers from the University of Pennsylvania and UC Berkeley, invites submissions for a graduate student conference and colloquium:

Method and the Middle English Text
April 8-9, 2016
The University of Virginia in Charlottesville
Keynote speakers: Andrew Cole (Princeton University), Alexandra Gillespie (University of Toronto), Patricia Ingham (University of Indiana, Bloomington), Steven Justice (UC Berkeley), Kellie Robertson (University of Maryland), Emily Steiner (University of Pennsylvania).

CFP: NEMLA 2016 Hartford What does Digital Humanities Enable Today?

updated: 
Monday, August 31, 2015 - 2:44pm
elif sendur/ Binghamton University

In their 1999 essay "Deformance and Interpretation," Lisa Samuels and Jerome McGann propose deformative criticism against a rigid, theoretical, informative mode of reading in humanities. Deformance is an action, an imaginative, creative poiesis that does not necessarily aim to set a meaning of a text but reimagines it as a performance. Usually perceived in opposition to the more analytical camp of Digital Humanities, deformative criticism or deformance seems to be one of the very real and material alleys that Digital Humanities has offered to the structured, institutional, and perhaps all too ossified forms of production and exposition of knowledge.

[UPDATE DEADLINE EXTENDED] Expanding the Field: Rethinking Projective Verse and Mid-Century American Poetry

updated: 
Monday, August 31, 2015 - 2:33pm
The Charles Olson Society

The Charles Olson Society will sponsor a session at the annual Louisville Conference on Literature and Culture since 1900, to be held at the University of Louisville, February 18-20, 2016. We are interested in abstracts pertaining to any aspect of mid-Century American poetics, but in particular those that build on and problematize the mechanics of projective verse. While "Projective Verse" has received ample treatment in studies concerning major poets like Charles Olson and Robert Duncan, other poets built on projective verse in their own ways, fashioning distinctive styles that, while tangentially related to projective verse, also created new poetic forms.

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