Ecological readings of French Caribbean literature provide valuable insight into the relations between the landscape and subjectivity at the same time as they foreground crucial epistemological and aesthetic underpinnings of the region's cultural production. From the metaphorical stance exemplified by Aimé Césaire, Edouard Glissant and the Créolistes to the gendered spaces of knowledge formation illustrated by Gisèle Pineau and Maryse Condé, the connections between the land and identity, historical coercion and individual empowerment, invite readers to reassess notions of how the land inscribes the experience of colonization.
Situated within the disciplines of women's & gender studies and transnational film studies, the Global Feminist Film: Diversity on Screen workshop will bring feminist film scholars, filmmakers and programmers together to discuss gender perspectives on contemporary practices of film production, spectatorship, history and theory situated in a transnational context. As film programmers and gender studies scholars, we believe it is necessary to discuss feminist film not only in a transnational and culturally diverse context, but also to bring practitioners and scholars together to discuss theoretical, aesthetic, political and historical issues from interdisciplinary perspectives.
In "Refugee Memories and Asian American Critique," Viet Thanh Nguyen suggests that a category of refugee literatures outside of disciplinary borders of national literatures "allow[s] a different set of connections across time and space that point somewhere else besides assimilation into the nation and to affiliations with other people besides US citizens" (934). What connections are necessary to make, and what kinds of borders do we have to cross, in the teaching of refugee literatures? With Nguyen's words in mind, this roundtable session aims to explore our encounters with literatures of refugee experience in the classroom.
One hundred twenty years after the Lumiere Brothers' Arrival of a Train at Ciotat Station / L'arrivée d'un train en gare de La Ciotat and about 60 years after the insinuation of television...into living rooms across the industrialized world, contemporary societies are saturated with audiovisual culture. More recently, the rise of widely affordable techno-substrates for production (digital photography) and exhibition (youtube, proliferating film festivals) are clearly enabling toward the "democratization" of audiovisual sophistication, such that the committed college sophomore can readily produce polished short films. In other words, there is much to celebrate!
SHAKESPEAREAN JOYCE / JOYCEAN SHAKESPEARE
The IX James Joyce Italian Foundation Conference in Rome
Conference Date: February 1-2-3, 2016
DEADLINE FOR ABSTRACTS: November 5, 2015
Confirmed speakers: Paola Pugliatti, Klaus Reichert, Laura Pelaschiar, Valerie Benejam
The James Joyce Italian Foundation invites proposals for the Ninth Annual Conference in Rome. It will be hosted by the Department of Foreign Languages, Literatures and Cultures at the Università Roma Tre, to celebrate Joyce's 134th birthday.
We are seeking essays for an edited collection entitled Religion, Resistance and Gender in Caribbean Cultural Production. The collection aims to add to the understanding of the Caribbean region by studying the connection between religion, resistance and gender in Caribbean literature, film and music. In particular, the collection will develop dialogue on Caribbean literature by and about women and will examine how creative expression functions as a form of subversion.
White Buildings at 90: Revisiting the Art of the (Post)Modern Poetry Collection (Panel)
The editorial team at Studies in the Novel is seeking content for its online archive of indexed teaching tools on the journal's affiliate website. I am seeking pedagogical content that addresses teaching novels using digital humanities tools/perspective. Please consider submitting sample course syllabi, specific assignments, short narrative descriptions of your own experiences, or other appropriate content.
This December, Cha: An Asian Literary Journal will turn eight years old. To mark the occasion, we are running a poetry contest that unashamedly focuses on the city which the journal calls home—Hong Kong. Send us poems that describe, praise, critique, interrogate, eulogise or curse Hong Kong and its history, grievances, politics, people, places, faces, traces.
Rules: Each poet can submit up to two poems (no more than 80 lines long each). Poems must be previously unpublished. Entry is free.
Closing date: 31 July 2015