Special Issue on Brutalism in the Global Novel
Special Issue on Brutalism in the Global Novel
Guest Editors: Om Prakash Dwivedi, om_dwivedi2003@yahoo.com and Madhurima Nayak, madhurimanayak@gmail.com, both of Chandigarh University, India
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Special Issue on Brutalism in the Global Novel
Guest Editors: Om Prakash Dwivedi, om_dwivedi2003@yahoo.com and Madhurima Nayak, madhurimanayak@gmail.com, both of Chandigarh University, India
A small forest area that holds ecological, historical, cultural, religious and spiritual value, and is protected by the local community, can be understood as a ‘Sacred Grove’. The term ‘sacred’ signifies the importance of these groves as they protect different species despite depletion of forest areas around them. The prohibition to collect or remove any resources from these sacred groves conserve plants, parasites, animals, herbs, and even maintain the water and soil compositions (Khan et al, 2008). As a result, these sites serve as living records of geographical and ecological past, making them invaluable spaces for scientific research.
The Media Mapper project is accepting proposals for the Spring Semester Symposium, which will be held on April 17, 2026, at the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School of Communication, University of Pennsylvania. Please submit your proposals to Ennuri Jo (ennuri.jo@asc.upenn.edu) by Monday, January 12, 2026 11:59pm EST.
CARGC invites early-career film and media scholars, doctoral candidates, and multimodal media practitioners to try out a new digital humanities tool, Media Mapper, and present their creation to the Annenberg and the UPenn community in CARGC’s Spring Semester Symposium.
Call for Papers (Abstract deadline: 1 March 2026)
Framing Turkish American Literature: Form, Poetics, and Transnational Imaginaries
Special Forum of the Journal of Transnational American Studies
Edited by Gulsin Ciftci (University of Münster) and Yagmur Su Kolsal (University of Münster)
In recent years, there has been a growing scholarly interest in Indigenous literatures
in English, including Native American, First Nations (Canadian), Australian
Aboriginal, Hawaiian, and other related literary traditions. More recently, the term
Oceanic Literatures has gained traction among critics to describe the literary
production of the Pacific Islands, encompassing regions such as New Zealand,
Hawai‘i, Fiji, Samoa, Tonga, and others. These literatures reflect the complex
processes through which “Oceanic” cultural identities are formed—shaped by
Indigenous worldviews and interwoven with the legacies of colonialism,
postcolonialism, migration, and global cultural flows - as present in the works of
In Traditional African Festival Drama in Performance, Austine Anigala(2006)draws on the Ukpalabor festival of the Ebedei people in Southern Nigeria to argue for the performance and dramatic potential of the indigenous African festival. This provocative work is against the backdrop of polemics initiated by scholars such as Ruth Finnegan (2012) and Michael J. C. Echeruo (1973) about the dramatic limits of indigenous African festivals. Recall that Echeruo (1973) called for a re-examination of how indigenous festivals are referred to as drama.
Stories of Belonging and Nostalgia: South Asian Migrants’ Narratives
Introductory Note
Call for Papers: Special Issue, The Comparatist
Topic: Reistance and Refusals
General Editor: Zahi Zalloua (Whitman College)
It is with great pleasure that we announce the opening of applications for the 2026 Feminist Decolonial Politics Workshop.
The workshop will be held in a hybrid format, with both in-person and online participation options. We are especially excited to centre this year’s workshop on reading the work of Hortense Spillers, one of the most influential theorists of our time. Spillers is the Gertrude Conaway Vanderbilt Professor at Vanderbilt University, and her scholarship has been foundational to feminist, Black, and decolonial thought.
Participation in the workshop is by application only, and applicants must be accepted in order to attend.
Student Conference on fantasy in cooperation between the Book Lovers Among Students (BLASt) club and the DnD club (Collegium Draconum) of Adam Mickiewicz University in Poznań!
We invite submissions on themes of diversity, identity politics, race, gender, and queerness in fantasy. The choice of genre can include fantasy, interactive fantasy, DnD, adaptations, offshoots, and appropriations.
Reading Spells Conference will take place on January 24th 2026, online via MsTeams.
4th International UTAD Theatre Research Conference
“Borders & Boundaries”
Hosted by:
Turkish Society for Theatre Research (UTAD), Marmara University, Department of English Language and Literature
Conference Dates: 10-12 September 2026
Venue: Marmara University, İstanbul, Türkiye
A Two-dayInternational Conference
Plates of Memory, Palates of Change: Memory, Identity, Community, and Millennial Transformations
28–29 March 2026
Call For Papers
The purpose of this issue is to understand the experiences and practices of people living in different geographical contexts. If someone believes that Christianity caused conflict and wars throughout history, this issue suggests that understanding each other's experiences and practices can promote harmony, especially in Asian and Western contexts. The integration of diverse thoughts benefits the well-being of the world. This issue will not only provide a platform to engage with such religious harmony but also serve as a valuable resource for researchers in understanding different experiences and practices.
American Literature Association
May 20-23, 2026
Palmer House, Chicago, IL
The Richard Wright Society announces two sessions on Wright to take place at the 37th Annual American Literature Association Conference.
Rethinking Richard Wright’s Depiction and Analysis of Gender and Sexuality
Motherhood Unbound: Global Pathways of Motherhood Across Cultures and Disciplines
Call for Papers for the International Conference on “Reading Disruptions, Mapping Alterities: of Australian Trans-Tendings, and India in an Age of Reimagined Plurilaterals” to be held on 03.02.26-04.02.26
Proposed Panel (in-person) at International Seminar on Cultures of Body, Bodies of Culture: Thinking Plurality Today, organised by the Department of English, University of North Bengal.
