Call for papers
Lehigh Valley Vanguard (www.lehighvalleyvanguard.org) is seeking critical prose on a variety of pressing cultural concerns. This list is a loose outline of topics which fit with our milieu:
-Non-partisan political engagement
-Engaged, critical, or anarchist pedagogies
-Politics of what we eat (including pro-vegan or vegetarian lifestyle, localizing food trade)
-Marxist, neo-marxist, anti-capitalist perspectives
-Examinations of generational concerns such as (not limited to): student loan debt, climate change
-Identity politics and/or postcolonial studies
Call for papers
Arctic Cinemas and the Documentary Ethos seeks to counteract pervasive mythologies of the Arctic as a blank space or desolate end of the world. Instead, the conference seeks to engage with how past, present, and future power dynamics shape this circumpolar region, its indigenous populations, and relationship to the rest of the world through documentary filmmaking. The conference and proposed edited volume examines the Arctic as a profoundly transnational and heterogeneous space through the rubric of Arctic documentary (including film, video, television, digital media, and installation art).
CFP: The Child in Popular Culture
Red Feather Journal (www.redfeatherjournal.org), an online, peer-reviewed, international and interdisciplinary journal, has expanded its scope to include the child in all aspects of popular culture.
Red Feather Journal seeks well-written, critical articles for the Spring 2015 issue (deadline April 25, 2015) on any aspect of the child in popular culture. Some suggested topics include: children in film, television, the Internet; children in popular literature or art; the child in gaming, cosplay or cons; children dan social media; childhood geography or material culture; or any other aspect of the child in popular culture.
Call for Papers
'There's little left but to be bored or bore.'
Lord Byron, Don Juan, Canto XIV
'Mieux vaut un désastre qu'un désêtre.'
Alain Badiou, Conditions
Victor Hugo, Les Misérables
'There seemed nothing to do but live.'
J. M. Coetzee, Life and Times of Michael K
In May 2015, a new edition of THE VICTORIAN will appear. Please send along your articles and reviews for consideration. All aspects of the Victorian period are covered, but with a particular emphasis on literary interpretations.
Just over a decade ago, Dana Phillips (in)famously attacked ecocritics for uncritically borrowing terms and ideas from the discipline of ecology, which, he argued, is itself a "less than fully coherent field with a very checked past and fairly uncertain future." While controversial, Phillips's critique sparked important discussions about ecocriticism's methodology, especially its claim to interdisciplinarity. So-called "second wave" ecocritics reexamined the field's founding assumptions; a period of self-assessment propelled ecocriticism toward a more rigorous engagement with the sciences as well as the humanities.
Regular Paper Submission:
Socrates Journal invites Authors/Researchers to submit their research papers for consideration of publication in the regular Issues of the Journal.
For all its many urban topographies, the literary landscape of modernism contains a startling array of greens. From William Carlos Williams's representations of Garret Mountain Park, to Peter's reflections on Mrs. Dalloway in Regents Park or Wallace Stevens' frequent use of Elizabeth Park throughout his oeuvre, planned green spaces play an overlooked role in the development of modernism. We propose that thinking with and through public greens leads to a fresh and often more complex understanding of modernism's tangled engagements with arts, politics, material culture, bodies, and the nature-culture divide.
This year's MMLA Animals in Literature and Film panel invites papers engaging this year's conference theme "Arts and Sciences," and especially the connection between the history of science and animals.
Papers might consider eighteenth- or nineteenth-century natural history writing and/or collection practices; contemporary or historical discourse around animal experimentation; conceptual issues of animacy, animality, and/or "life"; taxidermy; issues of animality or personhood in contemporary science, medicine, literature, or film; issues of extinction and/or species revival; or figures of "monstrous animals" produced by science, from Frankenstein to Godzilla to the dinosaurs reanimated to populate Jurassic Park.
When politics, arts, history, ethics or philosophy are judged by their ability to disrupt what is visible and sayable, is there a danger that the potential political efficacy in remaining hidden is ignored and the possibility of intervention/action for the already unseen is inhibited? How do artistic practices reflect and engage in strategic invisibility? What are the artistic and political intersections of acting invisible? What kinds of visibility are afforded to whom? How can research approach invisibility without eliminating the invisibility it purports to study? Can there be a methodology of working around (in)visibility and if so what claims can it make to validity?