Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.
CALL FOR PAPERS
Popular Culture Association/American Culture Association (PCA/ACA) National Conference
March 22-25, 2016
Subject Area: Latin Americans & Latinos - Identity Issues & Cultural Stereotypes
This seminar seeks papers that interrogate, trouble, and (re)articulate the interrelations of performance, poetics, and community within a critical hemispheric lens. Papers that examine how publics enacted through poetry and/in performance can potentially reaffirm, realign, and reorganize themselves out from the obfuscations of contemporary living are particularly welcome.
The Graduate Medieval Colloquium at the University of Virginia, along with organizers from the University of Pennsylvania and UC Berkeley, invites submissions for a graduate student conference and colloquium:
Method and the Middle English Text
April 8-9, 2016
The University of Virginia in Charlottesville
Keynote speakers: Andrew Cole (Princeton University), Alexandra Gillespie (University of Toronto), Patricia Ingham (University of Indiana, Bloomington), Steven Justice (UC Berkeley), Kellie Robertson (University of Maryland), Emily Steiner (University of Pennsylvania).
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
The fourth Islamic Economics Workshop will be held by the Association for Science, Culture and Education (ILKE); the Scientific Studies Association (ILEM) and the Turkish Entrepreneurship and Business Ethics Association (IGIAD) in Istanbul from April 2-3, 2016. The topic of the workshop will be on "Social Justice from the Perspective of Islamic Economy." In the evaluation of the applications for the workshop, which will be hosted by the Islamic Economics and Finance Department, Istanbul University, papers that discuss social justice and relative subjects from the perspective of Islamic Economics will be given priority.
The graduate students of The University of Alabama's Department of Modern Languages & Classics, in collaboration with the graduate students of the Department of English and the TESOL program, invite papers for our sixth annual University of Alabama Languages Conference entitled "The Many Tongues of Talk and Tale" to be held February 12-13, 2016 at The Ferguson Center of The University of Alabama.
Proposals about all languages are welcome in, but are not strictly limited to, the following topic strands:
In their 1999 essay "Deformance and Interpretation," Lisa Samuels and Jerome McGann propose deformative criticism against a rigid, theoretical, informative mode of reading in humanities. Deformance is an action, an imaginative, creative poiesis that does not necessarily aim to set a meaning of a text but reimagines it as a performance. Usually perceived in opposition to the more analytical camp of Digital Humanities, deformative criticism or deformance seems to be one of the very real and material alleys that Digital Humanities has offered to the structured, institutional, and perhaps all too ossified forms of production and exposition of knowledge.
Starting with the Global Financial Crisis of 2007, an already dwindling and tough job market for those who received a Ph.D. from humanities and social sciences became almost impossible to navigate especially for the new graduates. Even if the economy shows healing symptoms and the market some amelioration, with the use of the business and private enterprise models within academia along with the changes in the tenure system, careers alternative to the academic tenure became a real option and are not necessarily seen as failures.
The Charles Olson Society will sponsor a session at the annual Louisville Conference on Literature and Culture since 1900, to be held at the University of Louisville, February 18-20, 2016. We are interested in abstracts pertaining to any aspect of mid-Century American poetics, but in particular those that build on and problematize the mechanics of projective verse. While "Projective Verse" has received ample treatment in studies concerning major poets like Charles Olson and Robert Duncan, other poets built on projective verse in their own ways, fashioning distinctive styles that, while tangentially related to projective verse, also created new poetic forms.
The deadline for abstracts for the Twelfth Annual Massachusetts Center for Interdisciplinary Renaissance Studies Graduate Conference has been extended to Thursday, September 10:
Massachusetts Center for Interdisciplinary Renaissance Studies Graduate Conference
The Massachusetts Center for Interdisciplinary Renaissance Studies at the University of Massachusetts, Amherst will host its twelfth annual graduate student conference on Saturday, October 10, 2015. We are delighted to welcome Anne Lake Prescott of Barnard College as our keynote speaker.
On behalf of the Organizing Committee, we are pleased to invite the academic community to attend the 8th International Conference "Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects", which will be held on April 20-22, 2016 at Chelyabinsk State University (Chelyabinsk, Russia).
We welcome the submission of research papers related to the following topics:
–Innovative approaches to language studies in the XXI century.
–Linguistic image of the world and cross-cultural communication.
–Discourse as the object of interdisciplinary research.
–Current issues in translation and interpreting studies.
–Current issues in language education.
The official languages of the conference are Russian and English.
Dance was an important part of Restoration and eighteenth-century society and of Restoration and eighteenth-century theatre, and it figures prominently in a number of eighteenth-century novels as well. Yet it is a field of study that has been largely overlooked in Restoration and eighteenth-century scholarship (particularly that on England). This panel invites papers on all aspects of eighteenth-century dance culture, from attempts to reconstruct or analyze dances to explorations of eighteenth-century dance textbooks to inquiries into how dance informed the other arts like theater, opera, and the novel. What might the methodologies of dance scholarship contribute to our understanding of eighteenth-century books, performances, or cultures?
The proposed panel explores the development of a documentary film and video movement from the margins of the Spanish film industry during the early years of the twenty-first century.
The Oswald Review is a refereed undergraduate journal of criticism and research in the discipline of English. Published annually, The Oswald Review accepts submissions from undergraduates in this country and abroad (with a professor's endorsement).
Submit each manuscript as a separate email attachment in Microsoft Word. TOR discourages simultaneous submission to other journals.
All text should be provided in current MLA format, justified left only and without headers and footers. Endnotes, if absolutely necessary, should be minimal.