In its aesthetic and political senses, "collaboration" has a twofold, seemingly contradictory meaning. On the one hand, collaboration names a creative and democratically communicative sharing between individuals, disciplines, traditions, etc. Yet, on the other hand, this positive sense is countered by negative connotations of traitorous and nefarious "collaborationism." While the positive sense of collaboration has found academic credibility in its interdisciplinary and multidisciplinary guises, the negative connotations of collaboration refer us to traditions of appropriation, marginalization, and usurpation.
albeit invites scholarly articles, detailed lesson plans, book reviews, creative pieces, and nonfiction essays exploring the theme of "War."
Topics for this issue can include, but are not limited to:
Terry Pratchett is one of the UK's most brilliant fantasy writers and was an inveterate humourist with a knack of creating unforgettable characters. Writing with verve, poignancy and daring, Pratchett is known for his signature style as much as for the bold criticism deftly embedded in his comedic writing. In honour of Sir Terry, gender forum will publish a special issue dedicated to him and his works.
Margaret Atwood Studies, the journal of The Margaret Atwood Society, invites submissions on a rolling basis from both members and nonmembers. Essays submitted must be the original work of the author(s) and neither published nor under consideration for publication elsewhere. Essays should be focused primarily on the work of Margaret Atwood, between 2,500 and 7000 words, double-spaced, and documented following the conventions outlined in the latest MLA Handbook. To facilitate blind review, submissions should include a cover sheet with contact information and include no references to authorship in the essay. Submit via email as an attachment to Dr. Karma Waltonen at firstname.lastname@example.org.
Our panel explores the various temporalities at play within the binary realms of childhood and adulthood with the aim of rethinking its teleology of 'growing up' from temporal perspectives.
Interested panelists should submit a brief bio (50-100 words) and an abstract (250-300 words) to email@example.com by April 20, 2015.
Call for Proposals – "Horrible Mothers" (Francophone North America)
Southern Humanities Council Conference
The Brown Hotel, Louisville, KY
January 28-January 31, 2016
"Public Bodies, Private Spaces: Private Bodies, Public Spaces"
From the early decades of the twentieth century the concept of 'revolution' has provided modernism with a powerful historical imaginary of rupture and change, encompassing phenomena ranging from overtly political manifestos through to radical challenges to established aesthetic forms and prevailing critical frameworks. Taking our cue from this year's MSA theme, this session seeks to rethink modernism's broader relationship to categories and modes of the historical. We invite papers that both broaden and complicate current understandings of the interrelation between conceptions of history and modernist artistic practice.
This call seeks papers on modernism's involvement with and response to rural revolutions in the 20th century for a panel or panel series at the 2015 MSA Meeting in Boston. We're looking for papers investigating modernist cultures and literatures alongside the transformation of rural landscapes and cultures, in imagination and on the land, in the long 20th century. We particularly seek papers that consider the rise of industrial agriculture and its discontents or the role of the rural and its representations in movements towards social and ecological revolution. We welcome papers that consider and investigate the rural alongside multiple and contested modernities.
MLA Panel on visual culture after "Abu Ghraib" -- films, graphic novels, photography, political cartoons etc. that invoke/respond to the Abu Ghraib torture photographs.
Email 250-300 word abstract by Monday, March 31, 2015.