With Ursula K. Le Guin's departure from "hard science fiction" in the 1960s, worlds began to be created that examined the social, cultural, and philosophical foundations of our own societies. These foundations, which are so interwoven into the fabric of our everyday lives that they often defy nuanced examination, were un-Earthed so that their implications and pervasiveness could be clearly displayed. This session seeks to identify methods for how science fiction can be utilized to teach undergraduate students complex literary and cultural theories and will seek to answer questions such as the following: What works can be used to exemplify Marxism, feminism, affect theory, and others?
2016 marks the quartercentenary of Shakespeare's death and the upcoming issue of Postcolonial Interventions would focus on the continued relevance of multiple Shakespeares in the culture-scape of the postcolonial world. It is true that not only were Shakespearean plays shaped in many ways by colonial discourses, especially discourses of racial difference, but Shakespearean plays also initially functioned as those "signs taken for wonders" through which the colonial administrators sought to consolidate imperial hegemony, as evident from such critical works as Post-Colonial Shakespeares (1999).
ESSACHESS and CTS-IARSIC of CORHIS (EA7400, Paul Valéry University of Montpellier, France) is excited to announce the launch of the Call for Papers for its 3rd International Conference Comsymbol on "Religion(s), secularity(ies), society(ies) and the digital humanities turn".
The conference will be held at Paul Valéry University in Montpellier, France on November 9 and 10, 2016.
The proceedings will be reviewed and will have an ISBN. The proceedings will be published at a French Academic Publishing and will be submitted for indexing in a number of citation indexes including (Google Books, GESIS – Leibniz Institute for the Social Sciences, the ISI Thomson Web of Science, etc.).
"The United States in Change"
The 51st International Conference
Organized by The American Studies Association of Korea (ASAK)
Yongin, South Korea
September 30–October 1, 2016
The ASAK is pleased to announce an international conference on "The United States in Change" to be held in Yongin, South Korea, between September 30 and October 1, 2016.
Forms of Feeling: Navigating the Affective Turn
April 2, 2016
University of Massachusetts, Amherst
(Extended) Submission Deadline: February 12, 2016
Keynote Speaker: Patricia Clough (The Graduate Center, CUNY) Interdisciplinary Faculty Roundtable
imposters,Original Multimedia Verbatim Performance
Slavoj Žižek has suggested that, after the spectacular failure of party-states in the twentieth century, it is no longer time for the Left to change the world, but again to interpret it. Of course, Žižek's directive comes in the wake of popular anti-capitalist and anti-racist revolts around the world which have reinvigorated militants and scholars alike: from New York to Cairo, Kobanî to Ferguson. There is, evidently, no easy division between action and interpretation, even in the absence of any major world power designating itself as Communist. And yet, Žižek's plea must be a tempting one for those working in the current, increasingly globalized university system.
Women and Work in Literature: Special Session, Pacific Ancient & Modern Language Association Conference, November 11-13, 2016, Pasadena, California
How do writers represent the work of being women—where "work" is defined broadly to encompass not only paid labor inside and outside the home, but also the work of performing femininity and domesticity? How do writers address social assumptions about who should be performing work, and for what purpose? How do race, class, sexuality and national identity affect women's ability to define both the meaning of their work and their ability to engage in work?
Kate Newell (Savannah College of Art and Design)
Arthur Little (UCLA)
CALL FOR PAPERS
"Adapt or perish, now as ever, is nature's inexorable imperative" - HG Wells
"Every major rap artist in the world samples, you know? That's all I'm doing, is sampling." - Vanilla Ice on similarities between "Under Pressure" and "Ice Ice Baby"
In the preface to Borderlands, Gloria Anzaldúa declares: "I am a border woman." As simple as it sounds, this statement suggests the individual's agency in the social and cultural production of personal identity as it boldly rejects to acknowledge the power of the state in the process. Migration and border-crossing today present serious political, social and cultural challenges, which force countries to craft policies to address security, economic, and humanitarian concerns. The migration crisis in Europe offers a new perspective on the development of migrant identity in this ever-changing relationship between the individual and the host country.
Earlier conceptions of modernism often excluded Lawrence or vilified him as a reactionary, but more flexible and expansive recent concepts of modernism may re-position him. We invite papers exploring how new perspectives such as global modernism, trans-nationalism, materialist modernism, and other new modernist concepts or frameworks affect the meaning and/or importance of one or more of Lawrence's works. Send abstracts by Mar. 1, 2016, to firstname.lastname@example.org