Postwar Iconicities: Discussions of literature, 1945-1975, treating iconic persons or milestone events historical or fictionalized. Postwar literature regarding fame, celebrity, infamous crime or court cases, quintessential Americanness. Abstracts to email@example.com by 16 January 2017.
Lehigh Valley Vanguard, a web and print based journal, is seeking submissions for our call:
Inciting Revolutionary Change
Micah White, one of Occupy Wall Street's founding members, suggests via his 2016 book The End of Protest: A New Playbook for Revolution:
"Is protest broken? Disruptive tactics have failed to halt the rise of Donald Trump in the upcoming US presidential election. Movements ranging from Black Lives Matter to environmentalism are leaving activists frustrated. Meanwhile, recent years have witnessed the largest protests in human history. Yet these mass mobilizations no longer change society. Now activism is at a crossroads: innovation or irrelevance."
American Literature Association panel
28th Annual Conference, Boston, MA
May 25 – 28, 2017
Thoreau, Poetry, Poetics
Ọyẹ: Journal of Language, Literature and Popular Culture is an academic journal domiciled in the Department of English and Literary Studies of the Federal University, Oye-Ekiti, Ekiti State, Nigeria. It seeks to publish insightful research from established and emerging scholars on all aspects of English language, literature and popular culture, especially as it relates to Africa and the Black Diaspora. For its maiden edition which will be published in April 2017, Ọyẹ invites interested researchers and scholars to submit completed papers on any aspect of English language, literature and popular culture. We are especially interested in submissions with an interdisciplinary focus.
Deadline: December 9, 2016
Contact: William Stroup
ASLE 2017 Panel CFP
Philip Levine: Poet of Detroit
This year’s ASLE conference is hosted by Wayne State University, the alma mater of one of America’s greatest poets: recently deceased Pulitzer Prize-winner Philip Levine (1928-2015). This panel welcomes 20 minute presentations on aspects of Levine and his work, seeking fresh perspectives on the many landscapes that animate his half century of poetry, including Detroit, Spain, California, and New York.
The Amiri Baraka Society invites abstracts (of no more than 250 words) for presentations at the annual conference of the ALA (http://www.americanliteratureassociation.org/). We will also consider a limited number of panel proposals (of no more than 500 words).
We welcome submissions on any topic related to Amiri Baraka, his art, his politics, his life.
Barzakh Magazine is open for submissions from Nov. 15, 2016 through 11:59 p.m. EST on Feb. 15, 2017.
We define ourselves as an “isthmus,” a space of crossings and connectivity, between histories, articulations, and media—making of these frontiers a site of inquiry and revitalization. We want your fiction, poetry, criticism, personal essay, translation*, drawings, photographs—you name it—that pushes against complacent taxonomies and finds itself forging new paths.
Abstracts are invited for papers addressing any aspect of Charles d'Orléans’s literary influences. Topics might include Charles’s use of particular sources, his complex engagement with French and English traditions, his formalism, his multilingualism, his relationship to prison writing, and his influence on later writers. Please submit a 250-500 word abstract for a 20-minute presentation to firstname.lastname@example.org.
29 March 2017
This one-day event seeks to explore how the self is represented, reimagined and reconfigured in a range of practices across the arts, humanities and social sciences. We seek to engage academics, writers and artists as researchers of their own and/or others’ practices in ideas related to narratives of the self. We also welcome contributions that explore the articulation of self in relation to teaching and research in Higher Education.
The complicated politics of American modernism has been the subject of countless essays and monographs. From the groundbreaking works of Raymond Williams and Frederic Jameson to Alan Filreis’s studies of American modernism in Modernism from Left to Right and Counter-Revolution of the Word, the central contradictions between the radical poetics of American modernists and their sometimes profoundly conservative political views, have been a source of great critical productivity.