In keeping with the conference theme of Modernism & Revolution, this panel seeks to explore modernism's little magazines as sites of provocation and revolt. The magazine communities were hotbeds of controversial figures and politics, and their publications challenged national programs and social mores via radical ideologies and aesthetics. Of particular interest to this panel is the interplay between their innovative experimental aesthetics and their cultural, social, and political interests that included socialism, anarchy, feminism, women's suffrage, sex, race, nationalism, militarization and labor. Panel papers might focus on The Crisis, The Dial, The Freewoman, The Little Review, The Messenger, The Others, The Liberator, The Masses—to name a few.
Call for Papers
'There's little left but to be bored or bore.'
Lord Byron, Don Juan, Canto XIV
'Mieux vaut un désastre qu'un désêtre.'
Alain Badiou, Conditions
Victor Hugo, Les Misérables
'There seemed nothing to do but live.'
J. M. Coetzee, Life and Times of Michael K
In May 2015, a new edition of THE VICTORIAN will appear. Please send along your articles and reviews for consideration. All aspects of the Victorian period are covered, but with a particular emphasis on literary interpretations.
Just over a decade ago, Dana Phillips (in)famously attacked ecocritics for uncritically borrowing terms and ideas from the discipline of ecology, which, he argued, is itself a "less than fully coherent field with a very checked past and fairly uncertain future." While controversial, Phillips's critique sparked important discussions about ecocriticism's methodology, especially its claim to interdisciplinarity. So-called "second wave" ecocritics reexamined the field's founding assumptions; a period of self-assessment propelled ecocriticism toward a more rigorous engagement with the sciences as well as the humanities.
Regular Paper Submission:
Socrates Journal invites Authors/Researchers to submit their research papers for consideration of publication in the regular Issues of the Journal.
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Dokuz Eylül University – Department of American Culture and Literature
1st INTERNATIONAL AMERICAN STUDIES SYMPOSIUM
May 4-5-6, 2016 – Izmir, TURKEY
This symposium will bring together academics from across Turkey and the rest of the world to discuss the idea of the "The Sacred and the Sublime"
For all its many urban topographies, the literary landscape of modernism contains a startling array of greens. From William Carlos Williams's representations of Garret Mountain Park, to Peter's reflections on Mrs. Dalloway in Regents Park or Wallace Stevens' frequent use of Elizabeth Park throughout his oeuvre, planned green spaces play an overlooked role in the development of modernism. We propose that thinking with and through public greens leads to a fresh and often more complex understanding of modernism's tangled engagements with arts, politics, material culture, bodies, and the nature-culture divide.
This year's MMLA Animals in Literature and Film panel invites papers engaging this year's conference theme "Arts and Sciences," and especially the connection between the history of science and animals.
Papers might consider eighteenth- or nineteenth-century natural history writing and/or collection practices; contemporary or historical discourse around animal experimentation; conceptual issues of animacy, animality, and/or "life"; taxidermy; issues of animality or personhood in contemporary science, medicine, literature, or film; issues of extinction and/or species revival; or figures of "monstrous animals" produced by science, from Frankenstein to Godzilla to the dinosaurs reanimated to populate Jurassic Park.
Extension 15 April/Avril CSECS/SCEDHS 2015
The programme roster for CSECS 2015, "The States of the Book," to be held in Vancouver 14-17 October, is almost full, but we have space for about 25 more paper proposals. Note especially the panel topics posted on the conference website at http://www.sfu.ca/english/csecs/panels---seance.html. Please send proposals to email@example.com by April 15th!
Modes of Relative Certainty
This panel will explore areas of "relative certainty" in modernism, where the supposed impossibility of knowing anything for certain meets the practical reality that things can be known well enough that readers and citizens can make use of them. In the wake of postmodernist criticism's essential disdain for certain knowledge and a general acceptance of modernists as ambiguous, ironic, enigmatical, interested in differance and lack, textual density and obscure allusions, we bring attention to the ways modernist texts celebrate positive knowledge--as contingent as that knowledge may be.