"Let me tell you something. There's no nobility in poverty. I've been a poor man, and I've been a rich man. And I choose rich every time" – Leonardo DeCaprio as Jordan Belfort, The Wolf of Wall Street (2013)
The Afghan American Artists and Writers Association (AAAWA) invites artists and writers from the Afghan diaspora in North America to participate in Distant Attachments: Unsettling Contemporary Afghan Diasporic Art, a three-day series of literary, visual, and performance art responding to the different relationships, connections, detachments, and dispositions one can have to "the homeland" in one's creative work. The program is designed to critically engage with the question of what kinds of expectations and creative freedom does being called upon as a member of a diaspora place on artists, writers, and intellectuals.
47th Annual NeMLA Convention
March 17-20, 2016 Hartford, CT
Abstract Submission Deadline: September 30, 2015
This panel welcomes papers that examine the treatment of race and racial relations in comic books, whether in superhero narratives, graphic memoirs, web comics, or other forms of sequential art both inside and outside the United States. How are comics used to document and represent racialized identities? How have the medium and its surrounding fan communities adapted earlier content to speak to current topics?
The Lehigh English Department's second annual Literature and Social Justice Graduate Conference will take place on Lehigh's campus in Bethlehem, PA, on March 4th-5th, 2016. We will be accepting proposals from Master's and Doctoral students on this year's conference theme, public humanities. Public humanities takes literature and social justice out of the confines of the classroom or academic publication by balancing theoretical concepts with practical actions and projects that benefit others in order to expand participation in and appreciation for the humanities.
Call for papers for Book Essays in edited collection
Traditionally defined by an individual's membership and level of participation within a community, scholars such as Eric Hobsbawm describe how "citizenship" results in access to benefits or rights. Yet citizenship moves beyond political framings. According to Aiwha Ong, cultural citizenship is a "dual process of self-making and being-made" but done so "within webs of power linked to the nation-state and civil society." Taking citizenship as a political position, cultural process, and intertwining of both, this book seeks essays that examine the role of art and visual culture in the Modern and Contemporary eras.
Tuning Speculations III, November 20-22 2015
Plenary Speakers: Anna Munster (University of New South Wales) and Rebeka Sheldon (Indiana University)
Call for Papers for Albany State University Department of English, Modern Languages, and Mass Communication
Circling The Elements Conference: The State(s) of Hip Hop & Rap
April 7-10, 2016
Call for Papers for an Interdisciplinary Workshop as part of the research project Cultural Exchange in a Time of Global Conflict: Colonials, Neutrals and Belligerents during the First World War.
Colonialism, War & Photography
London - 17 September 2015
Theme: Natural and Unnatural Histories
Keynote Speakers: Kate Flint (University of Southern California) and Elaine Freedgood (NYU)
March 10-13, 2016, Renaissance Asheville Hotel, Asheville, NC
Hosted by Appalachian State University
This special issue will focus on literary texts by African writers in which the protagonist returns to his/her 'original' or ancestral 'home' in Africa from other parts of the world. Oxfeld and Long, writing on the ethnography of return suggest that it differs from globalization and transnationalism since 'it is situated in particular events and experiences' reflecting 'particular historical, social, and personal contexts' (2004: 3). Nevertheless, they go on to state that returns do have an effect not only on the communities the returnee leaves or joins but also on 'global ways of relating and interacting with one another' (2004: 3-4).