poetry

The East Asian Translation Studies conference aims to provide a platform for translators and researchers working in the East Asian context to exchange ideas on issues related to translation. 

Previous EATS conferences have been held at the University of East Anglia, UK (2014); Meiji University, Japan (2016); Ca’ Foscari University of Venice, Italy (2019); Université Paris Cité, France (2022); and the University of Queensland, Australia (2024). They have centered on questions of the circulation of translation within East Asia, constructing/deconstructing East Asia, changing identities of East Asia observed in translation, universals in East Asian translation, and negotiating the borders of translation and East Asia.

The T. S. Eliot Studies Annual, Call for Papers for Volume 9

The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the 2015 edition of his complete poems, and the forthcoming critical edition of his plays.

All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, editor, foremost exemplar of modernism, or his influence on twentieth-century and contemporary literature and culture.

The Charles Olson Society will sponsor panels at the Re-Viewing Black Mountain College Conference, to take place in Asheville, North Carolina, October 2-4. 2026 marks the Centenary of poet Robert Creeley’s birth, and the Charles Olson Society will welcome abstracts pertaining to any aspect of Creeley’s life and work. Creeley was a central poet in the development of Black Mountain Poetry, and along with his life-long friend and companion in verse, Charles Olson, Creeley greatly influenced the development of American poetics after World War II. As he said, “I write to realize the world as one has come to live in it, thus to give testament. I write to move in words, a human delight. I write when no other act is possible.”

Textual Bodies: Incarnation, Corporeality, and Affective Materialities through Literature
6th Meeting of Young Researchers of the SELGyC

Faculty of Philology — Complutense University of Madrid
September 16–17, 2026

«Write yourself: your body must be heard»
Hélène Cixous, The Laugh of the Medusa

«The text you write must prove to me that it desires me»
Roland Barthes, The Pleasure of the Text

Collecting, Collected, Collective:

Working With Hopkins

June 10 to 12, 2027

Proposals due: 26 October 2026

In the collective global imaginary, humans seemingly write the world in isolation. We dictate the climate, biodiversity, and natural resources but we also control the ways in which the world is perceived through literature. This roundtable considers how literature is a co-constitutive process written through connectivity across time and space, landscapes, species, environments, and voices by humans and more-than-humans.

Internationale Tagung
Istituto Storico Austriaco a Roma

Austrian Negatives
In the Darkroom of the Habsburg Empire
Maria Giovanna Campobasso, Flavia Di Battista, Matteo Zupancic
7-8 October 2026
Deadline: 10th May, 2026

Californian Williams Seeking papers that elaborate Williams’s relationship to California and West Coast culture, broadly defined or focused on various Los Angeles poetry scenes, Williams’s reading tours, engagement with Hollywood, or relations to western modernism. One-page abstract to Mark C. Long mlong@keene.edu no later than Friday, March 20, 2026

 The Literature and Religion session invites abstracts for a panel that explores the multifaceted role of religion and spirituality within literary cultures, especially as they intersect with social hierarchies, power structures, and conflict. Religion has long shaped literary expression.

“The poetry of witness reclaims the social from the political and in so doing defends the individual against illegitimate forms of coercion.”- Carolyn Forché

“But is it enough that a poem “remembers” when we are now entrenched in an era of total recall?”– Cathy Park Hong, “Against Witness“

Unearthed invites submissions for an upcoming issue devoted to witnessing in a time of social and ecological rupture. We welcome work that refuses to look away from injustice and chronicles radical resilience.

On Sean Bonney: Poetic Radicalism at the Turn of the Third Millennium

A two-day international conference to take place at

Université Paris Cité

10th and 11th of December, 2026

Organising committee:

Bastien Goursaud (Université de Picardie – Jules Verne)

Andrew Hodgson (Université Paris Cité)

Abigail Lang (Université Paris Cité)

Elise Legal (Université Paris 8)

Sean Mark (Université Catholique de Lille)

Seminar for Modernist Studies Association Conference

How text appears on the page has been of periodic interest to poets for centuries. This interest grew in late-nineteenth and early twentieth-century poets as shown by the work of Stephane Mallarmé and by artistic movements such as Dada. Concrete poetry, a style of poetry mostly from Germany and Brazil in the 1950’s (Thomas) adhered to this interest. Other types of experimental poetry have worked on the liminal edges between text and image, where the appearance of the text supersedes its content, as in more recent work by Susan Howe. Generally speaking, as Greg Thomas argues, this poetry is “concerned with complicating or undermining linguistic sense” (Thomas 4) in its turn to the visual.

The UC Davis English Graduate Student Association (EGSA) is hosting its fourth annual student-led Connections Conference under the wide-ranging theme of “Time.” This year’s conference considers “Time” in its broadest sense. According to the Oxford English Dictionary, “time” is defined as “A finite extent or stretch of continued existence.” Time has also been conceptualized in other terms.

Seeking submissions exploring the formal contours of ecopoetics across time, cultural traditions, and media environments.

250-word abstract, brief bio and CV by March 20, 2026. 

Nikki Skillman, Indiana University-Bloomington

nskillma@iu.edu