Guest Editor: Fang-mei Lin
National Taiwan Normal University, Taiwan
Deadline for Submissions: September 30, 2009
Guest Editor: Fang-mei Lin
We seek essays of 4,000 to 8,000 words for an anthology that explores the work of writer-actor-director-comedian Terry Gilliam. For decades Gilliam has been a leading film auteur, both a comic and a social critic, and a historical, critical survey of his work is needed. While he has never wholly departed from his Monty Python roots, he has forged his own distinct vision. Gilliam cinematically creates worlds that are AT once familiar AND unwelcome. He triumphs the mundane and the absurd. His anachronistic and off-kilter vision consistently throws off our ability to find a stable or common foundation on which to ground our approach to his films.
This panel will examine the construction and deconstruction of truth and lie as they shape multiple realities in the texts Blackbird, Lolita, and Doubt. Whose perceptions of reality are privileged when constructions of reality clash? When/how do perceptions of sexual intimacy transform into accusations of abuse? In what ways does the trajectory of age impact formations of reality from memory? Please send 250--500 word abstracts to firstname.lastname@example.org. PDF or Word files please.
Dr. Cathy E. Fagan
Nassau Community College
Bradley Hall//Room 8
1 Education Drive
Garden City, New York 11530
CALL FOR PAPERS:
GENERATION X AND THE ACADEMY
We are soliciting proposals for a collection of essays that examine the life of Generation X academics. The anthology is tentatively titled Generation X And The Academy. Generation X faculty from all disciplines are welcomed to submit abstracts.
All topics will be considered; however, essays that examine personal experiences be they issues of race, marriage, divorce, sexuality , religion, life in the academy, life post academia, personal politics and disabilities are particularly welcomed.
Critical Perspectives on the Twilight Saga, Edited by Maggie Parke and Natalie Wilson
Apologies for Cross-posting.
Chapter proposals are invited for an edited book on the themes and films of Claire Denis. As Denis' films are rich in subject matter, story, theme and contemporary concerns, the preference is for a cross-disciplinary perspective, which may include film studies but does not have to concentrate solely on or derive from it.
Poetry Studies and Creative Poetry
2010 Popular Culture Association/American Culture Association National Conference
St. Louis, Missouri, March 31 - April 3
Deadline: 15 December 2009
The 2010 PCA/ACA Poetry Studies & Creative Poetry Area chair is seeking two kinds of panelists: those reading original poetry and those delivering short papers on some aspect of American poetry.
Final call for papers on House Work: Masters and Servants in Post-Modern Culture.
While many people might assume that contemporary fascination with servant characters is limited to British TV and literature (i.e., "Upstairs, Downstairs," "1900 House," The Remains of the Day, Gosford Park), even the Americans have gotten in on the game. 1980s American television was fascinated with the importation of servant characters in shows like "Benson," "Mr. Belvedere," and Fran Drescher's "The Nanny." This panel will explore post-modern representations of servants and servant culture.
Please send 300 word abstracts to email@example.com.
Deadline: September 30, 2009
Playing Web 2.0: Intertextuality, Narrative and Identity in New Media
41st Anniversary Convention, Northeast Modern Language Association (NeMLA)
April 7-11, 2010
Montreal, Quebec – Hilton Bonaventure
Greetings fellow scholars,
This is a CFP for the Fall 2009 Humanities Review, a literary journal for the St. John's University English Department in Queens, NY.
Our current theme focuses on the contemporary construction of American Identity.
We are also strongly requesting art submissions that best exemplify the theme. Limited color or mono-chrome are preferred. Please submit .TIFF FILES ONLY @ 800 dpi to the email address below.
Some matters to consider:
How has the social practice of culture formed / continue to form the ideological condition of "being American?" With that said, what does it mean to be an American in the 21st Century? What are the ontological pieces that plait our parsonage?