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Press/Reject!

updated: 
Sunday, June 7, 2009 - 9:01am
Richard Burt and Craig Saper

Call for Essays for "Press (R)eject" special issue of Rhizomes.net
issue 20 (Winter 2009/2010) http://www.rhizomes.net/

Co-edited Richard Burt and Craig Saper, co-operators of the
Rejectionist Movement

Reconsidering Consolation in Twentieth- and Twenty-First-Century Elegiac Writing - NeMLA 7 - 11 April 2010, Montreal, Quebec

updated: 
Saturday, June 6, 2009 - 2:36pm
Daniel Moore, Panel Chair, Northeast Modern Language Association (NeMLA)

41st NeMLA Annual Convention
American/British Panel Category

One line from Wilfred Owen's unfinished preface to his posthumous Poems (1920) can be read perhaps as a synecdoche for much elegiac writing of the twentieth and twenty-first centuries. Anticipating the disconsolate tenor later elegies sound and the resistances they levy to socially and politically sustained practices of mourning, Owen warns readers the elegies in his book "are to this generation in no sense consolatory."

House Work: Masters and Servants in Post-Modern Culture

updated: 
Friday, June 5, 2009 - 11:21am
NEMLA

House Work: Masters and Servants in Post-Modern Culture

41st Anniversary Convention, Northeast Modern Language Association (NeMLA)
April 7-11, 2010
Montreal, Quebec - Hilton Bonaventure

[UPDATE] "Catastrophe and the Cure": The Politics of Post-9/11 Music (Deadline July 1, 2009)

updated: 
Friday, June 5, 2009 - 9:11am
Anthology Theorizing Post-9/11 Music

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

Cfp Transcultural memory - a conference (abstracts by July 21, 2009; conference held on Feb 05-06, 2010)

updated: 
Friday, June 5, 2009 - 6:41am
Institute of Germanic and Romance Studies and Goldsmiths, University of London

Transcultural Memory
A conference jointly organized by the Department of English and Comparative Literature, Goldsmiths, University of London, and The Centre for the Study of Cultural Memory, Institute of Germanic & Romance Studies, University of London
This conference marks the inauguration of The Centre for the Study of Cultural Memory.
Date: 5-6th February, 2010.
Conference organizers: Lucy Bond, Rick Crownshaw and Jessica Rapson (Goldsmiths); Katia Pizzi and Ricarda Vidal (Institute of Germanic and Romance Studies).
Venue: Institute of Germanic and Romance Studies, University of London
Keynote speakers:
Astrid Erll (University of Wuppertal)
Andrew Hoskins (University of Warwick)

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