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MSA 17, Modernism and History, Due April 12, 2015 (conference Nov 19-22, 2015)

updated: 
Saturday, March 28, 2015 - 6:48pm
Aleks Prigozhin, Adrienne Ghaly

From the early decades of the twentieth century the concept of 'revolution' has provided modernism with a powerful historical imaginary of rupture and change, encompassing phenomena ranging from overtly political manifestos through to radical challenges to established aesthetic forms and prevailing critical frameworks. Taking our cue from this year's MSA theme, this session seeks to rethink modernism's broader relationship to categories and modes of the historical. We invite papers that both broaden and complicate current understandings of the interrelation between conceptions of history and modernist artistic practice.

MSA 17 PANEL SESSION: MODERNISM + RURAL REVOLUTIONS

updated: 
Saturday, March 28, 2015 - 2:05pm
Jess Lamar Reece Holler and Brooke Stanley (University of Pennsylvania) and Jason Bell (Yale University)

This call seeks papers on modernism's involvement with and response to rural revolutions in the 20th century for a panel or panel series at the 2015 MSA Meeting in Boston. We're looking for papers investigating modernist cultures and literatures alongside the transformation of rural landscapes and cultures, in imagination and on the land, in the long 20th century. We particularly seek papers that consider the rise of industrial agriculture and its discontents or the role of the rural and its representations in movements towards social and ecological revolution. We welcome papers that consider and investigate the rural alongside multiple and contested modernities.

Abu Ghraib and After

updated: 
Saturday, March 28, 2015 - 1:46pm
Megha Anwer / Purdue University

MLA Panel on visual culture after "Abu Ghraib" -- films, graphic novels, photography, political cartoons etc. that invoke/respond to the Abu Ghraib torture photographs.

Email 250-300 word abstract by Monday, March 31, 2015.

Othello's Island Conference on Medieval and Renaissance Art, Lterature and History 2016

updated: 
Saturday, March 28, 2015 - 5:48am
CVAR Cyprus

Othello's Island 2016

The 4th Annual Multidisciplinary Conference of Medieval and Renaissance Studies held at the Severis Foundation, Nicosia, Cyprus, March 2016

Convenors:

Professor James Fitzmaurice, Emeritus Professor of English (Northern Arizona University) and Director of Distance Learning in English (University of Sheffield)
Professor Lisa Hopkins, Professor of English Literature (Sheffield Hallam University)
Dr Sarah James, Senior Lecturer, University of Kent, School of English
Dr Michael Paraskos, Cornaro Institute, Cyprus
​Benedict Read FSA, Research Fellow, University of Leeds School of Fine Art

About the Conference:

CFP for WSQ: Queer Methods

updated: 
Friday, March 27, 2015 - 9:03pm
WSQ

WSQ, Call for Papers: Special Issue
QUEER METHODS

Guest Editors:
Amin Ghaziani, Associate Professor of Sociology, University of British Columbia
Matt Brim, Associate Professor of Queer Studies, College of Staten Island, CUNY

Queer Studies is experiencing a methodological renaissance. In both the humanities and the social sciences, scholars have begun to identify research protocols and practices that have been largely overshadowed by advances in queer theory. The fall 2013 "Queer Method" conference organized by Heather Love at the University of Pennsylvania indexed this shift toward methods by reframing the question "what is queer theory?" to "how is the work of queer theory done?"

Modernism in the Green, Deadline April 14, 2015

updated: 
Friday, March 27, 2015 - 5:28pm
Modernist Studies Association November 19-22, 2015

For all its many urban topographies, the literary landscape of modernism contains a startling array of greens, from public and national parks to vacant lots, suburban gardens, and botanic displays. In drawing from recent interactions between environmental criticism and modernist studies, we propose that thinking with and through planned greens leads to a more complex understanding of modernism’s tangled engagements with arts, social protest, material culture, bodies, and the nature-culture divide. What new haptic, scopic or visual modes of experience were enabled when modernism entered the green? How were gendered and sexualized bodies redistributed? How was imperial ideology grafted together with colonial aspirations?

Submit your poems to These Fragile Lilacs

updated: 
Friday, March 27, 2015 - 3:23pm
These Fragile Lilacs Poetry Magazine

Here is the link to our electronic journal page: http://thesefragilelilacs.wix.com/poetryjournal
The deadine for submissions for our inaugural volume is May 31, 2015.

Guidelines

Send submissions to thisfragilelilac@gmail.com .

Please do *not* include any attachments; instead, paste the poems you would like to be submitted directly into your email. You may submit up to five poems per submission cycle.

Include a short (2 to 3 sentence) biography with your submission.

CFP: Repetitons, Permutations, Becoming -- SFSU Cinema Studies Conference [Oct 15-17, 2015, San Francisco, CA]

updated: 
Friday, March 27, 2015 - 1:39pm
Cinema Studies Graduate Association / San Francisco State University

In our rapidly shifting culture, what defines the contemporary moment is fluid and impossible to pin down. This conference will look at the relations between newness, sameness, fluidity, and change in cinema and cinematic technologies from all eras. The cinematic apparatus itself is a technology of repetition and replication, and the effects of postmodern culture are marked by self-replication, simulation, and mediation. Postmodernism is about the now, and borrows from the surfaces of history while losing the history itself. Cinema and the cinematic is increasingly marked by intermediality of both culture and "text" and constant expansion of what these terms can mean.

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