While poetry itself has played a historically long and significant role in the discourse of love, the period of modernity seems to be largely associated with its opposites. As the standard narrative goes, citizens the world over felt overwhelmed and frightened by the sundry and rapid changes – literal, conceptual, moral, and beyond – brought about by industrialization, scientific developments, WWI, etc. And the poetry that characterizes this time period represents and reflects on some of the more devastating changes. But what happens to poetic love in the early 20th century? What specifically happens when love, loss, and poetry come together during such a fraught time?
Scenarios for the apocalypse seem to proliferate in popular culture. John R. Hall believes that numerous examples suggest that "an apocalyptic mood is no longer confined to cultures of religious fundamentalism" but is also demonstrated in "diverse mainstream apocalyptic references" (1). In the media, the apocalypse generates news headlines; in October 2013, the Sydney Morning Herald reported that scientists had found "evidence of an apocalypse on a planetary system similar to our own" (von Radowitz). In 2012, the belief that the end of the Mayan calendar on 21 December would mean the end of the world triggered thousands of blog posts. A poll of 16,000 adults showed 8 per cent suffered genuine anxiety that the world would end on that day.
Kaleidoscope is a peer-reviewed, interdisciplinary journal edited by postgraduate researchers at Durham University. A key feature of Kaleidoscope is that it embodies and connects diverse subject areas in a single publication, whether in the Arts and Humanities, the Sciences, or the Social Sciences.
With the referendum for Scottish Independence scheduled for September 2014 and the Cornish having recently been granted minority status, questions about the dis-unity of the 'United' Kingdom are prominent in the contemporary debate regarding nationalism and regional identity. Regional Gothic will explore these fractures and the darker imaginings that come from the regions of Britain.
Venue: Falmouth University, Cornwall
William Hughes, Bath Spa University
Andy Smith, University of Sheffield
Emily Dickinson International Society Scholar in Amherst Award, 2015
21 November 2014
Bankstown Campus, University of Western Sydney, Australia
Keynote Speaker: Prof. Brian Boyd (University of Auckland)
author of 'Why Lyrics Last', 'On the Origins of Stories', 'Vladimir Nabokov: The Russian Years' and 'Vladimir Nabokov: The American Years'.
The modernists were the most temporally-aware of artists. The innovations of Woolf, Mann and Joyce were focused on time: its elasticity, manipulability and centrality to human experience.
VISUAL REPRESENTATIONS OF SCHOLARLY WORK
Intersections of Text, Image, and Research
SAMLA 86 Poster Session
Atlanta Marriott Buckhead Hotel and Conference Center
In A Sense of Things, Bill Brown argues that American novels both promote and decry materialism through the vehicle of the object. Papers are invited for NEMLA in Toronto that focus on this question of materialism and objecthood in late twentieth- and twenty-first century American poetic productions. Please submit 250-word abstracts to Elisabeth Joyce via http:// www.nemla.org.
World Journal of Creative Writing is a peer - reviewed journal. The journal is published monthly. We welcome the following types of submissions;
1. Scholarly and Original reviews
3. short stories
All topics/themes must be relevant to current issues
Methods of submission:
send your manuscript to firstname.lastname@example.org
Or sign up on our website and upload your new submission
Second Call for Papers
(Open, Non-Thematic Issue)
[sic] – a journal of literature, culture and literary translation invites submissions for the upcoming 9th issue. We accept:
- original research papers: up to 9,000 words, including references and footnotes
- reviews and interviews: up to 2,000 words
- translations of literary texts: up to 9,000 words
- video essays (max 50 MB) – video submissions are welcome from all fields within the journal's focus
The Transatlantic Connections Conference takes place in Ireland, in 2015. To link to the detailed CFP, please click on http://www.drew.edu/irish/?p=265
This conference is a unique, multi-disciplinary gathering that aims to encourage conversation between scholars and researchers of Irish and Irish-American culture and the writers, artists, local historians, surfers, musicians, skaters, chefs, poets, thinkers and readers of Irish and Irish-American culture.
Science, Ethics, Progress vs. Science, Vice, Crime/Disaster
Literature and Social Justice Graduate Conference