Since the term was coined by Serge Doubrovsky in 1971, autofiction has become established as a recognisable genre within the French literary pantheon. Over the same period, it has attracted increasing critical and theoretical scrutiny so that it has developed into a dynamic field of scholarly research in France. Indeed, the increase and variety of autofiction scholarship has had the effect of placing the characteristics of the genre itself in question.
CULTURAL INTERTEXTS, academic journal of Literature and Cultural Studies, ISSN 2393-0624, E-ISSN 2393-1078, edited by the Department of English, Faculty of Letters, "Dunarea de Jos" University of Galati, Romania, with the support of the Doctoral School of Socio-Humanities and the Research Centre Interface Research of the Original and Translated Text – Cognitive and Communicative Dimensions of the Message, invites proposals of original articles, related to the general theme of the journal.
This year's issue focuses on Textual Representations of Cultural Politics
The editors will consider for publication papers which tackle, among others:
- (literary) text, pretext and context;
- history and his story;
- women's voices;
South Atlantic Modern Language Association, 88th Annual Conference in Jacksonville, Florida, USA 4-6 Nov. 2016.
Hyatt Regency Jacksonville Riverfront
Performing Precarity: Refugee Representation, Determination
An interdisciplinary conference hosted by The Performance of the Real Research Theme,
The University of Otago, Dunedin, New Zealand, 21-23 November 2016
Professor Suvendrini Perera (Curtin University, Perth, Australia)
Professor Nikos Papastergiadis (University of Melbourne, Australia)
CFP: Performance of the Real Postgraduate and Early Career Researcher Symposium
An international symposium hosted by the 'Performance of the Real Research Theme' at the University of Otago, Dunedin, New Zealand
June 8th – 10th 2016
Keynote speaker: Dr Bree Hadley (Queensland University of Technology)
Layman Poupard Publishing seeks peer reviewers for forthcoming entries in volumes of the Literature Criticism Series published by Gale Cengage. Reviewers will be asked to vet an 1800-word background essay and a primary works checklist. They will also be asked to recommend published critical essays to be reprinted in the entry. Reviewers will be credited in print and paid an honorarium. Academic affiliation is required.
To apply, please send a short vita with cover letter describing your research interests to email@example.com.
Current needs are:
CONTEMPORARY LITERATURE CRITICISM
Saul A. Kripke
The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its third biennial conference, to be held at Auckland University of Technology, New Zealand, on 23-24 January 2017.
The conference will be organised in the spirit of the Association.
GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.
Call for Papers
Department of French and Italian
Transparency and Opacity in French Language Literature
Professor J.M. Coetzee (Adelaide)
Professor Elleke Boehmer (Oxford)
Professor Carrol Clarkson (Amsterdam)
Professor David Attwell (York)
Professor Derek Attridge (York)
This three-day international conference asks preeminent and emerging scholars to bring their attention to bear on 'Coetzee's women', broadly conceived, as well as possible reasons for the lack of sustained critical engagement with this theme until now.
Call for Papers now extended until 15 April 2016.
See http://artsonline.monash.edu.au/reading-coetzees-women/ for full details.
Deadline for Submissions: August 1, 2016
The upcoming issue of Parlour will concentrate on women as producers and consumers of texts with an emphasis on counter-intuitive feminist interpretations. We invite submissions that explore a wide range of approaches to the issue's theme and its attendant connotations of defiance, opposition, direct action, and rebellion.
Call for Proposals for a proposed edited volume of essays centering around the theme of "Doing the Charleston," to be published by Cambridge Scholars Publishing, and edited by Valerie Frazier
(6 May, 2016)
contact: Valerie Frazier, firstname.lastname@example.org
Mock the Weak: Comedy and the Politics of Representation
14th-15th September 2016, Teesside University/ARC Stockton
This proposed panel for MSA 18 will explore the ways in which modernist poets, critics, and academics reacted to and against Walt Whitman, constructing complicated literary historical and social legacies. From Ezra Pound's begrudging acknowledgment that Whitman "broke the new wood" to Amy Lowell's assertion that "Whitman fell into his own peculiar form through ignorance" to Michael Gold's claim that Whitman was "America's first proletariat poet," Whitman was at the heart of debates about what constituted modern poetic form and modern social identities. This panel seeks to interrogate the ways in which cultural workers in the modernist era used the figure of Whitman to construct usable pasts, poetic futures, and imagined communities.
[Inter]sections is the annual online journal of American Studies at the University of Bucharest (ISSN 2068 – 3472). It has been a peer-reviewed academic publication since 2009. You can find us here: www.intersections-journal.com.
We are currently seeking peer reviewers. If you are interested in doing peer review work for [Inter]sections, please send us an e-mail by May 10 at email@example.com.
Please make sure you attach the following: