This year's MMLA Animals in Literature and Film panel invites papers engaging this year's conference theme "Arts and Sciences," and especially the connection between the history of science and animals.
Call for Papers
RSA Boston, 31 March -2 April 2 2016
The Milton Society of America seeks panels and papers for its sessions at the 62nd annual meeting of the Renaissance Society of America. As an Associate Organization, the MSA may submit up to five guaranteed panels.
Proposals covering any aspect of Milton studies will be given full consideration, but especially desirable are those falling under the following rubrics:
-Periodization (Renaissance, Early Modern, Long Restoration)
-Early modern epistemologies, including natural philosophy, cosmology, and hermeticism
The deadine for submissions for our inaugural volume is May 31, 2015.
Guidelines (full guidelines can be found at thesefragilelilacspoetry.com )
Send poetry submissions to email@example.com
Please do *not* include any attachments; instead, paste the poems you would like to be submitted directly into your email. You may submit up to five poems per submission cycle.
Include a short (2 to 3 sentence) biography with your submission.
Simultaneous submissions are allowed, but if your poetry gets accepted elsewhere, please let us know ASAP.
We try to respond within four to six weeks, but, usually, we will get back to you within two weeks.
Call for Papers
The Southern Literature and Popular Culture area of the Midwest Popular Culture Association seeks panel and paper proposals for the annual Midwest Popular Culture Association/American Culture Association conference, this year to be held Oct. 1-4 at the Hilton Cincinnati Netherland Plaza in Cincinnati, OH.
The area seeks papers whose topics address any aspect of Southern literature or popular culture. This includes works by southerners OR about the south. Topics might address, but are not in any way limited to:
- Literature (either Southern in setting, by author, or theme)
-Television (Justified, Southern reality television shows including Duck Dynasty, etc)
- Film and Theatre
Papers and panel proposals focused around the cultural framing or representation (in comics, film, literature, religious and medical practices, etc.) of birth or the birthing process are welcome. I welcome any theoretical or critical approaches that address birth (understood broadly). Having said that, here is a particular issue of interest:
This standing session welcomes proposals in any area of 20th and 21st century British literature and culture. From poetry to novels, drama to fashion, music to the shape of empire, the session aims to provide an open space for new engagements with British literary and cultural productions of the last century. Please submit 500-word proposals to firstname.lastname@example.org.
If you don't have time or an article to submit, perhaps you have the time to spare to be a peer reviewer? Please email Maureen.email@example.com and let me know you would be interested in being a peer reviewer. Include your main interests or the topics you would feel most confident reviewing.
In almost a reactionary response to New Criticism and a development from Historicism, literary researchers are using archival research more and more to develop textual analysis. Whether this research is more historically based or is textual to the point of analysing printing ink and the construction of a text, special collections, museum, and archives are considered a valuable resource. Even in the abstract, the idea of 'the' archive, while being embraced is simultaneously being challenged both for its exclusions and its very definition. How has the/an archive or the very idea of an archive affected/enhanced your own work?
Co-editors Daniel Westover and William Wright invite chapter proposals for 'The Fire that Breaks': Gerard Manley Hopkins's Poetic Legacies, a new volume of critical essays focusing on the diverse and continuing influence of Gerard Manley Hopkins.
In "Tradition and the Practice of Poetry", T.S. Eliot states that "The perpetual task of poetry is to make all things new. Not necessarily to make new things." In a similar vein, in ABC of Reading, Ezra Pound famously argues that literature is "news that stays news". Years after its hey-day, how do we understand modernism's commitment to the "new"? From a contemporary standpoint, how has modernism's past been made new again? From W.B. Yeats' turning gyre, to Charlie Chaplin's persistent factory gears in Modern Times, we can gather that when it comes to modernism, "revolution" need not only mean change, but also the very cyclicality of change itself.