This panel reflects on the place of confusion in British and American modernism. Confusion has not been traditionally considered a proper scholarly response to textual analysis; critics are supposed to interpret a text rather than allow themselves to experience its uncertainties. What happens when we explore the confusion we feel when reading not as something to be worked through, but as something to be worked with? Building on affect theorists’ work on how our feelings can influence the way we read, such as Eve Sedgwick’s reparative reading and Rita Felski’s reflective and post-critical reading, how can considering confusion change both our experience of reading and our critical practices?
Welcome to COUNTERCLOCK! ( http://counterclocklit.weebly.com/ ) We are an online literary & art publication dedicated to showcasing high-quality poetry, fiction, nonfiction, visual art, and cross-genre work.
Resistances in the Poetrics of the Americas
American Comparative Literature Association (ACLA) Meeting
Los Angeles | March 29-April 1, 2018
On Miracle Ground XX
The International Lawrence Durrell Society invites proposals for papers to be presented at a July 2018 conference in downtown Chicago. In a year marking the centenary of Solzhenitsyn’s birth and the fiftieth anniversary of the publication of Durrell’s satirical dystopia Tunc, ILDS welcomes papers reflecting on modernist and postmodern writers or artists who challenged the political and cultural ideologies of their time and place. Interrogating conceptions of exile, survival, and dissent, we will explore how the work of these past intellectual dissidents has shaped our critiques of twenty-first century society.
In his 1988 lecture “The Condition We Call Exile,” Joseph Brodsky said: “Whatever the proper name for these people [refugees, exiles, émigrés], whatever their motives, origins, and destinations, whatever their impact on the societies which they abandon and to which they come may amount to—one thing is absolutely clear: they make it very difficult to talk about the plight of the writer in exile with a straight face. Yet talk we must; and not only because literature, like poverty, is known for taking care of its own kind, but more because of the ancient and perhaps as yet unfounded belief that should the masters of this world be better read, the mismanagement and grief that make millions take to the road could be somewhat reduced.”
The editorial committee at Artis Natura is searching for emerging artists and researchers to contribute to a thematic issue on its cultural online platform. This project has taken the form of a blog reviewed and published by an editorial committee, where researchers, artists, and writers can share reflections on the reciprocal relationship between humans and nature.
The field of Contemporary Women’s Writing focuses on women’s writing from 1970-present and is suggestive of continuity, while also indicating a distinction from the female authored works which came before.
An international journal devoted to the study
of German culture and literature
Hosted by Università degli Studi di Milano under OJS
Editor-in-chief: Fausto Cercignani
Co-Editor: Marco Castellari
Special volume 2018
Volume Editors: Marco Castellari and Elena Polledri
Call for Papers on
“Friedrich Hölderlin and translation”
“Hölderlins Übersetzungen / Hölderlin-Übersetzungen”
Short form CFP:
This panel examines links between literary and ecological form across the Atlantic in the long eighteenth century. Formal experimentation is often taken as analogue for political critique, but in the eighteenth and early nineteenth centuries, these critiques tend to be sited within specific locales. What literary shifts are enabled or enforced by divergent ecological sites? What new perspectives on formal innovation become available when we view the plantation through the lens of the garden, and vice versa?
SHORT FORM CFP:
This panel examines the relationship between the contemporary poetry community’s call for “poetry of resistance” and the particular locations or spaces that such poems represent. Papers may examine how particular locations or spaces define the language of resistance or how poetic resistance defines particular locations or spaces. How is resistance defined locally, globally, geographically, environmentally, or personally in poetry? And how does poetry define the relationship between resistance and location?
Send 250-300 word abstracts to Kirsten Ortega at firstname.lastname@example.org by September 30, 2017.