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Technologies of Frankenstein: 1818-2018

updated: 
Tuesday, May 23, 2017 - 5:52pm
Stevens Institute of Technology and IEEE History Center
deadline for submissions: 
Sunday, October 15, 2017

CALL FOR PAPERS

Technologies of Frankenstein: 1818-2018

7-9 March 2018, Stevens Institute of Technology, Hoboken, New Jersey USA

Co-sponsors: Stevens Institute of Technology College of Arts and Letters and IEEE History Center 

Troubled Identity and the Continuing Relevance of Cultural Studies

updated: 
Tuesday, May 23, 2017 - 5:52pm
The Apollonian: A Journal of Interdisciplinary Studies
deadline for submissions: 
Thursday, June 1, 2017

The Apollonian Vol. 4, Issue 3 (September 2017) Special Issue on Troubled Identity and the Continuing Relevance of Cultural Studies

 

Deadline: 1 June 2017

 

Guest edited by Jonathan Wright and Susan Flynn (London College of Communication, University of the Arts, London)

SAMLA89 Fashioning Beauty

updated: 
Tuesday, May 23, 2017 - 5:53pm
Southern Atlantic Modern Language Association
deadline for submissions: 
Thursday, June 1, 2017

SAMLA 89 will be held in Atlanta, GA, November 3-5. 

Special session panel.

CFP: Suvin Today? A Roundtable Discussion (SUS 2017)

updated: 
Tuesday, May 23, 2017 - 5:53pm
Society for Utopian Studies
deadline for submissions: 
Saturday, July 8, 2017

CFP: Suvin Today?

A Roundtable Discussion

The Society for Utopian Studies (November 9-12, 2017 in Memphis, TN)

Proposal Deadline: July 8, 2017

Co-Organizers: Gerry Canavan and Hugh O’Connell 

The Comics of Seth

updated: 
Tuesday, May 23, 2017 - 5:53pm
Dominick Grace
deadline for submissions: 
Monday, January 1, 2018

 Seth, born Gregory Gallant, is one of the seminal alternative cartoonists. His comic Palookaville, which began in 1991, continues today; issue 23 (summer 2017) will complete the serialization of Clyde Fans, twenty years in the making and arguably Seth’s magnum opus. He has produced the seminal It’s a Good Life, If You Don’t Weaken (1996; originally serialized in Palookaville), Wimbledon Green (2005), George Sprott (1894-1975) (2009; originally serialized in the New York Times Magazine), and The Great Northern Brotherhood of Canadian Cartoonists (2011), in addition to numerous shorter strips and illustrations.

Horror is Where the Heart Is: Representations of Home in the Horror Genre

updated: 
Tuesday, May 23, 2017 - 5:53pm
Film & History
deadline for submissions: 
Saturday, July 1, 2017

Representing "Home" The 2017 Film & History ConferenceCFP: Horror is Where the Heart Is: Representations of Home in the Horror Genre

November 1-November 5, 2017
The Hilton Milwaukee City Center
Milwaukee, WI (USA)

UPDATE DEADLINE for abstracts: General acceptance: July 1, 2017

Film & History is delighted to announce that the international premiere of 130 Year Road Trip Live—a live participatory documentary—will be the featured event at our 2017 conference. The film/performance explores the history of spatial planning in Nazi Germany, its understandings of home, nation, and belonging, and its roots in the North American colonial practices of 1883.

Media and Culture

updated: 
Tuesday, May 23, 2017 - 5:55pm
Academy of Social Sciences
deadline for submissions: 
Thursday, June 1, 2017

Journal: Media and Communication/ Mediji i komunikacije

Hunting for the Real Hunter S. Thompson in the Great Shark Hunt

updated: 
Tuesday, May 23, 2017 - 5:59pm
Keith C. Wilson
deadline for submissions: 
Wednesday, August 9, 2017

Greetings. 

The Great Shark Hunt is Hunter S. Thompson’s first volume of Gonzo Journalism, spanning about twenty years of articles which experimented in blending and bending genre. What makes these articles experimental is his unconventional use of fiction and humor in sports writing and political commentary.  

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