This panel seeks to explore representations of futuristic cities from all periods in American literature, film, and other cultural mediums. In particular, it seeks papers responding to one or more of the following questions: In what ways have American writers and filmmakers envisioned future urban landscapes? In what ways have these visions changed over the course of American history and why? How have urban theorists, critics, and reformers as well as particular ideologies (Christian, technocratic, socialist, libertarian, environmentalist, etc.) shaped them? In what ways do the past and present (or the erasure of the past and/or present) affect their depictions?
Foundational texts, events, and people influence our cultural and national personas. In the United States, for example, people may look to the Constitution and patriotic songs or even the bible as foundational texts--texts that define (and limit?) national identity. We often see events such as the Salem Witch Trials, the Civil War, and the Civil Rights Movement as critical moments of national formation, while people such as George Washington, Abraham Lincoln, and Martin Luther King, Jr. represent quintessential "Americans.". These foundational texts, events, and people work their way into literature and pop culture in myriad ways as authors, writers, poets, filmmakers and playwrights incorporate, reify, or challenge them through their works.
The quint's twenty eigth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books. The deadline for this call is 31st August 2015—but please note that we accept manu/digi-scripts at any time.
All contributions accompanied by a short biography will be forwarded to a member of the editorial board. Manuscripts must not be previously published or submitted for publication elsewhere while being reviewed by the quint's editors or outside readers.
Hard copies of manuscripts should be sent to Dr. Sue Matheson at the quint, University College of the North, P.O. Box 3000, The Pas, Manitoba, Canada, R9A 1M7.
Scholars working at the intersection of literary aesthetics and emotional experience are encouraged to submit to this Cultural Studies Caucus panel for ASECS 2016 in Pittsburgh, March 31 - April 3.
THE "POETESS" IRL: The World, Work, and Performances of Nineteenth-Century Women Poets
What was the nineteenth-century woman poet like in real life? This panel seeks to unsettle current definitions by attending to her performing/reforming body and the work she did in the material world.
From sympathetic contagion to animal magnetism, nervous physiology to cell theory and germ theory, nineteenth-century medical theory and practice imagined human embodiment in open relation to the environmental, economic, religious, and political forces that shape historical experience. Often represented in both cultural and physiological terms, disease functioned as both sign and symptom of the irrevocable togetherness of mind and body, something to be combatted morally and technologically by prudence and enlightened reason.
The melancholic poet, the neurasthenic female reader, the man of artistic temperament: these heavily typed figures, each coded in the medical and psychological discourse of its own time, together bespeak a longstanding cultural connection between anxiety and literature. Sianne Ngai, in Ugly Feelings, even tentatively identifies anxiety as "the distinctive 'feeling-tone' of intellectual inquiry itself" – a signifying trope of bookish existence. But what might this connection between literature and anxiety mean after the advent of psychopharmacology, of neurodiversity awareness, of classroom trigger warnings?
If literature is, as Pound said, "news that stays news," then perhaps poetry is always a matter of current events, but recently, books like Claudia Rankine's Citizen or Brian Turner's Here, Bullet, to name just two, have taken on contemporary public moments, current events in common parlance, and in the process sparked a different kind of conversation.
CALL FOR PAPERS: UPDATE
Words Unofficial: Gossip, Circulation, Mediation
University of Chicago English Graduate Conference
November 19-20, 2015
Keynote Speaker: Prof. Susan Phillips, Northwestern University
Associate Professor of English and Alumnae of Northwestern Teaching Professor
-Prof. Natasha Barnes, University of Illinois at Chicago
Associate Professor of African American Studies and English
-Prof. Peter Coviello, University of Illinois at Chicago
Professor of English
-Prof. Patrick Jagoda, University of Chicago
Assistant Professor of English
-Prof. Lynn Spigel, Northwestern University
Frances Willard Professor of Screen Cultures
One of the SMFS sponsored series, this session on 'The Gender-Free Being' invites papers to consider portrayals of characters in medieval history, literature and art of any period or language that explore the extent to which an individual's identity is distinct from their socially gendered, or sexual being.