Gordimer is well known for her depiction of moral and racial issues, especially as related to life under apartheid in South Africa. With Gordimer's passing in 2014, twenty years after the transition to majority rule, the question of her legacy is not immediately apparent. Given the current climate in which apartheid studies are beginning to be seen as no longer relevant to the future of South Africa, this panel welcomes papers that explore her unique literary contribution and influence and suggest how she should be remembered over time. Papers exploring her novels, short stories, or essays are all welcome.
Asia and the Historical Imagination is an edited volume of essays that explores papers concerned with representations of Asia's past. The essays submitted will complement a 3-day workshop held at Nanyang Technological University (Singapore) from 30th July to 1st August 2015. The volume aims to generate vibrant discussions about fictional interpretations of historical narratives and events in Asia (both ancient and modern).
Knowledge production and social transformation are closely intertwined. Academic scholarship plays a crucial role in analyzing and critiquing social, economic, ecological, and political developments, while simultaneously, however, being inextricably linked to its social context and its inherent relations of power and domination. Scrutinizing the link between social critique and scholarship also entails the critical examination of the tools applied in analyzing social phenomena, which in turn lay the basis for academic social critique. Scientific methods of gaining knowledge not only co-constitute and shape the object of research, but also the kind of knowledge that is produced.
Asia and the Historical Imagination: Essays is a edited collection of essays concerned with representations of Asia's past. The essays in this volume will complement a 3-day workshop that. This 3-day workshop will be held at Nanyang Technological University (Singapore) from 30th July to 1st August 2015.
Place-Based Arts: Brighton Writes
Friday 29 May 2015
Sallis Benney Theatre, Grand Parade, Brighton UK.
Join us next week for this exciting one-day event on Place-Based Arts, exploring how location can provide diverse and rich triggers for writing and other arts based practices.
Highlights include keynotes from Iain Sinclair and Richard Kerridge, round table debates with artists and writers who have used Brighton as a source for their practice, a film screening of Ian McDonald's Brighton Bandits, and a range of parallel sessions with academics and artists presenting work and ideas relating to place.
From the proliferation and commodification of print culture in the 18th century to the Forster's Education Act of 1870, those who consumed - and the way people consumed – the arts and culture at large changed irrevocably in England. These factors - among numerous others- culminate Leonard Bast's feeble attempts to fit Ruskin's depictions of Venice to his basement hovel in E.M. Forster's classic Howards End. Bast's story, pushed to the margins of the novel, is primarily that of a working class individual attempting to better his position in life through the arts and culture.
Essay proposals are invited for Teaching Space, Place, and Literature, a volume in the MLA's Options for Teaching series to be edited by Robert T. Tally, Jr. This volume aims to survey a broad expanse of literary critical, theoretical, and historical territory in presenting both an introduction to teaching spatial literary studies and an essential guide to scholarly research being conducted in this burgeoning field. Exploring key topics and pedagogical strategies for teaching issues of space, place, and mapping in literary and cultural studies, this volume will include valuable information for both specialists and nonspecialists in spatiality studies, and the essays should be of interest to teachers of undergraduate- and graduate-level courses.
We invite paper proposals for the "H.D. and her Circle: New Directions" panel at this year's South Atlantic MLA in Durham, NC, November 13-15, 2015. Send 250-word abstracts, brief bio, and A-V requests to email@example.com by June 10, 2015.
Papers may focus on work by H.D. and/or those in her circle (Bryher, Kenneth MacPherson, Marianne Moore, Richard Aldington, John Cournos, Robert Herring, Ezra Pound, Paul and Eslanda Robeson, etc.), and the thematic focus of the panel is open to a range of new approaches. Given SAMLA 2015's conference theme, "In Concert: Literature and the Other Arts," papers that address connections to other art forms/media are welcome, although not necessary.
We invite proposals for a volume in the MLA Options for Teaching series entitled Teaching Anglophone South Asian Women's Writing, edited by Deepika Bahri and Filippo Menozzi.
This volume seeks meaningful responses to the following questions: What do we teach when we teach South Asian women's writing? How do we teach it in a variety of contexts? How is our pedagogy changing in response to new developments: digital contexts, emergent genres, changes in the publishing industry, and growing anxiety about the under representation of nonanglophone writing?
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Heralded by The Telegraph as a 'global phenomenon,' BBC's Sherlock is now one of the most commercially and critically successful television series of all time. The global recognition of Sherlock, combined with the recent discovery of Arthur Berthelet's 1916 silent film Sherlock Holmes starring William Gillette in his only screen appearance as the famous sleuth, makes it especially timely for film scholars, students, and audiences to reassess the cultural legacy of Holmes onscreen. Forthcoming work by Hills (2016) and Poore (2016) argue strongly for Holmes as a continuing source of scholarly interest, spurring us to look at Holmes' filmic lives.