Futures of Intellectual History
A Graduate Student Conference
New York University
October 23-24th, 2015
Call for Papers
The Remarque Institute invites graduate students to submit proposals for the Futures of Intellectual
History graduate student conference to take place at New York University on October 23-24th, 2015.
A recent wave of scholarship has reinvigorated Intellectual History and expanded the field beyond its
traditional geographical, methodological and conceptual boundaries. Though taking place at all levels of
the academy, much of this recent scholarship is the work of graduate students. Despite the vitality and
Futures of Intellectual History
Key Note Speakers:
Craig Baldwin [filmmaker, lecturer @ UC Davis]
Dr. Denah Johnston [filmmaker, author of No Future Now: A Nomdadology of Resistance and Subversion, lecturer at California College of the Arts, executive director of Canyon Cinema]
Exploring the transformation, reconstitution and disruption of environments through the arts and humanities and social science.
Bath Spa University
29, 30, 31 March 2016
Sponsored by the British Academy and hosted by the Writing and the Environment Research Centre, Bath Spa University
Stephen Daniels, Professor of Cultural Geography, University of Nottingham
Other speakers TBC
There has been a significant shift in the boundaries between the private and public realm in recent years. The increasing indistinction between the two spheres has multiple causes, among them the rise of identity politics and the popularity of the confessional mode. The former might be said to underwrite the latter: the feminist rallying cry, 'the personal is the political' providing a substantial justification for radical autobiography. The motto continues as a cornerstone of feminist consciousness, as well as other forms of identity politics, but the ongoing consequences for public discourse are unclear.
Ordinary Chronicles of the End of the World
In the past two decades, universities, organizations, and businesses around the western world have placed a great emphasis on celebrating diversity, welcoming members, students, faculty, and employees from different ethnic, religious, gender, sexual, or national identities. Based on such developments, the "other"—as the person belonging to some minority group who had been ostracized in the greater part of the 20th century—has been welcomed from the margins of society to its very center.
As the prophet of magic realism and an extraordinary satirist of political dictatorship, Gabriel Garcia Marquez's literary horizons are incomprehensibly vast, and the rigorous intensity of his writings is inexplicably multidimensional. Marquez challenges the luminal line between 'story' and 'history', and interrogates the public and private domain with an uncommon and effortless ease and clarity. He fuses the chaotic and the cosmic, the materialistic and the mystical, and invites us to participate in a magico-historical narrative of which he is an undisputed craftsman.
Call for Papers
Third Bremen Conference on Language and Literature in Colonial and Postcolonial Contexts (BCLL#3)
In Association with INPUTS, BIKQS, and IACPL
March 15-18, 2016
• Jeannette Armstrong (The University of British Columbia)
• Hamid Dabashi (Columbia University)
• Michel DeGraff (Massachusetts Institute of Technology)
• Gloria Emeagwali (Central Connecticut State University)
• Lisa Lim (The University of Hong Kong)
• Sinfree Makoni (The Pennsylvania State University)
Embodied Difference: Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World, edited by Richard H. Godden and Asa Simon Mittman
Call for Papers (Initial deadline, September 1)
Medieval and Early Modern art and literatures are replete with images of nonnormative bodies. Saints lives valorize physical challenges, fabliaux render them metaphorical, medical texts pathologize them, and marginal images make them subjects of amusement. Divergent bodies are viewed as gifts from God, markers of sin, or manifestations of medical imbalances. In many cases throughout Western history, a figure marked by what Rosemarie GarlandThomson has termed "the extraordinary body" is labeled a "monster."
We seek submissions for a collection of new examinations of settler colonialism as expressed and developed through literature or other "texts" (including films, historical documents, art, architecture, music, maps, and advertisements, among other types of texts). We are particularly interested in submissions that approach these texts as articulations of transnational connections developed by ways of settler migration and/or colonial displacement.
Humanism and its prefixes
(non-, trans-, post-, in-, a-)
October 3rd-4th, 2015
Organized by the graduate students of UC Berkeley's Department of Rhetoric
Doe Library, University of California, Berkeley
Heralded by The Telegraph as a 'global phenomenon,' BBC's Sherlock is now one of the most commercially and critically successful television series of all time. The global recognition of Sherlock, combined with the recent discovery of Arthur Berthelet's 1916 silent film Sherlock Holmes starring William Gillette in his only screen appearance as the famous sleuth, makes it especially timely for film scholars, students, and audiences to reassess the cultural legacy of Holmes onscreen. Forthcoming work by Hills (2016) and Poore (2016) argue strongly for Holmes as a continuing source of scholarly interest, spurring us to look at Holmes' filmic lives.
February 24, 2016 will mark the tenth anniversary of the passing of Octavia E. Butler. To commemorate her contributions to the world of letters, the Octavia E. Butler Society solicits papers for a special conference to be hosted by Spelman College February 26-28, 2016. The Society welcomes proposals of 250 words focused on any aspect of Butler's life, work, and influence. Because a major goal of the Society is to encourage the teaching of her works in the academy and beyond, we also invite submissions addressing approaches to teaching Butler in any pedagogical environment. Panel proposals are also encouraged.
The panel will explore transnational approaches to the portrait of Paul Frederick Bowles as an artist. Papers may be submitted for the following topics: Post examinations of Bowles ' s work, and criticism of Bowles as a writer and thinker:examinations of Bowles' s relationship with Morocco:teaching Paul Bowles from a transnational perspective: the American social scene and the origin of Bowles' s writings:film adaptations of Bowles' s works.
Please submit 300 word abstracts to Dr. Raj Chandarlapaty no later than July 20,2015.