William Blake and His Influence
CFP: Disney's Documentaries
Contributors are being sought for articles to complete an edited volume (working title "Beyond the Mouse: Disney's Documentaries and Docudramas") that is designed to explore the full range of Disney films designed to educate viewers about specific people, places, things, events and concepts from the real world.
Postscript General Call for Papers
The Virginia Woolf Miscellany seeks short essays (2,000 words maximum) investigating Virginia Woolf's interactions with periodicals. Particularly welcome are essays that read periodicals themselves as complex cultural texts while contextualizing and/or historicizing Woolf's contributions. Essays that shed new light on Woolf's evolving attitudes towards journalism and the print marketplace are also welcome.
Submit essays via email attachment to Patrick Collier at firstname.lastname@example.org.
The theme of the Conference is "Afterlives: Survival and Revival". In an effort to facilitate a wide-ranging, interdisciplinary conversation, we encourage scholars working in any discipline to submit abstracts addressing this theme. The conference theme is designed to promote reflection on appropriations, adaptations and continuities in cultural production. A selection of the papers presented at the conference will be published in a special issue of The Southern African Journal of Medieval and Renaissance Studies (accredited for South African research subsidy purposes).
Suggested topics include, but are by no means limited to:
• new ways of looking at old texts
• textual appropriation and imitation
• textual transmission
Call for Papers and Panels
What Postcolonial Theory Doesn't Say
A conference at the University of York, UK, 3-5 July 2010, in partnership with the University of Leeds and Manchester Metropolitan University
Postcolonial Studies is firmly ensconced in the Anglophone metropolitan academy: the field has its own specialised journals, academic posts, postgraduate courses, and dedicated divisions within learned bodies. But how well have these configurations travelled to other locations, institutions and disciplines? What topics, questions and approaches remain unexplored? And what's 'theoretical' about postcolonial theory anyway?
TWENTY-FIRST CENTURY MEDIEVALISMS:
CONTEMPORARY RE-CREATIONS OF THE MEDIEVAL
CALL FOR PAPERS
PROPOSALS DUE BY 12/31/09
Sponsored by THE SOCIETY FOR THE STUDY OF POPULAR CULTURE AND THE MIDDLE AGES
For "Time, Temporality, History": 31st Annual Medieval and Renaissance Forum, Plymouth State University (Plymouth, NH), 16-17 April 2010
The editors of Reception: Texts, Readers, Audiences, History, the journal of the Reception Study Society, invite submissions for its second issue, which will appear in the fall of 2009.
NEMLA, Montreal, Quebec April 7-11 2010
Lost Pasts/Broken Futures: Forgetting as Narrative Crisis in Film
Numerous films--from Memento and Eternal Sunshine of the Spotless Mind to Manchurian Candidate and Spellbound--are preoccupied with acts of forgetting. More than just a plot element, forgetting serves as a narrative device that keeps afloat multiple narrative possibilities, forcing the viewer to engage manifold variables by denying the possibility of a singular narrative. This panel invites papers that investigate how the act of forgetting--rather than the attempt to remember--is used as a narrative device in film. Send abstracts to Thomas Knauer at email@example.com.
This panel will examine the practice of importing characters and plot lines from one literary work to another. This panel hopes to reveal how the relationship between the newer work and its source material affects the way the way that readers and audiences receive both works, particularly when this relationship crosses cultural, chronological, and genre divides. Please send abstracts to Michael Rio and William Duffy at firstname.lastname@example.org.