CCLA – Fantastical Constellation Working Group Call for Proposals
CCLA Annual Conference / Colloque annuel de l’ACLC
The Fantastical Constellation Working Group invites proposals for a panel or round table topic, “Entangled Futures: Interstitial Fantasies from the Periphery,” as part of the Canadian Comparative Literature Association Annual Conference, 8-10 June 2026, hosted by the Department of Languages, Literatures, and Cultures at McGill University in Montréal.
Conference: Collective Memory in Contemporary Fiction Films
University of Ottawa, June 11-12, 2026
Abstract: Collective memory and remembrance occupy an important place in film: whether through various themes that explore individual and national histories of; through the act of spectating (the act of watching a film), where the audience contributes their interpretation of the film; or where the audience uses their own memories to make sense of the narrative.
CFP for chapter contributions to book edited by the “VR as Empathy Machine: Media, Migration and theHumanitarian Predicament” Research Group at Utrecht University
Book Title: Beyond the Empathy Machine: Critical Perspectives on Virtual Reality
NTU Press Call for Monograph on Humanities & Social Science 2026-2027
Publish Your Research with NTU Press: Global Impact and Scholarly Excellence
NTU Press invites you to submit your manuscript proposal for consideration in our Monograph on Humanities & Social Science 2026-2027 initiative. We’re looking for innovative and interdisciplinary research from Taiwan and the global academic community, aligned with current scholarly trends.
In the sociology of knowledge, some scholars argue that human memory can only function within a collective context (Halbwachs, 1968/2018). Others place the search for knowledge within the discipline of genealogy (Foucault, 2022; Mendoza, 2024). Qualitative research, on the other hand, is where sociology and philosophy intersect (Silverman, 2020; Adorno, 2022; Adorno, 1976). Genealogy, in the context of this volume, refers to the ancestry or history of a discipline, profession, or people (Haley, 1976/2021; Martin, 2016; Nietzsche, 1887/2022). The advent of the Fourth Industrial Revolution has brought about change and continuity in qualitative research (Jung, 2019; Mosweu, 2025).
Queer and minor audiovisual practices increasingly challenge the assumption that any form of visibility offers a reliable route to recognition or to political and evidentiary clarity. This panel asks how, rather than treating visibility or audibility as stable states, we might attend to the ways vocal fabulations, relational and spatial practices of telling, and imaginative or speculative interventions unsettle the evidentiary burdens traditionally placed on marginalized histories. In other words, we are interested in forms that make presence felt without fully disclosing it, and in the tensions that emerge when bodies, voices, images, and testimonies exceed the representational frames built to contain them.
In his delineation of the moral commitment of thinkers, Edward Said notes that “the proliferation of intellectuals has expanded into the very large number of fields in which intellectuals have become the object of study.” This self-reflexivity drives Said and other prominent scholars to grapple with the ever-changing global dynamics. The public role of the intellectual is therefore to critically engage in political life, rejecting moral detachment as ethical bankruptcy, emphasizing the responsibility of the intelligentsia, and cultivating anti-parochial modes of thought. They stand as a counterforce to the global corporate economic and political agendas that marginalize the human being and attempts to overwhelm human agency.
Journal of Travel Literature Studies (JTLS) (ISSN: 3106-6674,EISSN:3106-6682) is a rigorously peer-reviewed international academic journal, formally published by Hong Kong HIEP Press.. The journal is edited by Professor Tian Junwu of Beihang University. The journal welcomes submissions in both Chinese and English. It is dedicated to advancing foundational theoretical and methodological research in the field of travel literature. Unconstrained by temporal or geographical boundaries, JTLS seeks to showcase the diverse textual paradigms and narrative characteristics of travel literature, while encouraging interdisciplinary perspectives and pluralistic critical approaches.
NEKST 2026
13th International Conference of NextGen Korean Studies Scholars
May 8–9, 2026 | Ann Arbor, MI
Call for Papers
We invite graduate students in Korean Studies across all disciplines to participate in the 13th International Conference of NextGen Korean Studies Scholars (NEKST) at the University of Michigan, Ann Arbor. The NEKST conference provides an opportunity for graduate students to share their research, receive feedback from faculty members and other graduate students, and participate in an interdisciplinary community of future and present scholars in Korean Studies.
Paper proposals invited for papers of 15-20 minutes. Please note corrected deadline of Friday, December 19, 2025 for submission of abstracts.
African and Caribbean Theatre and Performance Working Group
IFTR 2026 World Congress 6-10 July 2026
The University of Melbourne
Melbourne, Australia
Working Group Theme:
“What Theatre Does” – African and Caribbean Perspectives on Performance, History, and Identity
Archival Poetics: Fragmentation, Organization, Multimodality
Text Matters: A Journal of Literature, Theory and Culture (Issue 17, 2027)
University of Lodz, Poland
Co-editors of the issue:
Wojciech Drąg, PhD (University of Wrocław)
Elin Ivansson, PhD (Sheffield Hallam University)
“I, I wear a plastic suit / Plastic is my food / Perhaps, I’m plastic too,” sang the iconic Yugoslav New Wave band Idoli in their 1981 song “Plastika” (“Plastics”). These lyrics captured a 1980s moment in which Yugoslav production, import, and consumption of plastics reached their peak. Yet the groundwork for it had been laid in the preceding decades, since plastics production had begun shortly after the Second World War and rapidly permeated all aspects of everyday life (see Filipović 2023). Importantly, Yugoslavia’s trajectory differed from that of the Eastern Bloc.
Perennially understudied, Eurasia – as both a geographical and conceptual constellation – opens up a novel and fertile space for scholarly contributions. This call for papers invites submissions that engage with the region’s alternative media, information, and communications histories, bridging past and future frameworks, methodologies and forms.