Given the status of knowledge in the contemporary global economy, contestations over its production, dissemination, and ownership have intensified and expanded.
The Dickens Society is pleased to be able to offer
The Robert B. Partlow, Jr. Prize
Applications are invited for the Partlow Prize, named in honor of the original Secretary-Treasurer of the Dickens Society and one of its founding members. The prize may be in the form of EITHER one stipend of $500 OR two of $300 (if two recipients are chosen), and is intended to defray costs of attending the Dickens Symposium, in order to deliver a paper on any aspect of Dickens's life or work. The registration fee and cost of the Dickens Dinner will also be waived.
In 2015, the University of Edinburgh Press launched a multivolume series of scholarly, refereed anthologies entitled ReFocus. Edited by Robert Singer (CUNY Graduate Center, Liberal Studies) and Gary D. Rhodes (Queens University, Belfast), each book focuses on a critically overlooked American film director who worked in the studio system, independent cinema, experimental filmmaking, or documentary tradition. The volumes to be published this year focus on Preston Sturges, Amy Heckerling, Delmer Daves, Ida Lupino, and Budd Boetticher.
47th Annual Northeast MLA Convention; Hartford, Connecticut; March 17-20, 2016
Panel Title: Global Dickens (panel sponsored by the Dickens Society)
Chair: Diana Archibald (University of Massachusetts Lowell)
World-wide interest in Charles Dickens experienced a resurgence during the bicentennial in 2012 when scholars and enthusiasts across the globe engaged in celebrations, interrogations, and encounters with the Inimitable. Throughout the last two decades a few works of interest have been published on global Dickens, and this appears to be a growing topic of interest both for Dickensians and other scholars, especially those researching and writing in postcolonial and cultural studies.
Encyclopedia of Spanish Literature Film Adaptations
47th Annual Convention of the Northeast Modern Language Association (NeMLA)
Hartford, Connecticut, USA
17 March - 20 March 2016
SUBMISSION DEADLINE: Sept. 30, 2015
Affect studies has emerged as one of the most productive fields of analysis since the turn of the 21st century. Following in the footsteps of Teresa Brennan and Eve Kosofky Sedgwick, for instance, a number of scholars have explored the function of affect and emotion in literature, culture and social life. Relying on psychoanalytical as well as social theories, the "affective turn" has contributed to cultural studies in many ways: books focusing on gender, emotional politics, transnationalism, the moving image, political engagement and leadership theories from the perspective of emotion, empathy and affect were published, among many other studies that investigate the role of emotion in social life.
37th Annual Conference February 10 – 13, 2016
Southwest Popular/American Culture Association
Submission Deadline: 11/01/15
Hyatt Regency Albuquerque
Albuquerque, NM 87102
Individual papers and panels are now being accepted on topics related to any aspect of European popular culture and literature for the 37th annual Southwest Popular/American Culture Association to be held in Albuquerque, NM.
Worlding and sexual difference are generative forces that imply a process of appearance and concealment. For Martin Heidegger, worlding is the process by which something becomes unconcealed through its passing from earth to world. This aesthetic and phenomenological passing is constituted by strife. For Luce Irigaray, sexual difference is that which remains concealed through patriarchy. For psychoanalysis, sexual difference responds to the specular logic of sameness and is produced by the resolution of the castration complex. Elizabeth Grosz, on the other hand, understands sexual difference as irreducible to all humans insofar as human reproduction is only possible through the encounter of two gametes.
In Speech Genres and Other Late Essays, Mikhail Bakhtin insists on the "sharp and categorical boundary line between the actual world of representation and the world represented in the work of art." Yet in no genre is this line more regularly blurred than the many forms that can be loosely grouped together under the label of autobiography. While all literary texts contain within them some ideological engagement with reality, the particular tensions that define many of the urban centers of the Global South often move this relationship to the forefront of the narrative.