postcolonial

Today, all countries that were colonized by France have gained their independence, yet discussions about its legacy continue. Many films, documentaries, literary works, speeches, and critical writings contribute to the ongoing conversation about liberty and justice in relation to independence. A 2024 documentary produced by Wandrille Lanos, titled Haïti, la rançon de l'indépendance, explores how liberty and justice were interpreted during Haiti’s struggle for independence. From September 22 to 26, 2025, during the United Nations General Debate at the 80th Session, the current president of Ghana, John Dramani Mahama, argued that colonization should be recognized as one of the greatest crimes against humanity.

Call for Abstracts

Postcolonial Interventions in association with Centre for Studies in Gender, Culture and Media, West Bengal State University and the Department of English, Sister Nivedita University invites abstracts for an international conference on Indian Writing in English to be held in Sister Nivedita University, New Town, West Bengal on 13-14 March 2026.

Indian Writing in English in the 21st Century: Negotiations, Resistance and Alternatives

Call for Papers 1: You Are On Native Land:  Understanding Medieval Studies in Turtle Island

The EDID Committee of the CSM/SCM invites papers on Indigeneity and the medieval. 

Visual Cultures of the Medical Modern

A two-day conference to be held at Azim Premji Bengaluru, 19th - 20th February, 2026 co-

organized by the English and Media Studies group

About the conference:

Call for Papers: Resistance from Within: Art as Covert Defiance | March 27, 2026

Keynote Speaker: Dr. Diana Martinez, Assistant Professor of Architecture, UC Berkeley

Graduate Student Symposium

Department of the History of Art and Architecture, Tufts University, Medford, MA

The Department of the History of Art and Architecture at Tufts University invites graduate students to submit paper proposals for the 2026 Graduate Symposium titled Resistance from Within: Art as Covert Defiance, which will be held on March 27, 2026, in Medford, MA. 

The American Association of Australasian Literary Studies (AAALS) invites proposals for a Virtual Seminar Series held during the month of June 2026 over Zoom. This seminar series will take place in lieu of the 2026 AAALS conference.

Seminars can be of two types:A) panel or B) roundtable. Panels can have between 2 to 3 speakers. Roundtables can have 4 to 5 speakers.

Shakespeare is one of the inventors of the category of the human as many modern and contemporary cultures know it. Even his most monstrous and otherworldly creations have a detectable human side. The critical tradition of Shakespeare has already established that these characters are to be read as reflections of certain psychological aspects and repressed characteristics of the main characters of his plays, as allegorical representations of emotions, principles or beliefs, as codification of ethnic and sexual differences, etc. Thanks to this tradition, focusing on the human side of these characters has become the norm. It happens almost intuitively as soon as a critic or scholar starts their analysis of these characters.

Special Issue

Shopping Fictions: Representing Shops and Shopping in British Literature and Culture

The long nineteenth century was a period marked by industrial revolution, scattered religious beliefs and technological advancements. The Gothic tradition recorded these significant changes through a language of monstrosity, excess, and horror as the Industrial Revolution gained momentum, coal and steam power expanded, and as soon as the British Empire increased its extractive demands on colonized ecologies and laboring bodies. This edited volume proposes a new way of looking at Gothic figures such as vampires, parasites, doubles, and consuming machines in order to examine how such tropes adumbrated the anxieties, ethics, and violences of environmental extraction.

CALL FOR PAPERS

Crossroads VIII: Alterity And The Comparative Imagination

University of Massachusetts Amherst, Program in Comparative Literature | Amherst, MA

April 10-11, 2026 (In-person conference)

In Memoir: An Introduction, Thomas Couser observes that the recent memoir boom has also
given rise to the “some body” memoir, allowing marginalized voices to enter mainstream
discourse. These accounts, he notes, often possess a performative dimension, one that enacts
the clear message: “I’m here, and I can speak for myself.” As such, life narratives by women,
racial minorities, LGBTQ writers, and individuals living with disabilities or illness extend beyond
the detailing of events; they undertake the critical work of interrogating social and cultural
concerns.

GENDER AND SOUTH ASIAN VISUAL CULTURES IN THE TWENTIETH CENTURY Deadline for 250-word proposals: November 2, 2025 Association for Art History Annual Conference, April 2026Cambridge, UK This panel aims to explore the relationships between women and visual culture in twentieth century South Asia, challenging the oppressive structures that inform postcolonial subjectivities and engaging with practices that inaugurate new visual grammars.

Translation is a practice and an academic discipline that is always concerned with otherness. While it can be framed optimistically as an act of connecting and fostering engagement with different cultures, it must also be considered as a potentially harmful act. Especially with regard to so-called cultural realia, translators are increasingly aware of the ethical implications of their work. As Ritva Leppihalme explains, “[s]ince all texts are anchored in their culture, it follows that culture-bound items in the source text can present problems for translators” (126) and translators should thus possess “intercultural awareness” and “metacultural competence” (Leppihalme 127).

Concept Note