Facsimile: A center for early print: 1780-1820 (www.colonialprint.wordpress.com) is looking for essays on the early realm of heteroglossic print in colonial Calcutta (1780-1820). For example, newspapers were printed in multiple languages. The collection of essays will be published by Lies and Big Feet (liesandbigfeet.wordpress.com). Please email: firstname.lastname@example.org or email@example.com.
CALL FOR PAPERS:
Approaching Posthumanism and the Posthuman
Conference and Doctoral Workshop
June 4-6, 2015 – St. Maurice, Switzerland
Cary Wolfe, Rice University
Jeffrey Jerome Cohen, George Washington University
Margrit Shildrick, Linköping University
Stefan Herbrechter, Coventry University
Deborah Madsen, Manuela Rossini, Kimberly Frohreich, and Bryn Skibo-Birney
On 28 July 1914, an armed conflict began that would forever change the world, and the concept of war itself. The war rapidly extended, involving 28 countries and spreading to the entire world. At the closing of the conflict, on 11 November 1918, millions of people were dead and millions wounded.
Abstracts (500 words) due November 1, 2014
Articles (7,000 words) due July 1, 2015
The Postcolonialist, Fall 2014 CFP
Intersectionality, Class, and (De)Colonial Praxis
The past decade has seen a wave of socio-political and economic changes across the globe. We are witnessing geopolitical conflict on a local as well as international scale, intensified by rising wealth disparities, mass migrations, crippling austerity measures, repression of dissent, and increasingly controlled borders. These events make evident the centrality of class to any discussion on the sweeping changes taking place in the global political landscape. Class, however, does not operate in isolation from other social structures, a fact that underscores the need for interdisciplinary research and intersectional discourse.
"The question... is not whether we will have the storage capacity to accumulate copies of every book, film, song, conversation, e-mail, etc. that we amass in a lifetime (yes, eventually) but how do these accumulations, these massive drifts of data, interact with irreducible levels of lived experience?" – Matthew Kirschenbaum, Mechanisms
StoryTelling is dedicated to analyses of popular narrative in the widest sense of the phrase and as evidenced in the media and all aspects of culture. Manuscripts should: see the narrative as a reflection of culture; use theory to analyze the work, not work to illustrate theory; employ scholarship; and be written for the general audience. No limits on period or country covered. No creative writing. All articles are peer-reviewed. StoryTelling is indexed in the MLA database.
I'm trying to organize a panel on Dracula in popular culture for the 2014 New England Regional Meeting of the American Conference for Irish Studies. The conference meets from 21-22 November 2014 at Wheaton College. Further details at http://acisweb.org/announcement/cfp-acis-new-england-regional-nov-21-22-....
Please email me, ASAP (but no later than 8/15/14), at NEPCAFantastic@gmail.com if are interested using "Dracula Panel" as your subject.
[For a seminar on "Mobilty and Movement Control" at the American Comparative Literature Association Annual Meeting, March 26-29 2015, Seattle, we invite 300-word presentation abstracts by August 22 2014.]
MOVEMENT CONTROL AND THE MODERN NOVEL
THE RACIAL IMAGINARY
A CONFERENCE ON RACE, CREATIVE WRITING & LITERARY
DATES: March 12-14, 2015
LOCATION: THE UNIVERSITY OF MONTANA
Metamodernism and the Humanities: Critical and Creative Practice
Keynote speaker: Dr Timotheus Vermeulen, assistant professor in cultural studies and theory, University of Nijmegen, editor of Notes on Metamodernism
Hosted by the Journalism, Creative Writing and English Literature postgraduate researchers at the University of Strathclyde
Tuesday September 16th 2014
School of Humanities, University of Strathclyde, Glasgow,
Guest Editors: Aaron DeRosa and Stacey Peebles
Deadline for Submission: 1 February 2016
46th Annual Convention of the Northeast Modern Language Association
30 April - 3 May 2015
WRECK PARK: A Journal of Interesting Fictions, Interested Criticism
Wreck Park is a double-blind, peer reviewed publication run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt canonical and standardized discourses of the contemporary academic and literary landscapes. The journal welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond
The figure of the hero underwent a renascence in meaning, visibility, and cultural cachet in the twenty-first century, with the success of the Harry Potter, Lord of the Rings, and World War Z franchises; the Batman, James Bond, and Marvel Cinematic Universe tent-poles; and the 24, Arrow, and Games of Thrones television series. Moreover, the hero took on new significance in other countries' cultural productions, as with the film series Krrish in India, Zebraman in Japan, and Valley of the Wolves in Turkey.