Edited Collection on Joe Brainard
Edited Collection on Joe Brainard
JUXTAPOSITIONS: Journal of Haiku Research and Scholarship
Call for Papers: MCEA Conference on Friday, October 21 and Saturday, October 22, 2016
A combined conference with the Michigan Writing Centers Association
Theme: Innovation and Tradition
Featured Luncheon Speaker on Fri. Oct. 21: Poet M. L. Liebler
Location: Macomb Community College, 14500 E. 12 Mile Road, Building K, Warren, MI 48088-3896
Poetry is something celestial, heavenly and God gifted. It enables and uplifts both its creator and readers. Through sublime poetry, a poet can reveal the spontaneous overflow of his emotions. In short, poetry has high and excellent seriousness. So, to enhance the poetic sensibilities, our group is publishing World poetry anthology. We will accept published, unpublished and also simultaneous creations, but Cyberwit does not publish anonymous writings. We provide the perfect platform to showcase your talent to the whole world. Come share your creativity...
The 48th NeMLA Annual Convention, March 23-26, 2017 in Baltimore, Maryland: Translingual and Transcultural Competence: Toward a Multilingual Future in the Global Era”
Reassessing the Blues through Literary Performance
Kudzu House Quarterly, a journal of environment, is reading for its Winter Creative Issue (Vol. 6, Iss. 4: Winter Solstice), featuring Patty Somlo, until September 1st. The theme for our winter issue is always open. We publish creative writing and scholarship on a quarterly, rolling basis. We will begin reading for scholarship again in the fall. Send us your poetry, fiction, nonfiction, art, and multimedia work today!
Creative Session NeMLA: The Hybrid Form
Deadline: September 30, 2016
Full name / name of organization
Llana Carroll / University at Albany, SUNY
Rae Muhlstock / University at Albany, SUNY
Contact email: firstname.lastname@example.org
NeMLA 2017: Baltimore, MD March 23-26
Creative Session: The Hybrid Form:
We will each present a hybrid-form piece that draws on our interdisciplinary creative and scholarly work.
Fallujah Magazine solicits unpublished work that explores and/or defines and/or meditates upon the condition of art and of the artist.
Our manifesto declares: “Fallujah is a space for remembering, for protesting with art from any corner of the world.”
"A DREAM / TOO BAD TO SLEEP THROUGH": ON WYN COOPER'S DYSTOPIAN NARRATIVES
This panel welcomes papers about the use of dystopian narratives and imagery in the work of poet Wyn Cooper. Papers should address Cooper's work in the fields of poetry and/or music, and will be read as part of a roundtable discussion. By June 10th, please submit a 200-word abstract, brief bio, and A/V requirements to Andrea Rogers, Georgia State University, at email@example.com.
This year's SAMLA conference is in Jacksonville, FL from 11/4-11-6.
Hawthorne and Longfellow: Fictive and Poetic Visions of History and the Nation
This panel for the NeMLA 2017 Annual Convention, to be held in Baltimore, Maryland, from March 23 to March 26, 2017, seeks papers that examine the visions of history and the nation found in the works of Nathaniel Hawthorne (1804-1864) and Henry Wadsworth Longfellow (1807-1882).
South Atlantic Modern Language Association convention; Jacksonville, Florida; November 4-6, 2016
Dystopic Dickinson. Or Is It Utopic Dickinson?
CFP for NeMLA 2017 Annual Convention in Baltimore, MD. http://www.buffalo.edu/nemla/convention.html
Students in creative writing workshops often lack reading experience and knowledge, but demonstrate awareness and analysis of film and television. Graphic literature can be used to transition from the terminology and rhetorical understanding they possess to the writing and feedback skills the workshop demands. This roundtable seeks to present and discuss both recommended texts and strategies to engage students and encourage their creative writing. Theoretical and practical approaches to this method are welcome.
SAMLA 2016 Special Session:
Poetry of Escape and Resistance: Utopian and Dystopian Poetic Forms:
For a long time now, Canadian poets (most notably bpNichol, but there are many others) have been credited with making significant initiatory experiments in the fields we now call electronic literature and digital poetics, but there has been relatively little work done examining what precisely constitutes a Canadian digital poetics, what kinds of writing constitute the genre, and what new reading practices are invited by these new projects in digital poetics. This panel looks at the emerging field of Canadian digital poetics and asks two primary questions: what is the role of a national literature in the increasingly boundary-less world of electronic literature? and, how do Canadian digital poetics change the way that we read and engage with these texts?