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CFP: Enduring Operations: The Wars in Afghanistan and Iraq

updated: 
Sunday, November 8, 2015 - 2:46pm
Modern Fiction Studies

Call for Papers: Upcoming Special Issue
Enduring Operations: The Wars in Afghanistan and Iraq

Guest Editors: Aaron DeRosa and Stacey Peebles
Deadline for Submission: 1 February 2016

Éthique du détournement. Matériaux, techniques, genres. / Ethics of diversion. Materials, techniques, genres. (15-16 April 2016)

updated: 
Saturday, November 7, 2015 - 10:56pm
Société des études supérieures du Département d'Études françaises - Université de Toronto

Éthique du détournement. Matériaux, techniques, genres.

La Société des études supérieures du Département d'Études françaises de l'Université de Toronto (SESDEF) lance un appel à communications pour son colloque annuel auquel sont conviés les chercheurs-étudiants en provenance de toutes les disciplines. Le colloque se tiendra les 15 et 16 avril 2016 à l'Université de Toronto au campus St-George, au centre-ville. Nous aurons le plaisir d'accueillir l'auteur Tanguy Viel en tant qu'invité d'honneur, et une conférence plénière sera assurée par le professeur Sébastien Drouin.

Appel à communications

[UPDATE] (Re)Imagining Frontiers in the Humanities

updated: 
Saturday, November 7, 2015 - 1:24pm
OSU English Graduate Student Association

The English Graduate Student Association at Oklahoma State University is pleased to announce its third interdisciplinary graduate conference which will be held at Oklahoma State University in Stillwater, OK. We welcome proposals for paper presentations, panels, or workshops produced from MA and PhD students enrolled in graduate programs all
over the country.

(Un)restrained Intentions: Translation and Adaptation in Literature and Culture

updated: 
Saturday, November 7, 2015 - 9:47am
Department of English, McGill University

Translation and adaptation are important sites of contestation for theory and philosophical inquiry, especially in the current atmosphere of globalization, intercultural interaction, and cultural exchange. Is the translator a "traitor," as the Italian proverb tells us? Or is the translator what L.R. Lind imagines to be "a man without a country [lingering] upon national boundaries, seeking what he may bring home to that strange limbo that lies between one tongue and another"? What does it mean to adapt artistic materials from one cultural context to another? What are the political implications of such an exchange? How do artists overcome linguistic or artistic incommensurability?

CFP: THE MATTER OF RESISTANCE CONFERENCE (April 26, 2016)

updated: 
Saturday, November 7, 2015 - 9:46am
University of Warwick

Confirmed Speakers:
Prof. Howard Caygill (Philosophy, Kingston)
Dr. Priyamvada Gopal (English, Cambridge)
Prof. Thomas Docherty (English, Warwick)

Deadline for Submissions:
January 20th, 2016

Call for Papers

"Pleasure and Suspicion," Feb 26-27

updated: 
Saturday, November 7, 2015 - 9:07am
Carolyn Laubender/ Duke University

"Pleasure and Suspicion," February 26-27, 2016

Conference Hosted by Duke University and the Polygraph editorial collective

Abstracts of 250-300 words Due by November 16, 2015 to pleasureandsuspicion@gmail.com

Keynote addresses by:
Joan Copjec, Brown University
Eugenie Brinkema, MIT
Jennifer Doyle, University of California, Riverside

Public/Private: Navigating the Materiality of Home Economics (proposal due on Jan. 8)

updated: 
Saturday, November 7, 2015 - 8:37am
American Studies Association in Denver 2016

I am proposing a panel that centers on the material realities of the flows, negotiations, and exchanges between the "public" space of political economies/markets and the "private" space of domestic economies/ecologies. Broadly, this panel is focused on the impacts of the exchanges between the two spaces, how they bleed into each other, and ultimately to, in the words of the conference theme, to make "a claim on the way where we are shapes and shakes up the grounding and grounded-ness of the work we imagine, make, perceive, and do."
Subject area, time period, and media are open. My own work focuses on women's domestic nonfiction and homemaking magazines from the early Cold War period.

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