cfp.english.upenn.edu

L’immigration maghrébine en France a conduit, dès les années 80, à la naissance d’une nouvelle littérature, faite par les enfants des immigrés.

Ireland and Wales: Correspondences
Call for Papers

"Utopian Spaces of British Literature and Culture, 1890-1945"
18 September 2009
University of Oxford

***NOTE: The deadline for submission of abstracts has been extended until 15 July. Registration will open after this date; the registration form will be available for download on the conference website.***

From the fin de siècle to the Second World War, the construction of alternative social and private spaces exerted a peculiar fascination for many British writers. The cataclysmic historical events of the period stimulated Utopian thinking and feeling even as they seemed to make them problematic or impossible. At the same time radical demands for new spaces, whether political, religious or aesthetic, also generated new ways of reading and writing the familiar urban and domestic spaces of everyday life.

The focus of the conference is on the spatial manifestations, geographies and practices of Utopianism, rather than on Utopianism as a category of millenarian anticipation. Papers are invited which address the various material and imaginary spatial forms of the Utopian impulse in the literature of period. How do certain spaces become associated with particular political or aesthetic visions of modernity? Does the Utopian bear a particular affinity to some spaces, rather than to others? Is the Utopian impulse articulated as a desire for order or anarchy?

Please send an abstract of no more than 250 words in length, including your name, position and institutional affiliation to utopianspaces@ell.ox.ac.uk. Deadline for submission: 15 July 2009.

Plenary speakers: Professor Jay Winter (Yale); Dr Matthew Beaumont (UCL); Iain Sinclair (London)

For further information, accommodation possibilities and updates please visit our website: http://www.utopianspaces.org

Deadline extended to July 14.

Call for Papers
Early Modern Culture, 1450-1850

The Sixteenth Annual Meeting of the Group for Early Modern Cultural Studies (GEMCS)

"Tracing Footprints"

Department of Childhood Studies
Rutgers University, Camden

Call for Papers – Exploring Childhood Studies

The Jack London Society is sponsoring a panel at this year's American Literature Association Symposium on American Fiction 1890-Present, October 8-10, 2009.

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

_“Catastrophe and the Cure”: The Politics of Post-9/11 Music_ is the title of a proposed anthology examining “post-9/11” music. Abstracts are sought for articles attempting to theorize what post-9/11 music is, if such a category can be said to exist, and what political action it takes (or needs to take), if any. Proposed articles should be theoretically engaged and should be written with an academic readership in mind. Of particular interest are abstracts that seek to extend discussions of post-9/11 music beyond the bands/musicians/albums—U2, _The Rising_, The Dixie Chicks, Toby Keith, etc.—typically associated with 9/11.
We are especially interested in abstracts on the work of underrepresented groups, such as non-white, LGBT, female, non-western, etc. bands and musicians. Topics may include, but are not limited to, the following:

Northeast Modern Language Association 2010 Annual Convention
Hilton Bonaventure, Montreal, Quebec; April 7-11, 2010

Panel: Indigenous Literatures of Native North America

Ireland and Wales: Correspondences

Call for Papers

Literature of Africa and the Diaspora Session; African Diasporic Differences [nov. 6-8, 09; 6/30/09]
full name / name of organization:
South Atlantic Modern Language Association
contact email:

My colleague Dr.

Passions: Promises and Perils

Conference hosted by the Graduate Program in Communication
University of Massachusetts Amherst
Date: October 16-17, 2009

Les pratiques scripturales de la migrance littéraire

41st Anniversary Convention, Northeast Modern Language Association (NeMLA)

7 – 11 avril 2010

Montréal, Québec - Hilton Bonaventure

The journal Jura Gentium Cinema (www.jgcinema.org) seeks submissions for a publication entitled “We Want Roses Too”.

Popular Culture and Activism at MAPACA (Boston, Nov 5-7 2009)

Transnational Feminisms Conference
University of Manchester
4-5 December 2009 (with associated activities on 6 December)

OCWeedly is a free publication that provides cannabis connoisseurs in Southern California the most current information on medical cannabis related subjects and cannabis culture.　The magazine reflect

Dear Colleagues and Friends,
We are pleased to announce the second volume of the journal Scritture Migranti of the Department of Italian Studies of the University of Bologna, Italy.

The animals of the world exist for their own reasons. They were not made for humans any more than black people were made for white, or women created for men. –Alice Walker

http://www.aber.ac.uk/myth2010/

The Center of Interdisciplinary Research in Languages, Arts and Humanities (CRILLASH) of the Université des Antilles et de la Guyane, welcomes proposals for papers for the 3rd Symposium of the Young

The Center of Interdisciplinary Research in Languages, Arts and Humanities (CRILLASH) of the Université des Antilles et de la Guyane, welcomes proposals for papers for the 3rd Symposium of the Young

EXTENDED DEADLINE: June 30, 2009

Seminar style session that explores Spain and Portugal’s colonial and post/imperial encounters with East Asia as registered in writings in Spanish and Portuguese by peninsular and post/colonial auth

Panel "South Asia's Orients," 41st Anniversary Convention, Northeast Modern Language Association (NeMLA). April 7-11, 2010, Montreal.

Deadline for full consideration: June 15, 2009
(Manuscripts accepted on a rolling basis)
http://repositories.cdlib.org/acgcc/jtas/cfp.html

Call for Essays for "Press (R)eject" special issue of Rhizomes.net
issue 20 (Winter 2009/2010) http://www.rhizomes.net/

Co-edited Richard Burt and Craig Saper, co-operators of the

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

_“Catastrophe and the Cure”: The Politics of Post-9/11 Music_ is the title of a proposed anthology examining “post-9/11” music. Abstracts are sought for articles attempting to theorize what post-9/11 music is, if such a category can be said to exist, and what political action it takes (or needs to take), if any. Proposed articles should be theoretically engaged and should be written with an academic readership in mind. Of particular interest are abstracts that seek to extend discussions of post-9/11 music beyond the bands/musicians/albums—U2, _The Rising_, The Dixie Chicks, Toby Keith, etc.—typically associated with 9/11.
We are especially interested in abstracts on the work of underrepresented groups, such as non-white, LGBT, female, non-western, etc. bands and musicians. Topics may include, but are not limited to, the following:

Transcultural Memory

call for contributors to a new critical collection

Indigenous Pop

jazz, rock, rockabilly, folk, country western, blues, rap, reggae, metal, hip-hop, punk

Call for Essays for "Press (R)eject" special issue of Rhizomes.net
issue 20 (Winter 2009/2010) http://www.rhizomes.net/

Co-edited Richard Burt and Craig Saper, co-operators of the

The Third Biennial International Conference of the
Contemporary Women’s Writing Network

In Collaboration with San Diego State University

7-9 July 2010

The Exiled and / or Expatriate Artist