Chapter proposals are invited for an edited volume on ecofeminist literary criticism titled Literature and Ecofeminism. Contributions covering a range of literary forms from diverse cultures and national traditions are welcome. Interested authors should send a 300-word abstract, 200-word biography, and sample of a previously published chapter or article to email@example.com by April 1, 2015. Proposers will be notified about whether their submissions are accepted for the book by April 15, 2015. For accepted proposals first drafts of full chapters (8,000 – 9,000 words) are due by September 1, 2015, and final versions are due November 1, 2015.
This panel explores SAMLA 87's theme of "literature and the other arts" through the unique dynamic of word-image interaction situated in the poet-artist collaboration. Paper proposals addressing poet-artist collaborations found in book arts, broadside printings, and museum/site-specific installations and exhibits are welcome. By May 15, 2015, please submit a 300-word abstract, brief bio, and A/V requirements to Anne Keefe, University of North Texas, at firstname.lastname@example.org.
Editors: Jessica Seymour (Southern Cross University) and Denise Beckton (Central Queensland University)
Call for Papers: Prospero 20 (2015), edited by Marilena Parlati (University of Calabria)
Unforgiving Memory. Dynamics, Rhetorics, Paradoxa in Literary Representations of Trauma
Memory says: Want to do right? Don't count on me.
(A. Rich, An Atlas of the Difficult World)
Call for Papers
16th Annual South Asian Literary Association (SALA) Conference
Jan. 4-6, 2016 - Austin, TX
Cultural Practices in the South Asian Public Sphere
What do the works of John Gower have to say about systems in the twenty-first century?
The pluralistic, sophisticated and technocrazy nature of contemporary existence has blurred concepts like marginality and minority that are inherent in human existence. Because technology seems to have melted several existential boundaries, and because theories of global citizenry give the impression of free access to movement, the sense of being marginal is almost waning. However, the network of global philosophy and technological connectivity are themselves apparent mechanisms of marginalization especially in the postcolonial context. Postcolonial theorists, intellectuals and writers have taken the intellectual, political and moral authority to challenge representational claims made by dominant Western/imperial cultures.
Foucault and Queer of Color Critique
Given Lynne Huffer and Roderick Ferguson's recent groundbreaking work in Mad for Foucault (2010), Are the Lips a Grave? (2013), Strange Affinities (2011) and The Reorder of Things (2012), this MLA panel will reexamine the often fraught relation between Foucault and Queer of Color Critique to see what novel "strange affinities" might exist between these sites of inquiry today.
Send 250-word abstract and CV to email@example.com by 3/15/2015. The 2016 MLA will take place in Austin, Texas from January 7-9.
Just over a decade ago, Dana Phillips (in)famously attacked ecocritics for uncritically borrowing terms and ideas from the discipline of ecology, which, he argued, is itself a "less than fully coherent field with a very checked past and fairly uncertain future" (45). While controversial, Phillips's critique sparked important discussions about ecocriticism's methodology, especially its claim to interdisciplinarity. So-called "second wave" ecocritics reexamined the field's founding assumptions; a period of self-assessment propelled ecocriticism toward a more rigorous engagement with the sciences as well as the humanities.
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Call for Papers: submission deadline extended till 15 March 2015
4th Annual Meeting of the European Beat Studies Network (EBSN)
28-31 October 2015, Université Libre de Bruxelles
Anne WALDMAN (poet and performer, author of over forty books of poetry, and co-founder with Allen Ginsberg of the Jack Kerouac School of Disembodied Poetics at Naropa University)
Daniel KANE (professor at U of Sussex and author, amongst others, of All Poets Welcome: The Lower East Side Poetry Scene in the 1960s)