In a traditional perspective, we define crime fiction as a popular genre regulated by a clearly identifiable set of formal and thematic rules – or "formulae" (Scaggs 2005) – and aligned, with minimal departures, to the paradigm proposed by W.H. Auden in 1948: "a murder occurs; many are suspected; all but one suspect, who is the murderer, are eliminated; the murderer is arrested or dies." (The Guilty Vicarage). In its natural evolution process, the genre has emancipated itself from this formulaic structure and from the thematic limitations to become a privileged site for stylistic experimentation (including documentary fiction, both literary & filmic) and for the voicing of social concerns and political reflections.
Proteus: A Journal of Ideas seeks submissions for our upcoming issue, "Privacy and Freedom in the Digital Age." We are soliciting articles and creative works from a wide range of disciplines that reflect upon the issue's theme. We are looking for broad theoretical inquiries, individual case studies, and traditional scholarly articles related to the theme. Additionally, we strongly encourage submissions of theme-related photographs, poetry, and creative writing. Topics may include, but are not limited to, the following:
From its earliest forms to its contemporary iterations, the novel remains a radically capacious and evolving genre. As the dominant form of modern literature, the novel assumes various overlapping functions as an aesthetic object, cultural artifact, historical text, and conceptual resource. At the same time, novelistic conventions such as plot structure, narrative technique, and characterization shape and inform scholarly research across an array of disciplines including anthropology, film and television studies, law, and medicine.
2015 marks the 40th anniversary of a controversial talk that Jacques Lacan gave at MIT. Lacan's audience came expecting a discussion of psychoanalytic theory and practice, but what they heard didn't fit within the confines of psychoanalysis. This produced much disappointment among audience members. On this anniversary, we propose to return to the question of where Lacan's thought belongs. Specifically, we want to consider Lacan as a philosopher and in relation to other philosophers. Though Lacan himself constantly emphasized his distance from philosophers like Kant, Hegel, Sartre, and Merleau-Ponty, recent thinkers inspired by Lacan have seen himself, despite his stated intentions, as Kantian, Hegelian, or Sartrean.
In today's complex world religious discourse is especially crucial, considering that secularism is expanding around the globe. We seek contributions on the representation of the Virgin Mary in World Literature and Art. Comparative approaches are always welcome. Religious and cultural literacy is important for domestic and international politics, the practice of peace, harmony, justice, and social prosperity. Thus, this edited volume will help diminish religious illiteracy. Universitas Press has agreed to publish this edited volume. Contributions are welcome from scholars in various disciplines in the humanities.
Extended deadline for proposals: 5 September, 2015
For detailed CFP, see http://modernhorizonsjournal.ca/october2015cfp-2/
For the fifth annual Modern Horizons conference, to be held October 2015 in Toronto, Canada, we invite proposals for 20-minute talks on the theme of 'Identity, Intimacy'.
Analyses/Rereadings/Theories (A/R/T Journal) is a peer-reviewed journal that has been created with a view to providing a forum for analyzing and discussing issues of immediate relevance for contemporary literary and cultural studies.
The editors would like to invite submission of contributions for its fifth issue, to be published in December 2015. We invite original articles, reviews and interviews addressing any topics related to Anglophone literature and culture.
The contributions should be between 4000 and 6000 words long. Each contribution will be anonymously refereed by a reviewer (double-blind review). The deadline for the submission of manuscripts is 30 September 2015.
Dave Chappelle walked away from a $50 million contract with Comedy Central, later explaining, "I want to make sure that I am dancing and not shuffling." Likewise, Stephen Colbert refused to allow his young children to watch his Colbert Report, in an effort to prevent their confusing his persona with their dad. This panel seeks proposals examining the role and responsibility of the satirist in the 21st century. How do satirists distinguish themselves (or not) from their satire and how does this impact audience understanding?
This volume will explore papers that are concerned with representations of Asia's past. We are interested in examining how frameworks from different disciplines can be used to assess the idea of an "imagined" Asia, and how we can explicate the intersections of history and fiction alongside the social, economic, cultural, and political exigencies of the region; for instance, how can we read Paul Theroux's Kowloon Tong: A Novel of Hong Kong (1997) against the backdrop of the recent protests in Hong Kong? How do we interpret Vyvyane Loh's Breaking the Tongue (2004) alongside Singapore's Golden Jubilee celebrations in 2015?
Since the turn of the new millennium, affect studies has emerged as one of the most burgeoning fields within literary and cultural studies, a theoretical trend in the West which we now designate as "the affective turn."Over the years a myriad approaches to affect have appeared one after another, which helped contribute to a discursive heteroglossia in which its scope of influence and visibility proves increasingly vast. Some critics followed in the footsteps of queer theorist Eve Sedgwick's psychological model, a school which had played a key role in the institution of affect studies per se, whereas some insisted upon an intervention into affect's socio-political implications from the perspectives of cultural criticism or classical psychoanalysis.