The 2008 global downturn has compelled the social sciences and humanities to refocus on the concept of "crisis" in capitalism and rethink the relations between "core" and "periphery." What is crucial to this era of crisis is the emergence of the BRICS countries and the corresponding shifts in the world system. Debates on world literature and comparitivism have been alert to these readjustments (Moretti, 2000; Orsini, 2003; Damrosch, 2005; Warwick RC, 2015) as well as the proliferation of the neo-social realist novel (Adiga, Hamid, etc).
Both science fiction and postcolonial theory are concerned with troubling normative understandings of movement, diaspora, and hybridity. Indeed, "The Stranger in the Strange Land" is an oppositional trope that is at the heart of both science fiction and historical colonial encounters. The other-worldliness and futurity of science fiction has offered numerous writers an effective (and increasingly popular) medium to critique political, social, and cultural issues, and in many ways presents an ideal literary landscape to interrogate the colonial enterprise. Even so, there is a relative lack of postcolonial voices in the mainstream SF genre. What accounts for this silence?
CFP: American Comparative Literature Association, 2016
Seminar: Proustian Awareness: Seeing, Reading, Listening, with the author of la recherche
Location: Harvard University, Cambridge, MA
Dates: 17-20 March, 2016
Abstract submission deadline: 23 September, 2015
Contact: Adeline Soldin, Dickinson College
In the final week of January, 1977, the ABC miniseries Roots became the most-watched television program of all time. To the surprise of the show's producers, Roots became not only a ratings windfall, but a cultural phenomenon, articulating an African-American counter-narrative of American history, provoking a dialogue about the legacy of slavery, and presenting African-American characters with a dignity and integrity that differed sharply from the caricatured representations common to television up to that time. In many ways, the response to the show by the media and the general public constitutes the first of many "conversations about race" that have punctuated the Post-Civil Rights era.
Placing Bilingualism: Bilingualism in Comparative Perspective
Seminar at ACLA Annual Meeting
March 17-20, Harvard University, Cambridge MA
Submission deadline: September 23
Bilingualism is a phenomenon that unites literary creation across geographic and temporal boundaries. Yet questions about the role of bilingual competencies in literature often remain overlooked. This panel seeks to bring together scholars across disciplines in exploring the place of bilingualism in literary production and the comparative potential of bilingualism in literary criticism.
Co-organizers: Jacquelyn Ardam, UCLA; Ronjaunee Chatterjee, CalArts
2015 marked the 30-year anniversary of the publication of Donna Haraway's "A Cyborg Manifesto," whose radical questioning of the divisions between human and machine, matter and meaning, and gendered and "postgendered" existence continues to animate our social reality. Recent discussions in the field of new materialism, which grapple with questions of embodiment and materiality, have opened up new avenues for theorizing femininity outside of conventional frameworks.
Seminar Proposal for ACLA 2016 (American Comparative Literature Association)
March 17-20, 2016
Harvard University in Cambridge, Massachusetts
Submission for papers begins today through Sept. 23rd.
This seminar will explore how national identities have been forged through the manipulation and deployment of animals and animality. How have animals, and ideas associated with such animals, been used to construct imagined communities? How have these constructions helped to strengthen or weaken national borders? How have assertions of imagined community, as expressed via relations with animals, overlapped with racial/ethnic identities?
In May 2014, on a cover featuring actress and transgender activist Laverne Cox, Time Magazine proclaimed that we had reached the "transgender tipping point". But have we? What would it look like if we had? While it is true that transgender activists like Cox and Janet Mock are appearing on our televisions more often, and transgender models like Ines Rau or Andreja Pejic are gracing the pages of magazines, transgender women (especially women of color) are still disproportionately at risk for hate crimes, and face discrimination in many areas of life.
Call for Papers for Edited Books with ISBN
Last Date 31st December 2015
Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be "literature". Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is "literary" or "pulp". Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others.