The organizers of this panel session welcome papers that engage with any aspect of the word-image nexus in illustrated novels, stage productions, or film in Anglo-European or North American culture during the long nineteenth century.
47th Annual Convention of the Northeast Modern Language Association (NeMLA)
Hartford, Connecticut, USA
17 March - 20 March 2016
SUBMISSION DEADLINE: Sept. 30, 2015
The oft-remarked "spatial turn" in cultural studies (initiated in part by the reception of Michel de Certeau, Henri Lefebvre, and David Harvey) converged with a resurgence of interest in films that rest upon a depiction or evocation of a specific geographical entity: the "street film," the "city symphony" or the Bergfilm, to name a few oft-noted categories. Many scholars seem to agree tacitly that we might also speak about an "island film," although the term itself has yet to be properly articulated and circulated. In fact, the very concept of a discreet "islandology" is a brand new one (see Marc Shell, Stanford U.P. 2014).
Ruth Rendell, who has recently died, was one of the most prolific and important female authors of the C20th/21st centuries, achieving many literary awards and honours, plus a Labour peerage. Her literary output, both as Ruth Rendell and Barbara Vine, transcended generic boundaries and conventional assumptions about character, the police procedural novel, class and gender, amongst many of her other concerns.
The rise of the modern museum was (and remains) a global event that resonates across literary cultures. Germain Bazin termed the nineteenth century the "Museum Age" for the myriad ways the new phenomenon of the public museum redefined the social status of art. This session investigates how this development was received by nineteenth- and twentieth-century Anglophone authors writing during and immediately following the rise of the modern museum.
CFP: Congress 2016—Engaging Communities Comparatively
Knowledge and understandings of shared values are created based on our respect for difference and diversity and our engagement with the communities we live in. A focus on connections between the individual, the local and the global can provoke new ways of thinking.
This panel seeks to explore representations of futuristic cities from all periods in American literature, film, and other cultural mediums. In particular, it seeks papers responding to one or more of the following questions: In what ways have American writers and filmmakers envisioned future urban landscapes? In what ways have these visions changed over the course of American history and why? How have urban theorists, critics, and reformers as well as particular ideologies (Christian, technocratic, socialist, libertarian, environmentalist, etc.) shaped them? In what ways do the past and present (or the erasure of the past and/or present) affect their depictions?
This seminar seeks to draw on the growing body of work oriented toward the transnational and global turn in American Studies to trace connections between the Indian subcontinent and the United States in the late eighteenth and nineteenth centuries. We invite papers that examine the traffic (of ideas, texts, people, commodities) between India and the U.S. to provide a window into the ways in which India was part of the cultural landscape and imaginary of the U.S. from its inception, and performed important ideological work in domestic conversations such as those surrounding race, nation, religion, gender, and trade.
The Evidence of Realism
[For the annual meeting of the American Comparative Literature Association at Harvard University, March 17-20 2016]
How do texts--and especially realist texts--and their plots use or complicate the idea of evidence? What sort of evidence do such texts seem to assume readers require in order to encounter the "effect of the real"? And how do contemporaneous ideas of evidence from philosophy, legal theory, or science provide context for the consideration of evidence in literary works?