Ce panel propose d'effectuer un tour d'horizon des représentations de Paris, hier et aujourd'hui, dans la production littéraire, musicale, et picturale (photo, peinture, etc.) à travers le monde francophone mais aussi en dehors de la francophonie. Ville cosmopolite par excellence depuis des siècles, Paris est depuis toujours une ville d'accueil et une destination de choix pour les artistes de tous genres et de tous horizons. C'est aussi un lieu d'inspiration, et parfois un personnage à part entière des œuvres qu'elle inspire et ses représentations sont infinies, en français comme dans d'autres langues. A l'heure de la mondialisation et de la libre circulation des personnes et des idées, quelle place la ville de Paris occupe-t-elle dans les arts?
Recent examinations of the functioning of the past within detective fiction – whether going back in time to reconstruct a crime or examine a larger criminal pattern/ trend in a past period – raise the question of how "dead," to borrow Faulkner's famous line, the past is. Whether considered from the standpoint of physics (time as a function of space and the expansion of the universe) or, as may seem more obvious, history, time is clearly neither dead/ finished nor objective, even indifferent, or perceived as such.
Much has been written and said, in recent years, about the role of love and passion in instruction/ enquiry more generally, incl. in writing/ composition studies. Choosing a topic or project one is "passionate" about is believed to foster a better outcome all around; passion/ love is also believed to be the driving force behind bold, successful career and academic trajectories.
Margins, an international peer-reviewed journal, is published annually by the Department of English, Gauhati University, Guwahati, Assam. It offers a space for the exploration of the marginal in its theoretical implications and in literature and culture through four kinds of writings: 1) It welcomes examination of the historical and the contemporary through interdisciplinary perspectives – looking at texts in both their wider conceptual and immediate situational significance (7500 and 10,000 words).
Experimentations in the Postcolonial Novel: Writing and Re-writing Gender Panel (9/30/2015; 3/17-3/20 2016) NeMLA Hartford, CT
Experimentations in the Postcolonial Novel: Writing and Re-writing Gender Panel
Chair: Tara Harney-Mahajan
47th Annual Convention, Northeast Modern Language Association (NeMLA)
March 17-20, 2016; Hartford, CT
Host Institution: University of Connecticut
The conference will include a wide variety of sessions and topics on possible connections among (and tension between) literature, aesthetics, theory, and belief, broadly defined. Sessions will include—but not limited to—
•Creative writers discussing connections among (or possible conflicts between) aesthetics and faith in either their own work or the work of others.
•The analysis of literary texts or cultural artifacts that in some way explore or embody one or more aspects of religious belief or practice, broadly defined.
CALL FOR PAPERS: Critical Survey Special Issue
Shakespeare and War
Guest Editor: Patrick Gray, Durham University
The tercentenary of Shakespeare's death fell in 1916, in the midst of the First World War, and the quatercentenary will fall next year, 2016, amid what looks likely to be continuing conflict in the Middle East, in the wake of more than two decades of intensive Western military engagement in Iraq, Afghanistan, and Libya.
We invite your papers exploring the production history, aesthetics, and legacy of CinemaScope films. The anamorphic technology, seized upon by Twentieth Century-Fox in an effort to revitalize studio finances, presented technical and formal challenges to Hollywood's established methods of filmmaking and spurred the creativity of many filmmakers. The early CinemaScope years therefore offer a prime case for studying how a phase of technological change might have influenced the work of classical studio directors.
"Natural Philosophy for the Novice: Popularization and Print Culture in the Long Eighteenth Century"
Borrowers & Lenders, The Journal of Shakespeare and Appropriation, is soliciting contributions to its "Appropriations in Performance" section. B&L is a peer-reviewed, online, multimedia scholarly journal and winner of the CELJ's "Best New Journal" award for 2007. We publish two issues each year. In addition to the main section, which features articles and article clusters, we regularly run three dedicated sections: Appropriations in Performance, Digital Appropriations, and Book Reviews.
For the "Appropriations in Performance" section, we prefer thesis-driven reviews focused on arguments and observations over more traditional, archival reviews geared primarily to making descriptive or evaluative records.
The Henri Peyre French Institute Food Seminar:
SALT and SUGAR/SALT or SUGAR?
OCTOBER 29-30 2015, THE GRADUATE CENTER of CUNY
SUBMISSION DEADLINE EXTENDED TO AUGUST 31 2015
Call for Papers for "It's Happening Again": 25 Years of Twin Peaks is a proposed edited collection on the television show Twin Peaks. Eric Hoffman and Dominick Grace solicit essays for a new collection celebrating one of television's greatest cult phenomena. Originally airing in 1990/91, Mark Frost and David Lynch's Twin Peaks will be returning, just over twenty-five years after it went off the air, and this collection will explore the show in the context of its time, and its legacy. We are interested in papers on all aspects of the television program as well as on tie-ins and connected materials (e.g. the film Fire Walk with Me, the new Log Lady material added for the show's run on Bravo, the book The Secret Diary of Laura Palmer, etc.).
Contemporary perspectives on Christianity's role in American Indian communities are diverse and often ambiguous, partly due to this religion's involvement in colonization. While some grassroots traditionalists and many in the activist and academic communities frequently reject Christianity for its role in dismantling American Indian traditions and identities, the past is complex, and the American Indian Christian community is strong and growing. The last two decades have seen its resurgence. Recent works such as Mona Susan Power's Sacred Wilderness Sterlin Harjo's This May Be the Last Time, and The Cherokee Hymnbook: New Edition for Everyone reflect ongoing practices of Christianity in Indian Country today.
Scholarship regarding the creation and transmission of ideas in colonial British America often falls under the methodology of one discipline or another. Literary scholars, historians, philosophers, musicologists, archaeologists, anthropologists, and others research and discuss the same areas of inquiry, but seldom work in close proximity and dialogue with one another. This panel is an opportunity for scholars across the disciplines to share their own ideas about the movement of knowledge and ideologies in seventeenth- and eighteenth-century colonial British America.
The siting of the 2016 SCMS conference in Atlanta (3/30-4/3/16), where the Audre Lorde papers are housed at Spelman College, provides an ideal opportunity to convene a panel that addresses Lorde's investment in the intersections of race, gender, class, ability, age, and power. This panel seeks scholars, media makers, activists, and educators who have made use of the Audre Lorde archive, both at Spelman and at large, to examine the impact of the Black lesbian feminist poet's ideas on the contemporary moment.