This panel will discuss representations of vignettes from Ovid's Metamorphoses, focusing on illustrated editions, graphic literary representations, and other visuals. Ovid's epic naturally lent itself to visual representation, both affected by prior artwork and affecting subsequent art depicting Roman mythology. An ethically problematic poem, the Metamorphoses was received with anxiety, particularly for the dangerous lessons it could impart to vulnerable audiences, which resulted in adaptations that transformed image and text to guide readers' interpretations.
Centre for Nineteenth-Century Studies One-Day Conference
12 March 2016
Durham University, UK
Keynote Address: Professor Bernard Lightman (York University, Canada)
The treatment of post-Renaissance allegory by literary scholars has been consistently negative. Scholars continue to write about the "demise," "abandonment," or "shattering" of allegory during the eighteenth century, as writers purportedly move away from the abstraction of generalization of allegory and towards the concreteness and demonstrability of literal narrative. This panel is dedicated to revisiting the relationship between allegory and the eighteenth century, since the literary form (whether it is understood as a distinct genre or as a mode of writing that can be evoked occasionally) does not go away. Potential panelists are encouraged to submit proposals for any paper investigating the status or role of allegory during the Enlightenment.
Religion and American Literature panel at PAMLA seeks papers that address how questions of faith have shaped literary works and cultural meanings. How do American writers negotiate faith or unbelief? What are the varieties of secularism articulated in their work? How do they explore faith within a post-secular context? The panel especially welcomes papers on the following authors: Cormac McCarthy, Marilynn Robinson, and Jeffrey Eugenides.
Claudia Emerson, 2006 Pulitzer Prize for Poetry winner for her collection Late Wife and former Poet Laureate of Virginia, passed away last year at the age of 57 after a valiant struggle against cancer. She and her husband, Kent Ippolito, a musician, wrote songs together and performed. Emerson's work, then, embodies this year's SAMLA theme of "In Concert: Literature and the Other Arts." This panel seeks to celebrate her life, so papers on any element of her art are most welcome. Please send abstracts of no more than 500 words and any A/V requirements to Lynne M. Simpson, Prof. of English, Presbyterian College, at firstname.lastname@example.org by June 10.
This Rough Magic (www.thisroughmagic.org) is a journal dedicated to the art of teaching Medieval and Renaissance Literature.
We are seeking academic, teachable articles that focus on, but are not limited to, the following categories:
•Philosophy and Rhetoric
Call for Papers: The Henri Peyre French Institute Food Seminar:
SALT and SUGAR/SALT or SUGAR?
OCTOBER 29-30 2015, THE GRADUATE CENTER of CUNY
Generally viewed as the ultimate dietary malefactors in contemporary Western cultures, salt and sugar have adopted –singularly, in tandem, or in contrast to one another--many meanings and held many functions in a long historical period, both in France and in lands impacted by French colonialism.
Deadline Extended to 6/10
Deadline extended: August 20, 2015
The Journal of Improvisation in Professional Practice [Improv Practice] will create a discourse community that explores major inquiries about improvisation in our professional lives. Improv Practice will facilitate the exploration of how improvisation plays out in our work and in our learning, teaching and becoming as professionals. Please join an interdisciplinary conversation about the complex improvisational practices of professional action, about how we learn as professionals and about how professional education can be understood.
The journal will publish two kinds of papers:
Narratives/ explorations in improvisational work
The 62nd Annual Meeting of the Renaissance Society of America
Boston, 31 March–2 April 2016
CFP for a panel on "Ink, Dyes and Pigments: The Production of Colours and the Making of Metaphors"
A Panel Sponsored by Epistémè (Research Group on Early Modern England)
Organizer: Anne-Valérie Dulac, Université Paris 13 – Sorbonne Paris Cité
Respondent: Anne-Marie Miller-Blaise, Université Sorbonne Nouvelle – Paris 3
Following up on last year's two panels on "Scriptile Objects and the Making of Metaphors" and the many questions and discussions that ensued, the aim of this panel is to enquire further into the material qualities of ink, dyes or pigments used in writing, printing, colouring or limning.