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[UPDATE] States of Crisis - Graduate Conference

updated: 
Friday, April 24, 2009 - 10:56pm
Brandeis University - Department of English and American Literature

States of Crisis
Friday, 9 October 2009
Brandeis University
Department of English and American Literature
Seventh Annual Graduate Conference

Since its origin in the ancient Greek krisis, "decision," related to krites, a judge, the term crisis has referred to ideas of discernment, evaluation, criticism, and sifting of evidence. In literary studies, for example, one can see moments of crisis in shifting aesthetics and changing genres as well as in literary tradition(s), character representation, and ideas of narrative. Drawing on interdisciplinary approaches and scholarship, this conference will explore different responses to the idea of crisis in the humanities and social sciences.

Pennsylvania Literary Journal, Summer 2009 Issue: "Experiments" – Deadline – July 6, 2009

updated: 
Friday, April 24, 2009 - 1:55pm
Pennsylvania Literary Journal – English Literature Department, Indiana University of Pennsylvania

This is a critical and creative new journal. It is created to find, edit and publish superior works of fiction, non-fiction, art, multi-media and the like. It will be primarily an online journal. Until an independent website is developed the journal will be housed at www.myspace.com/pennsylvaniajournal.

[UPDATE] Women in Popular Music: Permanent Vacation

updated: 
Friday, April 24, 2009 - 10:41am
Women's Caucus for the Modern Languages/Midwest, Midwest Modern Languages Association

"Women in Popular Music: 'Permanent Vacation': Moves and Departures in Women's Popular Music." A change in location, focus, allegiance or perspective can lead to a major shift in an artist's work, which can then lead to a different sound, a different public persona, a different audience. Women artists who start out as one thing end up something else—gospel singers go secular and vice versa, country goes disco, folk rock goes jazz. We invite papers that explore this sort of transition and explore its aesthetic (and other) consequences in the career of a woman artist or group. Patricia S. Rudden, New York City Coll. of Technology, patriciarudden@gmail.com.

Conference: St. Louis, Nov. 12-15

CFP: Reassessing Theatrical Paradigms and Imagining Global Rights (ASTR, Puerto Rico, Nov 11-15, 2009; Abstr. due May 15, 2009)

updated: 
Friday, April 24, 2009 - 9:52am
American Society for Theatre Research (ASTR)

WORKING SESSION: Reassessing Theatrical Paradigms and Imagining Global Rights (San Juan, Puerto Rico, Nov. 11-15, 2009)

Deadline for Abstracts: Friday, May 15, 2009

Conveners: Brenda Werth, American University; Paola Hernández,
University of Wisconsin-Madison; Kerry Bystrom, University of
Connecticut; Florian Becker, Bard College
(werth@american.edu; pshernandez@wisc.edu; kerry.bystrom@uconn.edu;
fnbecker@bard.edu)

[UPDATE] "Catastrophe and the Cure": The Politics of Post-9/11 Music (Deadline May 1, 2009)

updated: 
Friday, April 24, 2009 - 9:14am
Anthology Theorizing Post-9/11 Music

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

Theatre/Performance Studies and Popular Culture

updated: 
Thursday, April 23, 2009 - 5:42pm
Mid-Atlantic Popular/American Culture Association

CFP: Mid-Atlantic Popular/American Popular Culture Association
Theatre and Performance Studies
Boston, MA - November 5-7, 2009

Paper/Panel Proposals Due JUNE 15, 2009.

The study of theatre and performance often reveals unexpected insights into a culture's historical and ideological conditions. Papers in this area will address how the institutions and practices of the performance define concepts of taste, suggest causes and solutions for social conflict, and reflect the importance of race, gender, and religion in relation to national or regional identity. We seek presentations, panels, and papers which focus on the theatre as a reflection of popular and/or American culture. Suggested topics include, but are not limited to:

"Robin Hood: Media Creature," 22-25 October 2009

updated: 
Wednesday, April 22, 2009 - 6:01pm
International Association for Robin Hood Studies - University of Rochester, USA

This conference solicits contributions to our understanding of the perennial outlaw hero, and the traditions surrounding his stories, from as wide a variety of disciplinary and interdisciplinary perspectives as possible. The conference requests proposals that expand our knowledge of medieval and early modern historical studies, literary criticism, folklore, musicology and music practice, children's literature, cultural studies, anthropology, film and media studies, performance art and oral recitations, art history, literary history and theory, and philosophy. While our historical understanding of Robin Hood inevitably depends on literary and archival records, even these cultural memories have been shaped by the media that contain them.

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