The Asians in the Americas symposium started in 2012 at Southeast Missouri State University as an answer and partial solution to the complete absence of any meaningful discussion of the many aspects of what it means to be Asian in the Americas in the forums that already existed. The scholars wanted to remove the topics from their status of being historical "footnotes." The symposium was the desired format because it combined scholarly research with the opportunity for in-depth conversation.
The 4th Annual DIVAS Conference: From Margin to Center:
Telling our Stories as a Form of Activism
September 12, 2015
D.I.V.A.S (Distinguished, Intellectual, Virtuous, Academic, Sistas) are
delighted to announce the Call for Proposals for the 4th annual DIVAS conference to be held at the School of Education on the campus of Elon University in Elon, NC, September 12, 2015. Proposals for poster sessions, individual presentations, and panel sessions are welcome at email@example.com on or before June 15th 2015.
"We have to talk about liberating minds as well as liberating society."
--- Angela Y. Davis
With apologies for cross posting:
International Girl Studies Association are seeking submissions for our inaugural conference which is being held at the University of East Anglia, Norwich from 7-9 April 2016. The inaugural conference seeks to bring together researchers and students working on girls and girlhood in any part of the world and in any discipline or interdisciplinary field.
Girl Studies has become one of the most dynamic academic fields, encompassing a vast array of disciplines and interdisciplinary approaches. This conference aims to bring together scholars from across the world to explore experiences of girlhood, recent developments within the field, investigating new questions and revisiting historical issues.
The Apollonian: A Journal of Interdisciplinary Studies
Vol. 2, Issue 2
Reading the Queer in Literature, Film, Culture and Theory
[Journal Issue & Ed. Vol.]
Submissions are invited for the forthcoming issue of "The Apollonian" on the representations of the 'queer' in the various genres and sub-genres of literature, art, cinema, culture, critical theory, philosophy and history. The papers are expected to be scholarly in nature, and yet accessible to a fairly general readership.
Topics may include, but are not limited to:
Philosophy and Poetry (Edited Volume)
The myths of yesterday and the myths of today.
From Barthes to Maffesoli.
This panel seeks interesting and innovative papers in the field of adaptation studies. As Linda Hutcheon writes in A Theory of Adaptation, adapters "are just as likely to want to contest the aesthetic or political values of the adapted text as to pay homage." Our panelists will explore the political uses to which adaptation is put, considering why and how authors adapt specific texts for political purposes. We will consider the possibilities and limitations of using adaptation as a political tool.
Literatures of the African Diaspora and the Other Arts
From Langston Hughes' 1955 collaboration with photographer Roy DeCarava in The Sweet Flypaper of Life, Wallace Thurman's 1929 collaboration with William Jourdan Rapp in Harlem: A Melodrama of Negro Life in Harlem, and the infamous collaboration of Langston Hughes and Zora Neale Hurston in Mule Bone: A Comedy of Negro Life, the Harlem Renaissance era was a time of flourishing inter-arts collaborations under-examined in contemporary criticism. This panel therefore welcomes papers about the inter-arts collaborations of the Harlem Renaissance inspired by the SAMLA 87 theme, In Concert: Literature and the Other Arts.
In its aesthetic and political senses, "collaboration" has a twofold, seemingly contradictory meaning. On the one hand, collaboration names a creative and democratically communicative sharing between individuals, disciplines, traditions, etc. Yet, on the other hand, this positive sense is countered by negative connotations of traitorous and nefarious "collaborationism." While the positive sense of collaboration has found academic credibility in its interdisciplinary and multidisciplinary guises, the negative connotations of collaboration refer us to traditions of appropriation, marginalization, and usurpation.