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postcolonial

Connections: The Threads, Roots, and Pathways That Bind Us

updated: 
Thursday, August 20, 2015 - 5:49pm
New Voices Graduate Student Conference

The New Voices Planning Committee is proud to announce that we are now accepting proposals for the 2016 New Voices Conference. This year's annual conference will be held February 4-6, 2016, at Georgia State University in Atlanta, Georgia, and will feature papers, panels, workshops, creative writing readings, and a poster session.

"Love and its Opposites" in Post-Colonial Narratives, ACLA 2016, Abstracts Due 9/23/15

updated: 
Thursday, August 20, 2015 - 2:29pm
Kenneth Sammond, Fairleigh Dickinson University

Introducing a conversation between Salman Rushdie, Christopher Hitchens and Deepa Mehta, the American scholar Deepika Bahri recalled how Rushdie had written that "The opposite of hatred is love; the opposite of tyranny is love; the opposite of censorship is love; the opposite of evil is love; the opposite of politics is love; the opposite of war is love; the opposite of God is love." This conversation, titled, "The Only Subject is Love," emphasized the centrality of love as a theme in Rushdie's writing and in the creative process. This seminar will have us explore the role love plays in reacting and responding to its opposites in postcolonial literature.

[UPDATE]: Consuming and Consumption (Columbia, SC): abstract due October 20, 2015

updated: 
Thursday, August 20, 2015 - 2:11pm
Association of Carolina Emerging Scholars

Consumption sustains and undermines modern life, from popular culture to our most privileged art. The Association of Carolina Emerging Scholars is seeking abstracts that address consumption in any of its many forms, including but not limited to the following: eating, buying, obsession, the reception of media, and the status-seeking public use of resources first called "conspicuous consumption" by Thorstein Veblen in 1899.

Edited anthology of Conjure, Hoodoo and Voodoo in African-American Literature

updated: 
Thursday, August 20, 2015 - 11:03am
James Mellis/ William Paterson University

Articles are sought for a collection of essays on representations of Conjure, Hoodoo and Voodoo in African-American literature. This collection seeks to explore how African-American writers have used, referenced, engaged and disengaged with Conjure, Hoodoo and Voodoo in their writing through various cultural and historical movements.

Call for Papers: AlterNative: An International Journal of Indigenous Peoples

updated: 
Wednesday, August 19, 2015 - 8:07pm
AlterNative: An International Journal of Indigenous Peoples

AlterNative: An International Journal of Indigenous Peoples is a multidisciplinary, internationally peer-reviewed journal published quarterly. It aims to present indigenous worldviews from native indigenous perspectives. It is dedicated to the analysis and dissemination of native indigenous knowledge that uniquely belongs to cultural, traditional, tribal and aboriginal peoples as well as first nations, from around the world.

"Seeking Harbor in Our Histories: Lights in the Darkness, April 1¬2, 2016, Boston, Massachusetts"

updated: 
Wednesday, August 19, 2015 - 7:00pm
Association for the Study of Women and Mythology

Goddess Scholarship draws on historical, ethnographic and folk sources, among others, to document and honor the sacred and mundane stories which animate the traditions and spiritual lives of our global sisters and our foremothers.

In past conferences, the innovative methodologies and scholarship of ASWM participants have served to problematize contemporary perceptions of civilization, "modernization" and "progress."

ON NEARNESS, ORDER, AND THINGS: COLLECTING AND MATERIAL CULTURE 1400 TO TODAY; April 8-9, 2016

updated: 
Wednesday, August 19, 2015 - 3:33pm
Northrop Frye Centre and Centre for Reformation and Renaissance Studies, University of Toronto

CALL FOR PAPERS

ON NEARNESS, ORDER, AND THINGS:
COLLECTING AND MATERIAL CULTURE 1400 TO TODAY
Top of Form

A Joint Conference Sponsored by
Northrop Frye Centre, and Centre for Reformation and Renaissance Studies, University of Toronto

Victoria College, University of Toronto

8-9 April 2016

With support provided by the Jackman Humanities Institute 
Program for the Arts, University of Toronto,
and from Queen's University


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