Peter Nicholls argues that modernism should not be conceived of as a large single movement but as a multiplicity of smaller undertakings that at once reinforced, contradicted, drove, and inhibited one another. These diverse submovements were united only by their shared inspiration--the emerging technologies, ideas, and events that were rapidly remaking the world in the late 19th and early 20th centuries.
The Rising Dragon
Call for Papers
This Rough Magic (www.thisroughmagic.org) is a journal dedicated to the art of teaching Medieval and Renaissance Literature.
We are seeking academic, teachable articles that focus on, but are not limited to, the following categories:
•Philosophy and Rhetoric
The Nineteenth Century Studies Association (NCSA) is pleased to announce the 2016 Emerging Scholars Award. The work of emerging scholars represents the promise and long-term future of interdisciplinary scholarship in 19th-century studies. In recognition of the excellent publications of this constituency of emerging scholars, this award will be given to an outstanding article or essay published within five years of the author's doctorate. Entries can be from any discipline focusing on any aspect of the long 19th century (the French Revolution to World War I); they must be published in English or be accompanied by an English translation, and must be by a single author. Submission of essays that are interdisciplinary is especially encouraged.
The Nineteenth Century Studies Association (NCSA) is pleased to announce the 2016 Article Prize, which recognizes excellence in scholarly studies from any discipline focusing on any aspect of the long 19th century (French Revolution to World War I). The winner will receive a cash award of $500 to be presented at the Thirty-seventh Annual NCSA Conference, Lincoln, Nebraska, April 13-16, 2016.
We invite papers and panels that investigate any aspect of the new and the novel in the long 19th century, including forms and genres (song cycles, photography, "loose baggy monsters"), fashions and roles (the dandy, crinoline, Berlin wool work), aesthetics (Pater, panoramas), the old made new (Graecophilia, dinosaurs), crimes and vices (serial murder, racial science), faiths (Mormons, Positivists), geographies (frontiers, the source of the Nile), models of heroism (Custer, Byron, F. Nightingale), times (railroad tables, the eight-hour-day), psychologies (phrenology, chirology, Freud), attractions (the Great Exhibition, sensation fiction, Yellowstone), and anxieties (Chartism, empire).
According to the OED, the word tourism enters the English lexicon at the dawn of the nineteenth century, thus institutionalizing the notion that travel is a necessary component of personal development. As crowds of earnest bourgeois travelers displaced the solitary young aristocrat on the Grand Tour a vast body of literature concerned with both mundane and exalted facets of foreign places cropped up to fulfill a new set of needs. Owing to the diversity of places to which individuals traveled and the many different reasons for doing so, these needs were diverse and multiform.
This year's 87th annual conference of the South Atlantic Modern Language Association (SAMLA) brings together scholars in literatures, languages, and rhetorics from all over the world. The theme this year is "In Concert: Literature and the Other Arts."
This panel will discuss representations of vignettes from Ovid's Metamorphoses, focusing on illustrated editions, graphic literary representations, and other visuals. Ovid's epic naturally lent itself to visual representation, both affected by prior artwork and affecting subsequent art depicting Roman mythology. An ethically problematic poem, the Metamorphoses was received with anxiety, particularly for the dangerous lessons it could impart to vulnerable audiences, which resulted in adaptations that transformed image and text to guide readers' interpretations.