In light of the recent publications on road movies (Neil Archer, 2012; Gott and Schilt, 2013; Sara Brandellero, 2013 or Natália Pinnaza, 2014), we welcome contributions for a volume focusing on road movies around the world, giving voice to directors and films previously neglected. Primarily an American genre – as discussed in Corrigan, 1991; Cohan and Hark, 1997; Laderman, 2002, Mills, 2006 or Orgeron, 2007 – the road movie was rapidly adopted by other nations, as exemplified by the particular case of South-American countries, like Brazil or Argentina.
This panel seeks papers that treat any aspect of social difference as presented in the literatures of the Middle Ages. Papers might construe this social difference as confessional, geographic, economic, political, ethnic, or bodily. How do these categories of difference shape social formation? How do they delimit the boundaries of moral relevance and/or social inclusion? What counts as a neighbor? What counts as a monster? What obligations or affinities do these designations entail? How does one know how to treat a stranger? Paper proposals that deal with the troubling of categories of social difference are especially welcome.
Call for Papers:
2015 Midwest Popular Culture Association Conference
Thursday-Sunday, 1-4 October 2015
Hilton Cincinnati Netherland Plaza
Address: 35 West Fifth Street, Cincinnati, OH 45202
Phone: (513) 421-9100
Deadline: May 15, 2015
Wreck Park is a double-blind, peer reviewed publication run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt the canonical and standardized discourses of the contemporary academic and literary landscapes. The journal welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond.
2014 Midwest Popular Culture Association Conference
Oct. 1-4, 2015
Hilton Cincinnati Netherland Plaza, Cincinnati, OH
Deadline: May 15, 2015
Papers and panel proposals focused around the cultural framing or representation (in comics, film, literature, religious and medical practices, etc.) of birth or the birthing process are welcome. I welcome any theoretical or critical approaches that address birth (understood broadly). Having said that, here is a particular issue of interest:
CFP - The Value of Survival
MANCEPT Workshops 2015
Tuesday 1st-Thursday 3rd September
Since at least Hobbes, political philosophy has been either explicitly or implicitly revolving around the question of survival and its normative status. However, this status has rarely been brought to light. Some traditions, like political realism or bio politics, do address this theme directly, while in others, like for example liberalism, it lays dormant as a hidden but crucial assumption.
Stream #2 – Black Affect and Minor Feelings, OCTOBER 14-17
"…we know for certain that the solution to the Black Man's problems will come only through Black National Consciousness. We also know that the focus of change will be racial. (If we feel differently, we have different ideas. Race is feeling…Art is one method of expressing these feelings and identifying the form as an emotional phenomenon."
– Amiri Baraka, "The Legacy of Malcolm X, and the Coming of the Black Nation"
We are pleased to announce a CFP for submissions to the Third Annual Fandom and Neomedia Studies (FANS) Conference in Dallas, TX, on 6 and 7 June 2015.
Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one's own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media.
Briefly: A reader's sense of time in literature rests upon a fully embodied and affective reading experience. Amongst an author's mechanisms for communicating a shared sense of time with one's readers is the use of highly affective, visceral, and/or proprioceptive linguistic cues. I'm looking for work that either explains or demonstrates how the affective communication of felt time works in contemporary American literature. Interdisciplinary work especially encouraged. Panel to take place at the 2015 annual PAMLA conference in lovely Portland, OR, Nov. 6-8, under the title "Ethics and Affect III: Temporalities." Submit 300-word paper proposal to pamla.org/2015 by May 15.
Arabic literature, declared Edward Said in 1990, "remains relatively unknown and unread in the West, for reasons that are unique, even remarkable."
More than twenty years later, it is hard to say that the situation has remained the same: there has been a notable rise in the quantity of Arabic literary works available in several European languages. Yet, considering the increased interest in Arab and Muslim societies following various political events and the remarkable growth of Arabic literature (especially the novel) in recent years, it is rather surprising that translating and publishing Arabic literature in European languages is often seen as something of a gamble.