BAKEA Symposium is open to all participants from the fields of English Language and Literature, American Culture and Literature, French and German Language and Literary Studies, Comparative Literature, Translation Studies.
Houston Baker Jr. describes the American blues as the Derridean "always already" of African American culture. In Blues, Ideology, and Afro-American Literature, Baker states, "They [blues] are the multiplex enabling script in which Afro-American cultural discourse is inscribed." The blues document the violent history and traumas endured while affirming the "somebodiness of black people" (James Cone).
DEADLINE EXTENDED- Call for papers for an interdisciplinary conference
Proposals Due: April 6th, 2015 12am.
AFFECT: MEMORY, AESTHETICS, AND ETHICS
With Keynote Speakers: Lauren Berlant, John T. Cacioppo and Ronald de Sousa
Featuring Special Seminars by: Amy Schmitter, Daniel M. Gross, Isobel Armstrong and Noreen Giffney
18-20 September 2015, The Fort Garry Hotel, Winnipeg, Manitoba
Open submissions: We are currently open to submissions of poetry, short fiction, literary essays, book reviews, and artwork. Our theme for this issue to be published in Fall 2015 is Continuance: beginning, transitioning, sustaining. This can include things which invite or consider complexity of presence, modernities, future planning and leadership, memory, activism, syncretism. The deadline is June 1, 2015.
This is a proposed panel for the MSA 17 conference in Boston in November 2015. The conference as a whole is entitled 'Modernism and Revolution'
Metamorphoses:The III International Flann O'Brien Conference
Charles University, Prague, 16-19 September 2015
EXTENDED DEALINE: 1 APRIL
Joseph Brooker (Birkbeck, University of London)
Catherine Flynn (University of California, Berkeley)
Brian Ó Conchubhair (University of Notre Dame)
Kevin Barry (City of Bohane; winner of the 2013 International IMPAC Dublin Literary Award)
This panel seeks to address how questions of faith have shaped cultural meanings in American literary history. In particular, it welcomes papers that examine the relationship between suffering and religious identity. Some of the questions we will consider are: how do literary texts represent the connection between suffering and faith? How did the growth in secularity influence the way American writers conceptualized and responded to suffering? Do religious and non-religious writers come to terms with human suffering in different ways?
Recent academic interests and explorations within the field of broadly understood American Studies have been largely concentrating on the unusual and exceptional aspects of American literature, art and life, such as wildness, transgression, excess, violence, sublimity, greatness, intemperance, extraordinariness. The questions which the conference is going to address will focus on the constructions and the place of the "ordinary" viewed from the perspective of various "home"-inspired discourses, from housing to domestic policy, through questions of family values, ethics of modesty, simplicity of living, unpretentiousness, individual and domestic security, American communities, localities and neighborhoods.
Reflections for Revenge Conference at the University of Leicester – only two weeks left to submit your abstract!
Please can I remind you all of the exciting new conference we are holding in September at the University of Leicester. The Call for Papers is open but will close on the 2nd April. For more details about the conference, and the wider collaboration into the study of revenge, please visit our website: http://www2.le.ac.uk/departments/criminology/research/current-projects/r... or contact us on email@example.com.
The News from Poems
The Sixth Biennial Conference of the
William Carlos Williams Society
William Paterson University
June 18-20, 2015
Keynote Speaker: Paul Mariani
Author of William Carlos Williams: A New World Naked
The year 2015 marks the 60th anniversary of the publication of Williams' Journey to Love by Random House and a sort of midpoint in Williams' late career renaissance culminating in Pictures from Breughel. In Journey to Love, Williams continues a lyrical reaffirmation of his identity as a poet and of poetry as a necessary response to the vicissitudes of life—especially the vicissitudes of ageing and the diminishment of time, which is recuperated through poetry, made new: