cfp.english.upenn.edu

Deadline for full consideration: June 15, 2009
http://repositories.cdlib.org/acgcc/jtas/cfp.html

Bridging Imaginations: South Asian Diaspora in Australia - History, Culture, Literature

Edited by Amit Sarwal

UPDATED
New submission deadline for abstracts: 20 May 2009

The Rhetorics of Place: Public, Private, Secular and/or Sacred.

Adoption has often, though not always, involved secrecy. How has secrecy or openness affected the history, experience, and representations of adoption?

International conference

After Writing Back. Present and future perspectives in Postcolonial Studies.

University of Bergamo, Italy 13-15 October 2009

"Journal on Interdisciplinary Studies in Humanities" calls for papers for the second issue on the following areas: English Literature, Literature written in other languages, Postcolonial Literature, C

The editors of Contemporary Essays on the Postcolonial Short Story invite contributions for an interdisciplinary collection on the postcolonial short story.

For decades, scholars have studied popular romance, whether in romance novels, films, comics, or other media.

Proposals are invited that explore connections between Victorian and Caribbean novels that have not heretofore been put in conversation with each other.

EXTENDED DEADLINE

Special issue: Race and Ethnicity in Fandom (Summer 2011)

Transformative Works and Cultures
http://journal.transformativeworks.org/
editor AT transformativeworks.org

SPECIAL ISSUE EDITORS

The study of the representation of dialects of English in literature is a well-established field, but one that is approached with a range of different goals and methodologies by scholars depending upon their disciplinary background.

Keynote speakers

Ruth Amossy (Tel Aviv University)
Jean-Louis Dufays (UCL)
Charles Ramírez-Berg (Texas Austin)
Maarten van Delden (USC, California)

"LITERATURE AND FILM" 2nd International Graduate Conference (Istanbul University, Istanbul, Turkey, November 2009)

CALL FOR PAPERS:

We are calling for academic papers, submissions of short stories and poems, and visual art that contemplate the intersection of the regional and the popular in regional Australia but also in terms of

This is a critical and creative new online journal. It is created to find, edit and publish superior works of fiction, non-fiction, art, multi-media and the like.

Shechem Ministries’ Matter ’09: A Creative Theology Event is now accepting submissions of papers and artwork for the conference September 17-19, 2009, at the Seminary of the Southwest in Austin, T

NEW DEADLINE: June 20

From the fin de siècle to the Second World War, the construction of alternative social and private spaces exerted a peculiar fascination for many British writers. The cataclysmic historical events of the period stimulated Utopian thinking and feeling even as they seemed to make them problematic or impossible. At the same time radical demands for new spaces, whether political, religious or aesthetic, also generated new ways of reading and writing the familiar urban and domestic spaces of everyday life.

The focus of the conference is on the spatial manifestations, geographies and practices of Utopianism, rather than on Utopianism as a category of millenarian anticipation. Papers are invited which address the various material and imaginary spatial forms of the Utopian impulse in the literature of period. How do certain spaces become associated with particular political or aesthetic visions of modernity? Does the Utopian bear a particular affinity to some spaces, rather than to others? Is the Utopian impulse articulated as a desire for order or anarchy?

Plenary speakers: Professor Jay Winter (Yale); Dr Matthew Beaumont (UCL); Iain Sinclair (London)

Papers are invited on any aspect, historical and/or theoretical, of the conference theme. Please send an abstract of no more than 250 words in length, including your name, position and institutional affiliation to utopianspaces@ell.ox.ac.uk. Deadline for submission: 30 June 2009.

For further information, accommodation possibilities, and updates please visit our website: http://www.utopianspaces.org

Self-described “student of science” Bruno Latour defines an actor as “any thing that leaves a trace.” In keeping with this year’s theme of footprints, this panel welcomes papers that consider the traces left by any thing on the world (whether of humans or non-humans).

SAMLA 2009
Reading Ethics in the 21 Century
Call for Papers

Henry Rider Haggard (1856-1925) was a novelist, country gentleman, social commentator, onetime colonial administrator and failed ostrich farmer whose prodigious output comprises a significant but unde

States of Crisis
Friday, 9 October 2009
Brandeis University
Department of English and American Literature
Seventh Annual Graduate Conference

The English Graduate Organization (EGO) at Western Illinois University in Macomb is currently accepting CFPs for their 6th annual conference, Questioning Identity—Representations of Class.

This is a critical and creative new journal. It is created to find, edit and publish superior works of fiction, non-fiction, art, multi-media and the like. It will be primarily an online journal.

WORKING SESSION: Reassessing Theatrical Paradigms and Imagining Global Rights (San Juan, Puerto Rico, Nov. 11-15, 2009)

Deadline for Abstracts: Friday, May 15, 2009

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

_“Catastrophe and the Cure”: The Politics of Post-9/11 Music_ is the title of a proposed anthology examining “post-9/11” music. Abstracts are sought for articles attempting to theorize what post-9/11 music is, if such a category can be said to exist, and what political action it takes (or needs to take), if any. Proposed articles should be theoretically engaged and should be written with an academic readership in mind. Of particular interest are abstracts that seek to extend discussions of post-9/11 music beyond the bands/musicians/albums—U2, _The Rising_, The Dixie Chicks, Toby Keith, etc.—typically associated with 9/11. Topics may include, but are not limited to, the following:

Translation, Performance, and Reception of Greek Drama, 1900–1950: International Dialogues

A Special Issue of Comparative Drama

Henry Rider Haggard (1856-1925) was a novelist, country gentleman, social commentator, onetime colonial administrator and failed ostrich farmer whose prodigious output comprises a significant but unde

The editors of the Encyclopedia of Contemporary Fiction are searching for (last-minute!) contributors. The deadlines for these entries are very tight -- ASAP to May 15 (at the very latest).

The conference, “Rethinking Humanities” attempts to interrogate how the future of humanities can be traced and interpreted from various academic and philosophical quarters, and the ways in which i

“Global Citizenship for the 21st Century”

Interdisciplinary Conference
California State Polytechnic University, Pomona
November 15-16, 2009

The age of globalism that shapes the world today is both a cause and effect of postcolonial actualities: effect because of the cultural influences (imposed or transmitted) of colonial powers on coloni

CALL FOR PAPERS
South Atlantic Modern Language Association (SAMLA)
November 6-8, 2009
Renaissance Atlanta Hotel Downtown
Atlanta, GA

Deadline: May 1, 2009

JUSTICE AND MERCY HAVE KISSED