A.K. Ramanujan in a poem entitled “Small-scale Reflections on a Great House” had mused, “Sometimes I think that nothing/that ever comes into this house/goes out. Things come in every day/to lose themselves among other things/lost long ago among/other things lost long ago”. The description may seem oddly apt for the field of postcolonial studies which continues to search for new shores even as some of the concerns of the past begin to fade with inevitable processes of history. Even as the field remains committed to a quest for emancipation from violence and discrimination and deprivation, caused by the forces of race, class, gender, sexuality and a number of other factors, the modalities continue to change and the boundaries begin to blur.
Fan studies has consistently identified media or participatory fandom as an intertextual and self-reflexive communitarian space. Further, scholars have produced extremely important work concerning fan identity in these spaces, theorized mainly around the axes of gender and sexuality (Hellekson and Busse 2006; Stein 2015). However, a sustained examination of the effect of racial identity in these spaces has not yet occurred.
Memories of Slavery and Colonization: Historiography, Arts, and Museums
University of Maine (Le Mans, France)
9-10 November, 2017
In order to encourage the next generation of academics, Gender Forum launched its first annual Early Career Researchers Issue in October 2013. Now every fall will see a special issue that spotlights the work of emerging scholars.
Contributions for the fifth Early Career Researchers Issue can be new academic writing composed specifically for the occasion or exceptional, previously unpublished term papers on all topics pertaining to Gender Studies, Feminist Studies, Masculinity Studies, and/or Queer Theory.
Prospero, A JOURNAL OF MODERN LITERATURES AND CULTURES (Rivista di Letterature e culture straniere), University of Trieste, Italy, invites contributions for the forthcoming miscellaneous issue, volume 22 (2017). Prospero is a double-blind peer review, printed and entirely open access. It publishes articles and essays in the field of literary studies which consider texts and textual analysis from a wide hermeneutic, philological and historical perspective. It specifically focuses on literary studies considered in their interdisciplinary and transdisciplinary relationships with other cultural expressions.
Announcing a Call for Papers for the MIT History, Theory, and Criticism of Architecture + Art Graduate Student Conference to be held on October 14, 2017, featuring a keynote address by Dr. Julia Bryan-Wilson.
polemic… Polemic? POLEMIC!
Historical dialogue is a growing field of scholarship and practice that engages with the legacy of historical violence and its ties to contemporary politics. It is informed by the recognition that many contemporary conflicts germinate from the memory of past violence, and it is particularly pertinent for the field of conflict transformation and prevention in conflict and post-conflict societies. By its very nature, then, historical dialogue is multidisciplinary, taking place within academic disciplines as well as (but not exclusively) with law, journalism, education, film, art, and literature.
With the erosion of totalitarian regimes in Africa and the intense development of popular protest, women have always found ways to cope with the national disenchantment that has eternally attempted to exploit them as a means to preserve the nation’s homogeneity. Thus, the relationship between women and the nation remains rather complex: on the one hand, they are members of communities, institutions and groups that secure the nation’s political agenda, on the other hand, they are still looked at as social categories holding specific roles in the nation, namely that of reproduction.
Women in Literature MMLA 2017—“Literatures from the Lockdown”
Thinking about this year’s MMLA theme, “Art and Activism,” led us to consider the ways in which women’s art and women’s activism have been “locked down.” Sometimes women’s art and women’s activism locks itself down; after all, Audre Lorde once proclaimed at an MLA conference, “What does it mean when the tools of a racist patriarchy are used to examine the fruits of that same patriarchy? It means that only the most narrow perimeters of change are possible and allowable.” How, then, do we escape the lockdown? How do we empower even as we resist?
With the election of Donald Trump as the President of the United States and Brexit, it appears like we have been returned to aggressively hegemonic geopolitics and spatial exclusions, globally and in the Pacific. We think that, under these conditions, it is important to revisit and extend Edwards Said's provocations.